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Category: 2016 (page 1 of 9)

Holds movie reviews from the year 2016

Passengers Movie Review (2016) | Love at Strange Crises

The coolest people we know, Chris Pratt and Jennifer Lawrence finally pair up together for a sci fi flick. Passengers movie acts as a gorgeous engaging flick only up to a point, after which it suddenly begins to falter and fidget. By the time we reach its end, the damage is too gigantic to recover from. The solemnity with which the movie had actually begun and crawled forward with, ends up becoming quite vapid for even a romantic movie. However, the movie still manages to literally hyperdrive.

Plot of Passengers Movie (Spoilers Ahead)

Passengers takes off brilliantly when it begins. Its beauty lingered in its stunning unravelling, the slow revelation of its intriguing plot.

The flick commences with an engineer Jim Preston waking up from a hibernation pod in a starship called Avalon, only to realize he had awakened too soon. His entire crew is headed towards a planet similar to that of earth called Homestead II. Now he can’t go back to sleep because the Avalon’s pods don’t work that way. He realizes there was still a good 90 years left for the ship to reach its destination, that he was a surefire ill-fated quietus.

image of passengers movie starship Avalon

There is only one person, er, android on the entire ship, he could have a real conversation with. The humanoid named Arthur played by Michael Sheen is a pleasant company to keep when the chips are down. The pilot area is barred by a door that can’t be opened without an authorized security bracelet. So all his efforts to enter the room goes in vain.

“The universe is not evil but it has a nasty sense of humor.”

The Sleeping Beauty

The twist in the tale arrives when Jim struggles to live insanity for more than an year, eventually deciding to give up. However, too scared to take his life, he comes across a sleeping beauty named Aurora Lane played by Jennifer Lawrence who changes the way he looks at life. He checks her files, recorded videos to find out more about her eventually falling for her hard. He decides to live, and within his countless confabs with Arthur admits an unwarranted wish to wake her up, even though it was downright unscrupulous.

Blinded by love, he ends up manually overriding Aurora’s hibernation pod. Without telling her who or what caused her pod failure he allows her to fall in love with him. Smitten with each other their destiny begins to write itself in their slow impending doom.

Stranded Destiny

It is that sense of wretchedness that swallows Aurora just like it does to us, when there’s nothing to do. When you feel constantly stranded on a planet with nothing substantial to work upon.

“I envy you Arthur. You have a purpose.”

Things run smooth, until one day Arthur, the android to whom Jim had confided in, spills the beans. It is this turmoil that destroys whatever Jim had so diligently built. Mad at Jim for waking her up before time, and considering it murder, she refuses to see his face or even listen to him.

Meanwhile Avalon has encountered numerous damages and is definitely going to blow up if they didn’t do something about it. Wakes up Chief Deck officer, Gus Mancuso portrayed by Laurence Fishburne with the authority to enter the room they had failed to enter. On being told by Aurora of what Jim did to her, Gus reasons with:

“The drowning man will always try to take someone down with him.”

This makes you wonder, it always takes a third person’s perspective to see something that stays clouded by your judgment. Even though Gus put it in her head, it was enough to think why Jim did what he did in the first place. Though not justified, for the first time she took things from his perspective.

You can pre-order the Passengers movie from here:

The Final Part

The climactic part deals with Gus passing away, handing over the reins of the ship into the hands of its two intact passengers. Identifying the cause as an asteroidal damage that had fried up Avalon’s reactors, both work to set things straight. However, since the system is fried, and the reactor is out of control, Jim decides to go manual on it trying to vent it out. It is this ultimate sacrifice that has Aurora convinced about his huge significance, begging him to come back alive.

Once the reactor door opens and the heat vents out, it sends Jim flying in the air disconnected. He begins to wane when Aurora with hopes to bring him back, goes after. Back in the safety of the starship she finds him dead, but eventually performs a major Prometheus kind of pod operation on him to resuscitate him back to life.

Mawkish Vibes

Image a world that’s sleeping, and you are the only person wide awake. Doesn’t that reflect, I don’t know, life? It’s metaphorical only if the movie meant it. But I am afraid, Passengers movie is too shallow to actually mean it. It doesn’t cash in on its poetic vibes, rather focuses on what’s going on to meet the story requirements.

The chemistry starts off great, but then loses its spark. Jim suddenly feels getting sidelined, and doesn’t bank on his sea of thoughts when things begin to go south. Morten Tyldum overlooks emotional profundity, ends up eliminating pathos entirely.

still of Jim Preston and Aurora Lane in Passengers Movie

Final bits are as ridiculous as a movie could get. It keeps spiraling and escalating desperate to meet a happy end. It’s hard to take things seriously, when everything keeps happening in split seconds. The movie loses its endearing riveting focus then and there, that had us spellbound so far.

A headstrong Aurora in the end becomes a mere observer when she doesn’t know what’s going on, or what’s happening. The part where she ends up getting hit by a shard seems like weirdly input. To justify the heat of the moment!

Also, the colossal import of traveling to a distant planet, living alone for an year, diminishes when you lance it with cheap saccharine drops. That’s what the movie ends up becoming owing to that sped up ending.

The Final Verdict

Passengers movie makes you think of how fate binds us despite our attempt to slingshot past it. Life can happen at the most unusual places, at weirdest junctures. So can love crisscross you on uncalled for crossroads. That fate has a funny way of dealing with things. It, in a way, teaches us to make the most of the now, forgive and live before we forget how to.

If you try hard to read between the lines, the theme of the movie stays poetic as well. It reflects everything kind of our extant lives. How two people wake up, they fall in and then out of love. Their existence in a “sleeping” world makes you believe that’s how it always works in reality too. That rare magic eludes us, then happens, only to vanish again like stardust. If we hold on to it, by forgiving each other, despite how bad the fallout is then we can truly enjoy our ride.

It is just that Passengers movie is more inclined towards romance than adventure or drama. Even though the onscreen pairing of mischief is what we had been dying to see for so long, the movie doesn’t live up to the mark in terms of spell-binding gravitas that we expected from it profusely.

Still it’s a movie that should not be missed owing to a story that makes you marvel at human mind.

Check out the trailer of the Passengers movie here:

A Monster Calls Movie Review (2016) | Battling Your Inner Monsters

A Monster Calls is a dramatic stunner. It squirms your insides when you try to empathize with its protagonist, one hell of a child actor, Lewis MacDougall. Its evident story happens between its lines, as it takes refuge of a child’s fancy to expound some of life’s biggest lessons – expressing yourself as you are, accepting a pitfall and coming to terms with it.

The movie is based on an enthralling book of the same name by Patrick Ness that actually originated from an idea by Siobhan Dowd.

Cardinal Theme of A Monster Calls

There are two facades to the human brain. The one, that is the sane one, says things that you really mean. Then there is the other one, your daft side that keeps interposing and writing off decisions laid down by the first.  It is a constant battle between them that affects your choices, that plays your mood to its tune. This might sound crazy to a grown up who has the reins of his brains well sought and unknotted, who is often not vexed by his choices. (That’s too rare again!) But to a child whose thoughts run rampant, it is simply huge.

The negative and the positive thoughts that keep curdling inside you wage wars trying to cloud what you really wanna do or say. And that’s where the movie’s true theme resides. In those hollows of vexation!

image of felicity jones as mum and Lewis MacDougall as Conor in a monster calls movie

What you really mean, the purest form of it all comes when you are feeling a true uninfluenced feel. The movie tries to bring its protagonist to terms with his actual pious veracity, and it only concludes when its job gets done.

J. A. Bayona’s Engaging Direction

It’s official! There’s no director better than J. A. Bayona who could successfully unsheathe qualm and disquiet from a child and then present it in the most beautiful way possible. We saw that happen in the havocking nature pillage The Impossible in 2012 when he made us cry tears of rekindling joy, and of course in the stunning 2007 horror The Orphanage, which was Bayona’s debut film.

To bring out the natural flair of Lewis’ acting prowess Bayona brims up his life with ample loner shots before bringing the Monster in. His direction is so pleasantly lucid that you find yourself reading a child’s thoughts on the go. It has proper focus to dribble emotions right into your hearts.

A Monster Calls walks in with three, nay four, extraordinary stories with hidden meanings and messages. All of them are beautifully done with outstanding CGI. The Monster appears very real too.

Plot of A Monster Calls Movie (Spoilers Ahead)

To begin with the prologue we find Conor (Lewis) staring at a tree. He is constantly miffed by a nerve-racking dream. In it he finds his mother portrayed by Felicity Jones caving in to an annihilating earthquake. It swallows her up, leaving him helpless and stranded in the process. We find him leaving for school, preparing his own breakfast, dressing himself up for school, in short, taking care of himself. His mother is sick, and it is up to him to look after himself. With that you can almost see how Conor’s nightmare is perfectly poetic and in line with his biggest fears.

He summons up a monster voiced brilliantly by Liam Neeson who presses on telling him three stories for extricating Conor’s nightmare. All of these stories are strewn across the movie and in context with things happening with his life. The tree monster claims that since it was itself the common element in every tale, it knew very well what went on in those tales.

Three Stories of Tree Monster

The first story is about a kingdom that was miffed by vile creatures. A king loses all his sons except one to them, who grows up to become a warrior. Before he comes of age however, the king marries a beautiful young woman. Soon the king dies and the world believes that it was her who had poisoned the king. To keep the reins of the kingdom in her hands, she plots to marry the prince. However, the prince runs away with a farm girl who he was supposedly in love with. They stop to rest under a tree (the monster).

On waking up, he finds the farm girl murdered. Declaring that it was the queen who had murdered her and convincing fellow farmers of it, he wages war against her along with them. The tree monster awakes and joins the attacking mob, however the monster saves the queen in the process carrying her to a far away land. The reason the tree monster saves the queen is because it saw the prince killing the farm girl to snatch the throne wrongfully.

The above story reflects the life of Conor as well, when we are introduced to his grandmother whom he abhors profusely.

Second Story of Apothecary and Parson

The second crucial story is the one that deals with an apothecary, a guy who is inclined to treat diseases and ailments using conventional methodologies. Fighting him off is a new world parson who discourages everybody from going to apothecary for treatment. He stops the parson from cutting down a healing tree (the monster tree) that could have allowed him to cure any disease in the world.

However, one day Parson’s two daughters become really sick and all his attempts to cure them goes in vain. When nothing works he finally falls down to his knees seeking apothecary for his help. The apothecary refuses him when he finds out that the parson is ready to sell his faith and whatever he stood for, just for the sake of saving his own daughters.

The tree monster surprisingly awakens to decimate the parson’s house even though clearly apothecary seemed at fault for not helping the parson. The monster believed that if the parson hadn’t been so selfish in the first place, he would have been able to save both his daughters by allowing the apothecary to cut him down. He wasn’t staying true to himself by deteriorating from his path, and so he needed to be punished for it.

In the real world, Conor destroys Grandma’s house believing it to be Parson’s. When his grandma finds it, she doesn’t punish him for it, since she considers it a mere ripple against what’s imminent.

The Third Story of Invisibility

The third story was supposed to be about a boy being invisible. It actually happens when Conor is tired of being invisible. When everyone (including his mother) keeps treating him as if there was nothing wrong with his mother, as if he did not deserve to know what was befalling her. The fact that he already knew that his mother had cancer made it even sadder. On being bullied once again, he breaks all hell loose on his predator, by calling up the monster and beating the hell out of him.

As an aftermath, he finds the whole world looking at him, of him becoming visible, of everybody knowing about him, of the principal acknowledging his presence.

You can pre-order A Monster Calls Movie here:


The Fourth Story: Conor’s Nightmare

As mentioned before there were actually four stories, the fourth one being Conor’s acknowledgment of his biggest nightmares. It is summoned by the monster actually that recreates the exact setup Conor used to imagine, and re-imagine as his nightmare. His biggest nightmare, however, wasn’t letting his mum fall into the maws of abyss, but was that he wished it all to get over. Like an innocent brain wishing a thing and phase to pass, he had secretly wished for his mother to die. It killed him, wondering if he had unknowingly brought that fate upon her. The second sane sacred brain of his that hadn’t had the chance to accept the unacceptable finally gets a shot at understanding the impending disaster, when he is pushed on by the monster to actually feel the pain. The unstoppable cancer then does its job.

You see in all the above stories, the common element was always the tree monster. Even though Conor accepted its existence as a mere fancy, he used it to justify all of his acts. In the end, we get to know through the artistic portrayals of his mother’s drawings that the monster, and all the characters of his story were actually figments of his mother’s imagination, that she had once used to narrate him stories of.

image of conor sleeping under the tree monster in a monster calls

Amazing Parts

One of the best lines from the movie is when Conor’s mum understands. She says that she knows and fathoms everything that went inside the head of Conor. In one of the frames, she is shown actually nodding to the monster who by the way doesn’t exist. But is in a way suggestive of how mum comprehended everything that the little lad went through.

It is hard not to marvel at the magnificent water color paintings in the movie. The fact its paintings were created as a result of blowing water paint on the paper made it appear even more gorgeous. The CGI is absolutely ravishing too. Stories are brilliantly played out giving the story its innate perspective.

The most destructive scenes from A Monster Calls is, I believe, is when Conor tries to reason with her mother why the tree monster couldn’t save her, when it was supposed to? It’s hard to stop your tears of dam from breaking then. Also, when he runs wild on finding out that her death was inexorable.

The Final Verdict

A Monster Calls is an absolute wonder. It is a movie that fits the shoes of the actual book just fine. To help it achieve that is of course Lewis MacDougall’s brilliant acting, and Liam Neeson’s grave voice, and also the movie’s exceptional CGI. Transitions that go on inside the frames of all the stories are simply awe-inspiring as well.

Drama of the movie is simply top-notch. I would recommend this movie to everyone.

You can check out the trailer of A Monster Calls Movie here:

Sing Movie Review (2016) | Another Toast for the Dreamers

Sing along your favorite songs with the most adorable bunch of animals! Sing movie is an anthropomorphic take of Christophe Lourdelet and Garth Jennings, a brilliantly scripted venture that tries to edify the lives of animals. It does so effortlessly by resonating us with them in the right proportion. They let humanity seep under the skin of animals to epitomize important life lessons, and the problems every fellow dreamer has to deal on an every day basis.

Plot of the Sing Movie

Although the movie packs in a plethora of cute animals to look forward to, the best and the most prominent one however stays the leader. A Koala bear named Buster Moon, voiced beautifully by Matthew McConaughey, is the guy with the cardinal vision of seeing success dribble in through his theater gates via show business.

still of buster moon the koala in sing movie

He is an optimist who has never learnt to give up. Buster retains hopeful eyes, the ones that are always excited to see new things sieve in. The gleam in them tells you that he is eager to shape dreams into reality, and always ready to deliver.

With his job to hunt down only the best, he possesses the natural flair to always dispense the right judgment. Things that he does are strong enough to often leave you brooding with a poignant sense of regard at your scattered dreams. It contrasts how we tend to give up our dreams with the slightest sign of trouble. With Buster Moon’s efforts to work around things to get things running either by hook or crook, you can feel in your bones the warmth of a never give up attitude that is so crucial to get by.

You know what’s great about hitting rock bottom. There is only one way left to go, and that’s up.

Other Fellow Dreamers (Spoilers Ahead)

Buster Moon’s big aspirations are inspiring. But it is owing to his clumsy accidents along with Miss Crawly, (surprisingly voiced by Garth Jennings himself) that sets the Sing movie on wheels. Paths get paved for aspiring singers when promotional fliers of $100,000 for a singing competition accidentally overrun the whole town. Though it was intended originally to show a mere $1000 and came up straight from Buster Moon, the huge success of it made him play along.

Talented singers from eclectic background show up. Oh! Watch out for their auditions, by the way. They are outright hilarious! When you watch them all auditioning for the competition, their species and their ungainly acts make things even funnier. It would be hard not to crack up.

Aslo, a bunch of girly Japanese dolls (Pandas probably) keep showing up every now and then to perform, assuming they have been selected. Watch out for them as well! So funny!

 

still of meena voiced by Tori Kelly in Sing movie

Among other crucial animals are Ash, Eddie, Johnny, Rosita, Gunter, Mike,  and the exceptionally talented elephant introvert Meena. The latter’s voice has been given by none other than Tori Kelly. Her voice is so beautiful that it would bring tears to your eyes. Also, her side-plot is one of the best the movie has.

So the movie is basically more of a competition where animals from different backgrounds come in the front-line to test their luck. Their lives are intertwined with their domestic issues and concerns that stop them from, in one way or the other, from following their dreams. But it is about beating all odds to come out with flying colors.

Songs in Sing Movie

Taking the movie moniker into account, the primal theme was basically supposed to be songs. So it doesn’t fail in that direction at all. There are around 60 songs shoehorned in the flick that play at various junctures setting you in the right vibes.

Among the most prominent ones are:

  1. Faith by Stevie Wonder and Ariana Grande
  2. I’m Still Standing by Taron Egerton
  3. Hallelujah by Tori Kelly
  4. Don’t You Worry ‘Bout a Thing by Tori Kelly
  5. My Way by Seth MacFarlane
  6. Set It All Free by Scarlett Johansson

You can pre-order Sing movie here:

Minor Downsides

When you look at the downsides of Sing movie, you could hear some bells knell in its comedy department. It is definitely not that funny, but there are ample jests to keep that flow going. Also, the movie doesn’t have anything huge coiled up waiting at the climactic end. It’s there where you feel all that amped up energy slowly wane. The subplots feel deliberately created to show feigned approvals, and they become really drab at one point.

Also, if you really look at the movie it appears to be more of a cliched tale confined to pursuing something, falling and then rising up again. That is all. So, there is nothing extraordinary apart from that for us to feast upon.

The Final Verdict

Even though the Sing movie’s theme is a tad predictable, it manages to hold up really well. Almost giving you an impression as if you are watching a good reality show. You begin to feel for the characters, sympathize and empathize with them as you might have done for characters in the real world. It makes you appreciate Garth Jennings even more, who also happened to have written the story of Sing.

This latest by Illumination Entertainment is way better than all of its past works so far. It cuts short the snappy humour that it was known for, but still manages to come up with a beautifully crafted animated flick. It has family entertainment written all over it.

You can check out the trailer of Sing movie here:

 

 

Assassins Creed Movie Review (2016) | Another Epic Game Bites the Dust

I am a huge Assassin’s Creed fan, and one of many expectant eyes who waited for the Assassins Creed Movie to finally sprawl out in a Cinema hall. With the likes of Michael Fassbender and Marion Cotillard embellishing my favourite game franchise, things were kind of looking promising from a distance. Hell, it was Justin Kurzel behind the lens after all, the guy who had given direction to the arresting MacBeth, and he had claimed his throne with the same onscreen pair. I thought, what could go wrong? Except everything!

Assassins Creed Movie is a debacle that became everything we did not want it to become. If you rule out the gaming franchise for a second, hell it doesn’t even make a good movie either. You compare it with other flawed game movies out there, okay it is better than a lot of them owing to its subtle direction, but it is still not up to the mark.

Direction of Assassin’s Creed

Justin Kurzel is no doubt great, but I believe, wasn’t ripe enough to take this project. He had still a lot to learn about the game before actually heading behind the camera for the plot. You take a look at any of the video trailers of the game, and you realize how intense their depiction really is. Hell! Ubisoft video game trailers are better than this movie! Sadly that intensity was missing from the flick throughout. He gave you those familiar ‘leap of faith’ moments no doubt, twice in the movie, but with nothing to bolster the movie on, everything ended up becoming a mere – Meh!

To do things differently he chose to show Animus as a robotic hand that man-handled the protagonist as he synced with his memories. It was different no doubt, but Kurzel, in an attempt to spoon feed the audience kept jumping from the real world to the past, which took its gravity away. How would you feel if whilst playing the game you kept getting desynchronized to see what your hero was actually doing?

still of michael fassbender and michael K williams in Assassins Creed Movie

He didn’t let us concentrate on one world, and chose to flicker in and out both enclaves instead. To be honest, it wasn’t easy on the eyes! I concur, Justin Kurzel was trying to make things appear more palpable and hence the frequent on-off depiction, but that killed the fun for most of us.

Plot of Assassins Creed Movie (Spoilers Ahead)

To comprise the plot of Assassins Creed we are served the original Apple tale. Yes, the Apple of Eden story! For those who don’t know anything about it yet, why don’t you give the game a shot for once? Anywho, moving forward, the story leaps ahead with a prologue set in 1492 where we find Aguilar de Nerha, portrayed by Michael Fassbender, being sworn in into the brotherhood. Then the frames take us to 1986 where we find Callum Lynch a modern day descendant of Aguilar, returning home only to find his mother dead. To his shock, he finds out she was murdered by none other than his father, Joseph Lynch. In the backdrop Abstergo sends men to capture Joseph. Before he was held captive Joseph asks his son to escape.

Main Course

Thirty years later, Callum Lynch is all grown up and set to be executed on charges of murder. Abstergo swoops him away after finding out that he too was a descendant of Aguilar. He gets a shot at life, but only if he complies to Abstergo’s demands. He meets Sofia (Marion Cotillard) who tries to cut a deal with him to find and locate the Apple, the ancient artifact with the cure to violence. So, what Cal is supposed to do is get in the Animus and relive his ancestor’s memory to find exactly where that wretched thing was.

The whole thing is seen over by Alan Rikkin, Sofia’s father portrayed beautifully by Jeremy Irons. He is pressurized by his superior, Ellen Kaye (Charlotte Rampling) to shut the whole project down since the Apple was nowhere to be found. Sofia discords with her father believing he was never actually looking for the cure.

You can pre-order the Assassins Creed movie here:

The Bleeding Effect

Meanwhile the problem that silently nibbles Cal away is “The Bleeding Effect”, wherein he keeps getting hallucinations of Aguilar and other Assassins of his era. Owing to that he starts accepting his ancestral traits too, only to end up embracing  the Creed for good. Eventually, the Apple traces back to Christopher Columbus who had sworn to take it to his grave. We get to see that gradually happen with relived memories of the past.

Soon riots break out. Held assassins were plotting all this time, against the Templars to escape their inevitable death. Numerous projections of the creed that comprises of Aguilar, Cal’s father and mother surrounds Cal. It tries to insinuate that Cal fully captures the traits and memories of his ancestors, and becomes fully “synchronized”. He uses his abilities to break out from the facility along with the Brotherhood that he had befriended there.  Meanwhile Alan escapes with Sofia with the knowledge about Apple’s whereabouts.

The final scene takes us to London where a ceremony is being performed. Alan is celebrating with his fellow Templars the retrieval of the elusive artifact. Enters Cal, who assassinates him and takes the Apple back only to protect it again like his ancestors once did. Sophia vows revenge on him and the curtain drops.

Other Issues

Screenplay of Assassins Creed movie at times is good but then most of the times submerges with explanations. It has a lot of parkour no doubt, and some stunts look pretty dope as well. But there is nothing so catchy that you could go home cherishing. Except of course that leap of faith. But you have already seen that happen so many times in the game that it doesn’t budge you anymore.

still of Michael Fassbender and Ariane Labed in Assassins Creed Movie

Also, Ariane Labed‘s Maria, badass as it seemed starts off without a spark, and then dies down so abrupt that it is hard to sympathize with her. No chemistry was created, for us to actually feel bad for them. Sofia looking at memories when Cal finds projections surrounding him is one of those other things that vexes you beyond limit.

The music is fine, but it doesn’t have the intensity of Jesper Kyd‘s compositions. Jed Kurzel doesn’t retain the gravitas of Jesper Kyd’s thoughtful music. It was a big turn off!

The Final Verdict

It’s amazing how Hollywood keeps finding ways to ruin games. Maybe games tend to have that composed feel to it that syncs with our lives. When you play the protagonist you actually feel like you are in the driving shoes. With that you enjoy every element existing around you. You breathe in it, and you listen to the music as you clank your swords. You sway with control, with power. Maybe that’s why it is hard to achieve that high! If a movie tries to do that it never reaches such levels.

Assassin’s Creed becomes just one of those films that passes you without instigating or compelling you to look.

Check out the trailer of Assassins Creed Movie:

Dangal Movie Review (2016) | Celebrating the Rigorous Phogats

The Phogat family finally gets the limelight they deserve. If it weren’t for Dangal movie, one of Nitesh Tiwari‘s best works hitherto, more than half of the country wouldn’t even realize a feat so colossal had happened once in their backyard.

It goes without saying, we barely care for things that aren’t there for big screen viewing. How much we weigh a feat depends on the who, the what, and the how of its portrayal. In a way things were already headed to awesome-ville the moment we saw Aamir Khan sizing this huge project with his thoughtful eyes. The bar was still in the hands of Nitesh though. Unfortunately he couldn’t really raise it to the extent we had expected it to reach in the climactic half of the movie.

Overlook that, and you still have a brilliantly directed flick in your hand. Right from the point where painstaking detailing has been put in its wrestling bouts to the point where personal ego is allowed to rip relationships apart, Dangal doesn’t disappoint.

Aamir Khan’s Dangal

It wouldn’t be wrong to say Dangal is entirely Amir Khan’s movie. We are already aware of how seriously he takes his projects. Heights he scaled for Dangal movie in order to crack perfection once again was quite evident from his “fat to fit” video. He got under the skin of Mahavir Singh Phogat and literally became him. That puckering of his eyes and that frown over his brow tell you he was living the constant turmoil the protagonist had once faced. He makes melodrama more interesting to watch. It is hard not to empathize with him whenever he delivers a crushing line. Then it wasn’t just him who was taking his role seriously, but the rest of the cast too.

still of Aamir Khan's transformation fat to fit in Dangal movie

Moving on to the flick’s deuteragonist, Geeta Phogat, is the one who is chosen to take the movie forward. As some might already know, Geeta was India’s first gold medallist in Wrestling at Commonwealth Games. Dangal movie is basically centered around her childhood, her ego clashes with her father, and then the onward journey to earn that elusive gold. It also serves as an inspiration for women all across India.

The Childhood Phase

Phogat kids had it rough. Geeta’s childhood portrayal was superbly aced by Zaira Wasim. It was complemented brilliantly by Suhani Bhatnagar, who plays young Babita Kumari. Zaira is a very talented artist who makes her presence felt every time she comes on-screen to deliver.

The ‘Hanikarak Bapu’ song beautifully captures the monstrosity levied upon by every Indian child by a strict parent in reticent words. Children’s innate knack to shudder the moment they hear their father roar was strangely relatable. Indian parenting is still as arrogant as the movie projects. It is in fact a way of living, which even though is gradually waning today, is still extant in less developed areas. People choose to believe in those obstinate chores to instill in their child a wont, hoping parents are actually doing the child a huge favour. Thus follows the Dangal theme trying to show the biopic as is.

A child is every reflection of their parent’s. It’s their hammering that gives a child’s life a perspective. In an attempt to prep them up to align them towards a purpose, Mahavir lays down questionable iniquities on the Phogat sisters. But in the end, they deliver. It is what the world remembers them by.

How many Phogats gave up trying to pursue a dream or a vision they couldn’t see all the way through? Or worse, ended up rebelling against cruelty and losing the image, the fate that was meant for them in the first place? There’s a reason the name of the Phogats will resound in eternity. It is all because of a constant painful struggle to reach an elusive goal, and a focused path manifested by a strict visionary topped with a rigorous lifestyle that helped in turning dreams into reality.

The Primal Aspirational Argument

There are two faces to a coin. It is aptly justified when a broken Mahavir visits his children at night to ease their pain. It crushes him too being that strict, but he believes to achieve bigger things in life sacrifices are inevitable. He puts:

I can’t be a father when I am being a mentor.

If you are thinking why one should be enforcing one’s thoughts and aspirations onto a child, you have to understand it is a child that can be manipulated. You can’t impose your thoughts on a grown up. Try to reason with a grown up and it will end up in a fuming debate. If there’s a direction you see, you can only tell someone with a clean slate to follow it, and not a person that questions you back.

still of Zaira Wasim as Geeta Phogat in Dangal movie

To a child who has yet to figure out a dream, it is a perfect phase to show him/her a path. If you prepare them upfront, they will come to understand one day why one’s doing what one’s doing and what needs to be done.

You put that in my head. It’s all I see.

That leaves us with two ways to look at it – What Mahavir did was absolutely unjust, trying to surmount your dreams on your children’s delicate shoulders, smothering their own dreams, making yours their own. Or you could look at it as what Mahavir achieved by pushing his children was exactly the kind of fame his kids expected from life. Isn’t that the job of every mentor? All great sportspersons who excelled at something had their coaches moulding them constantly at every juncture. If there was no Mahavir or his big dreams, we would have never heard about the Phogats at all. That’s where the former argument goes invalid.

Extraordinary Family Drama of Dangal Movie (Spoilers Ahead)

Whilst trying to justify Dangal’s heartwarming drama, we get to see some of the most havocking bits, all coiled up after Geeta and Babita grow up. There is this moment of egoistic clash between Mahavir and Geeta that will tear you apart. It is very engaging and makes you very emotional. It is the apt music placement that tingles the right chords causing you to have your blood-curdling moment.

You can order soundtrack of Dangal movie from here:


Also, when Geeta keeps losing, realizing her mistake, is contacted by Babita. She suggests her to talk with her father to ask for forgiveness. That’s another dramatic moment right there! It would again have you crying along with the protagonist. It’s quite nerve-racking in a way. You can’t help but empathize with them, and that’s why the tears end up becoming real.

Downsides and Flaws

Whilst Dangal is a great movie it isn’t entirely devoid of flaws either. After a dashing better part of the flick where all the melodrama lurks, when you realize you are about to reach the movie’s climax, things begin to kind of fall apart. Suddenly Geeta Phogat loses her awesome comportment; she becomes strangely submissive.

We find a coach who is shown in an ugly limelight. His character is made so wicked that it is hard to take him seriously. It is not good for the plight of Indian sports. People are so emotional that they are going to believe such elements exist in our country, and might blame a coach for someone’s poor performance. It is a fictitious character created from thin air, named Pramod Kadam played by Girish Kulkarni, since we can’t really do without a villain in our stories. Also, maybe we need all the hate to go somewhere I surmise.

Nitesh loses his touch when he makes sports a laughable affair. He shows international players in a negative spotlight, as if there’s no extant spirit of sports in people from foreign land. I doubt if the Australian actually made a smug statement of destroying Geeta Phogat. It was a villainous image she was framed into.

Climax of Dangal Movie

Nitesh Tiwari also changes some facts to make the final look like a nail-biting affair, which was okay actually. But when he decides to emote the whole climax by locking Mahavir away, you can’t help but shake your head. It’s as if he ran out of story, and was desperately looking for that modicum of a culminating point to satiate a patriotic crowd. That appears immensely contrived and artificial. Ending is written in a light so as to extract uncalled for nationalism from a parallel running anthem. Nothing subtle about it! It looked really daft!

Sakshi Tanwar ends up getting sidelined way too much for her one big on screen role. There is so much talent in her that never really came to fruition in the movie. Also, the screenplay of the movie is average and doesn’t carry that glint of subtlety to it. It becomes really disturbing at times when you are forced to listen to the weird juxtaposition of “Attack!” and “Defend!” shouts that break in during an intense match. You can’t help but wonder if that is the way international matches are really shredded.

The Final Verdict

If you really look at it, Mahavir Singh Phogat was the person who did things differently. He took the world by surprise by not following the normal ways of the living. He was bold enough to fight societal barriers, was prepared for any kind of backlash that emanated therefrom, and ready to take the world head-on. His resilience is profoundly riveting even though he seems to be layering his dream on his children.

The prime motive of biopics is to celebrate people. It’s sad, in India, it can’t be done without spicing things up. So much that we drift away from the original course. Dangal movie was no different when it ran out of stories to tell. It’s awe-inspiring energy goes missing in the later ending part. But when you take all the artificiality and the cheesiness out of the equation, you realize the movie is actually a byproduct of some really fine and intense diligence. All of it was possible because of a combined effort put in by its actors and the rest of the crew, not to forget its astounding outstanding melodrama.

You can check out the trailer of Dangal movie here:

Rogue One A Star Wars Story Review (2016) | Darth Vader Lives Again!

Rogue One A Star Wars Story resuscitates on screen’s biggest and most badass villain. Darth Vader gets to live once again as Gareth Edwards presents us with a stunning story that’s squeezed precisely betwixt Episode III and IV of the Star Wars saga. His take introduces us with the legacy of an unsung squad that helps in giving the original franchise an intriguing angle.

Star Wars Reverie

Remember how as kids we used to dream of possibilities, of ways to tackle an on-screen pickle? Movies were real for us. All elements we saw were real too. So growing up watching Star Wars was no different. We would be constantly swaying under its wraps, capering around its mesmerizing reality, thinking what if we get to walk those streets filled with aliens?

What if an AT-AT walker showed up all of a sudden from nowhere? What would we do then? How would a Jedi-less world appear to be? What would it mean to normal people? If a doomy scene homed in our heads we would try to think of possibilities to escape it.

Well, the good news is Gareth Edwards was just one of those children. And a child knows a fellow child better. He directs the movie with exactly that set of mind creating a stellar prequel out of thin air.  All those imaginative fantasies of how we would have played the streets if we were there, literally comes alive.

Plot of Rogue One A Star Wars Story (Spoilers Ahead)

To comprise the plot of Rogue One it is the story we had all often wondered about. How did it reach there, the point where Darth Vader invades Princess Leia‘s ship killing everyone before capturing her. It is a very thoughtful winding tale that completes all the dots beautifully.

image of Mads Mikkelsen as Galen Erso in Rogue One A Star Wars Story movie

We are introduced to new characters here starting with Galen Erso portrayed by Mads Mikkelsen, the mind behind the creation of the formidable planet destroyer Death Star. He is hiding on a planet named Lah’mu with his family after discovering the true motive behind the creation of the deadly weapon.

The prologue wraps with an Imperial leader Orson Krennic portrayed superbly by Ben Mendelsohn invading Galen Erso’s abode killing his wife in the process, taking Galen away with him for finishing the creation of Death Star. Galen’s daughter Jyn Erso however escapes the onslaught and is later discovered by Saw Gerrera (Forest Whitaker) the rebel leader.

The Main Mission

When the main course is served we find Bodhi Rook an imperial defector, played by Riz Ahmed, trying to contact Saw in order to deliver a message from Galen. Meanwhile a captured Jyn Erso (Felicity Jones) is released from her captivity by Rebel Alliance only to slap her on a mission to rescue her father. However, Cassian Andor (Diego Luna) who is supposed to accompany her, has been secretly briefed by the Alliance to kill her father instead.

The path of their mission crosses with the discovery of Chirrut Imwe and Baze Malbus who end up accompanying them to overthrow Imperial plans. We also have a worked up Imperial droid K-2SO, who accompanies Cassian at all times. Watch out for his Choke Slam in the beginning!

The fate of the Death Star lies in all of their hands. It is up to them to deliver it to Rebels so as to stop the dark side of the force from taking over.

Recreating Characters with CGI

It goes without saying we already knew how the movie was going to end. Since, we were galloping towards meeting Episode IV: A New Hope, Gareth chose to kill the whole squad directing us towards the colossal sacrifice the team made in order to retrieve schematics to destroy Death Star.

In order to make sure the thrill factor hopped aplenty, Gareth Edwards chose to bring back three pivotal characters from the original. Governor Tarkin was brought to life by CGI. Even though you could feel that it was a tad unnatural, it was still a commendable job to linger him for that long. It was more of a cameo but long enough to successfully re-create his perversion.

Then the most epic scene of the movie ensued with Darth Vader hogging the screen with his demonic shenanigans. Vader was easy since all we needed was a helmet and a heavy gasping voice to bring him back.

still of darth vader in rogue one movie

Be careful not to choke on your aspirations, Director!

The final showdown which could have been easily the epilogue, finds Vader storming in from the dark to a platoon of waiting Rebellions. When you see him rampage past rebellions choking and killing them one by one, you realize how monstrous, intimidating and huge Darth Vader really was. Hands down one of the finest and memorable scenes from the movie!

It was soon followed by an enchanting glimpse of Princess Leia as she receives schematics in her hands by a fellow rebel. She was created with painstaking detailing too, and it almost sends you back in time as you watch her smile.

You can pre-order Rogue One A Star Wars Story from here:

Screenplay and Music

What was equally beautiful was the fact that the screenplay of Rogue One A Star Wars Story doesn’t get compromised either. There were plenty of good one liners enough to send you into a pensive mode. Like the time Cassian responds to this by Jyn

I am not used to people sticking around when things go bad.

by saying “Welcome Home!”.

Or when Jyn Erso puts the idea of a revolt in heads of Rebellions with a:

We have hope. Rebellions are built on hope.

It makes you wonder if it were not for her, may be they wouldn’t have really ever stood up.

Rogue one has that whiff of original Star Wars music. It constantly caters your repressed memory bringing elements of nostalgia. Be it be Darth Vader’s stylish entry or a constant turmoil in the heads of the Rebellion. It has Michael Giacchino‘s apt music to complement it with.

Rogue One has references galore from Stars Wars franchise to make you instantly euphoric. Easter Eggs are strewn all across to make you feel all gooey. You get to see R2-D2 and C-3PO too at one point. They are subtly put.

The Final Verdict

The beauty of Rogue One movie lies in how everything unfurls into a plausible course of action. It has the gravitas of storytelling and it promises to keep you riveted. Rogue One A Star Wars Story banks on surprises galore. They are inscribed in its frames as it takes you off guard with plenty of Stormtroopers and Walkers. Thrill of a laser gun fight, (only this time Stormtroopers can hit the target), of plotting a covert mission, executing it as planned, watching Rebellion spaceships come to the rescue, reliving A New Hope moments all over again give you immense pleasure.

I say you watch this movie right now if you are a Star Wars fanatic. You are going to love it.

May the Force be with us.

You can check out the trailer of Rogue One A Star Wars Story here:

Collateral Beauty Review (2016) | It Sounds Good But It Isn’t

Okay we get it. The theme of Collateral Beauty was purely based on grief, and so it had all the good actors attracted to it naturally. They had a beautiful imaginative script, and if you read something like that on a paper, it does sound good. Unfortunately when you try to play it, it becomes plain stupid. That’s what happened with the gloomy David Frankel project.

Plot and Direction of Collateral Beauty (Spoilers)

All fingers don’t just point towards Allan Loeb‘s sad script, one of the middle one points towards the movie’s direction too. David Frankel still has a lot to learn about subtlety. It’s absence shows in his work at so many occasions that it makes you want to shake your head. You end up getting a cramp because it is lodged throughout the flick.

To begin with let’s take the character of Will Smith into account. Howard is a man that snaps out right at the prologue. He doesn’t hand us over even a second to relate to him. Then you think maybe, just maybe, the reason for his anguish might be inbound for a thorough melodramatic coverage in the later half, and that it would help us come to his frequency. But unfortunately you never crack his psychotic level at all. Very unconvincing!

The description of his grief starts when his co-workers Claire, Whit and Simon, played by Kate Winslet, Edward Norton and Michael Pena respectively, gossip behind his back talking about the why, the what and the how of “aftermath daughter death”. It flings us into the primal plot almost immediately. So, we actually know the paramount reason right in the beginning of the movie itself.

image of Will Smith as Howard in Collateral Beauty

Then starts dispensable charades. Tons of them actually, where you see Howard nodding his head in agreement as if listening to what people are saying to him, and then deliberately ignoring them. Then we see Claire leaving things for him that stay untouched. Whit trying to come up with ideas that puts questions against his friendship with Howard. Oh! oh! and Simon, Michael Pena’s character begins to cough suddenly out of nowhere just for the sake of creating sub-plots.

Laughable sub-plots

The sub-plots. Don’t even get me started on them! Horrible! Why were they even there in the first place? Oh right unless the writer wanted to come back to it at a later point? Heights of the platitude!

Movie tries to personify love, time and death. And it does so with characters of Helen Mirren, Keira Knightley and Jacob Latimore. Then you see these characters suddenly focus their spotlight towards people who had hired them instead. Stories you don’t want to worry about suddenly becomes their prime concern. And these issues are so irrelevant to the main tale, that you know for sure something’s up. And then lo! You can see through it all. All of it! You see the predictable climax appear from far away.

The only thing you don’t see coming is Madeleine‘s bizarre angle portrayed by Naomie Harris, which shows us Howard visiting her as a stranger. And the only reason you don’t see that coming is because they both act like absolute strangers. But even when that gets uploaded on the big screen, you can’t help but giggle.

The Goodies

Focusing on the good stuff, as I generally do, Will Smith goes in full acting mode when he tries to overcome figments of his head. When he shouts at them trying to justify his case, he leaves them in a vexed mode. That’s where you get to see his wound slash open. So if you are a Will Smith diehard fan you are going to enjoy that incessant frown on his head.

Also, you see Kate Winslet, Keira Knightley, Helen Mirren and Edward Norton toil really hard to deliver their bits. Even though it appears like a resounding debacle, never for a second they let you feel anything amiss. There is real pain in Kate’s

“I am really sorry, Howard!”

and there’s genuine concern in them Norton eyes for his daughter. Real blush lurks on the semblance of Keira and there’s real distress in Smith’s eyes.

You can pre-order Collateral Beauty from here:

Screenplay

Screenplay is so cliched that it hurts your ears when you try to listen to them. Okay I am exaggerating there. What is worse is that it gets delivered by theater actors (at least that was intended in the first place) who think a cliched definition is all a grieving person needs to listen to.  Some of them are actually pretty good too, but the smart stuff is intentionally kept for the hero to deliver.

The Final Verdict

It’s almost as if I tell you the story of Collateral Beauty you might actually like it, and not think of it as something cheesy. But when you actually see it get dramatized and performed by actors you begin to realize how idiotic it truly looks, and that it was better off as a script unplayed.

Despite Collateral Beauty has stellar actors in the vanguard, it falls owing to its unrealistic and super contrived look and feel. Some scenes are simply out of the blue and context for that to matter.

It could have been so much better if David Frankel had decided not to helm it. Even better handed it over to Spike Jonze instead and taken some time off to concentrate on comedies instead.

You can check out the trailer of Collateral Beauty movie here:

La La Land Review (2016) | An Exhilarating Dramatic Musical for Dreamers

If there’s a definition of astounding in your head, then La La Land simply surpasses it. It’s literally spellbinding! And we aren’t only going by the story here. The music, the setup, the acting, the metaphor, the screenplay, the editing, the choreography, everything has been given ample thought and scrutiny before the actual execution. And you can expect only a genius like Damien Chazelle to ace everything to perfection.

Theme of La La Land Movie

La La Land carries that quintessential dream every dreamer has. It is about not giving up even when the whole universe seems to be plotting against you. The flick is about following your dreams till the end, about you being willing to take risks and make colossal sacrifices to reach there. It being a musical is often sprinkled with gorgeous songs that are well executed and complemented by Justin Hurwitz‘s stunning compositions. Even whilst you listen to the Jazz play, you can’t help but time travel two years ago when Whiplash had showed up. Amazing exhilarating music!

image of Ryan Gosling and Emma Stone as Sebastian and Mia in La la land movie

Fascinating Drama (Spoilers Ahead)

La La Land will rip you apart, tear you down to a million pieces. It is so profound that it touches just the right chords. And it does so by its genteel build-up. There is that thrill of a growing relationship, the perfection that seems to have been made in the stars. It goes on like that, reflecting life, and when you are least prepared, it drops the real bomb on you. Climax becomes havocking all of a sudden. It leaves you grieving, forcing you to feel its pious pain. It ends up talking to your cheeks with those teary beads.

This is the dream! It’s conflict and it’s compromise. It’s very, very exciting!

It is when you listen to Ryan Gosling play his song “City of Stars” on the piano for the first time, that you understand the level of uprooting music La La Land packs in. It is sad, profound, soothing, and in a way really satisfying to listen.

You can check out the music here:

His character Sebastian‘s way of re-imagining a life with Mia played stunningly by Emma Stone is what gives the movie a gloomy punch. It is the most nerve-racking moment of the movie. You feel the sudden gush of emotions burst all dams when you realize Sebastian wished everything undone, unwritten and then rewritten in his memories with Mia in it. I ended up in tears. It’s really that profound.

You can pre-order La La Land movie from here:

The Chemistry

Whilst there are movies that skip the chemistry to feast its plot, we get served a perfect one here. Both Sebastian and Mia create such a beautiful world that you forever stay on their high. There are metaphors galore that Chazelle uses via his songs. Like the time when they start flying in the air, even though they were actually sitting. They dance their way into the stars and cross galaxies together. It leaves things for viewer’s imagination, and it hits just the spot.

Ryan Gosling simply steals the show. There is something about him that captivates you almost instantly. You feel his pang, if he is sad. You feel his vibes when he is happy. Even when there is nothing to show but sarcasm, you feel him there too. He brings that uncontrived flair to his work that is just remarkable! When you watch him go psyched about Jazz, he makes you reflect on things that you have been passionate about all this time too.

You could just write your own rules. You know write something, that’s as interesting as you are.

Emma Stone is an equally great performer. Twice does she go into that full-blown acting mode, whilst giving those powerful auditions. The aura that she retains and the energy that binds her makes you want to give her a standing ovation every time she slithers into that mode. With that you just know the casting for La La Land was done perfectly.

The Final Verdict

La La Land deserves all the accolades! It is a movie that makes you want to retrace your dreams, inspires you to go after them. It’s romance acknowledges that perfect key that awaits your lock. It shatters you to pieces when it tries to showcase unfulfilled possibilities. Musical lover or not, it is a movie that needs to be immediately seen. Grab some tissues before watching this beauty of a movie.

 

Office Christmas Party Review (2016) | Cracks You Up Good

Office Christmas Party is written in sheer fun. Josh Gordon and Will Speck’s entertainer is a movie that will crack you up at every juncture. It’s a party that would make you want to go to. It’s this contrasting placement of work with fun that makes the concept of Office Christmas Party a jovial hoot. Then again, the movie banks on its thriftless ostentation to get through but despite all the vulgarity and the bawdry, jokes still flow.

Plot of Office Christmas Party

You might think a movie like Office Christmas Party wouldn’t be having much to its plot if it’s all about showing blatant debauchery. But the movie proves you wrong the second it starts.

With awesome witty lines to bedeck its screenplay the movie chugs forward with Jason Bateman’s Josh Parker character trying to finalize his divorce. He is the Chief Technical Officer of a company called Zenotek. Olivia Munn’s character Tracey Hughes is the Head of Tech and is a girl brimming with outstanding ideas. T.J. Miller portrays Clay Vanstone, the branch manager who is as fun as he is in person. He is literally the life of the flick.

image of T.J. Miller as Clay Vanstone and Courtney B. Vance as Walter Davis in Office Christmas Party

With the devilish character Carol Vanstone played by Jennifer Aniston, who is also the intermediate CEO of Zenotek, the story dabs its first throttle. She threatens to lay off 40% of its staff, cut bonuses and to cancel the inbound Christmas Party which everybody was so psyched about. Clay wishes to fight her off by roping in a huge client, Walter Davis played by Courtney B. Vance. What follows are acts of turpitude in order to please the client to save the Zenotek branch.

Comic Orgy (Spoilers Ahead)

As the movie progresses you realize that it paces up gradually. The party moves up a notch every second. Just like alcohol. It settles in and makes you feel better. We get to see funny characters like Rob Corddry, Kate McKinnon, Vanessa Bayer, Randall Park, Karan Soni and Da’Vine Joy Randolph turn on their full-blown mode.

Jillian Bell’s Trina will force you to burst into laughter.

I don’t do handshakes, I do hugs.

When you see Jesus wading through the party arms spread on a horse, or when you see a reindeer in the toilet, or when you behold Jeremy drop the thumb sitting on the Game of Thrones chair, you feel you got your money’s worth. Watch out for such bits!

Also, it’s the presence of Olivia Munn in the movie that makes it a very satisfying watch. Her eyes do most of the talking and you can’t stop yourself from falling in love with her all over again. And she gives you a smart enough reason to keep it that way.

You can pre-order Office Christmas Party from here:

The Final Verdict

Office Christmas Party has all the elements one needs to helm a movie into an entertainer. It makes you laugh uncontrollably, but then at times it is outright stupid. But the thing with comedy is that you gotta live it, enjoy the reverberation and then laugh it off.

Christmas is almost here. Go watch this lunacy!

Check out the trailer of Office Christmas Party movie here:

Deepwater Horizon Movie Review (2016) | Worst Oil Rig Disaster of U.S.

Deepwater Horizon is an eponymous account that highlights the work of a semi-submersible drilling rig in the U.S. waters and then follows it up to show the colossal disaster that swallowed it up. It was recorded as one of the largest oil spills in the history of U.S. that released more than 200 million gallons of oil into the ocean. The Gulf of Mexico witnessed the oil-fire take 11 lives in the process. The horrific event is still considered by many as one of the worst rig disasters of all times.

The Thing about Accidents

Accidents happen. They don’t walk in with an agenda. They are just there, and you can’t point your fingers at all the things that caused it, because sometimes it’s never in your control. But then there is leniency.

When people don’t do their jobs properly, when they skip work to relax a bit, and chill out wondering what’s the worse that could happen. That’s when the wrecking ball strikes, when you are lost in the sweet torpor of life.

Turn the pages of history, and see for yourself. Every gargantuan accident that has ever happened has happened because someone decided to slacken things, or someone simply misread a situation.

Tone of Deepwater Horizon

The fact that you are lenient and not wary enough always comes at a cost. So Peter Berg’s research shows. His findings find smug people to blame. And they are shown in that light, so you hate them even more. Hence, there is that smart mouth Vidrine portrayed by John Malkovich who receives the death stare from Jimmy Harrell played by Kurt Russell. I guess it was supposed to channel our hatred to the guy’s stupidity.

still of Kurt Russell as Jimmy Harrell in Deepwater Horizon movie

When you look at the broader picture, it shouts a different story. You can choose to look at it simply as nature’s punitive measure of getting too cosy with it. That way there isn’t just a human to blame but the entire race, that tries to fill their pockets consuming things that harms environment. But that again is a personal perspective.

Direction of Deepwater Horizon Movie

Skipping the issue at hand for a minute, and concentrating on the movie-making, Deepwater Horizon has been brilliantly manufactured. The first half of the movie sways with a solid build-up where Peter Berg is concerned more at depicting the positivity, showcasing blast people would have working at the drilling rig. He juxtaposes all the good energy with some ominous elements, in a way prepping us up for the accident that was inbound.

Then to depict man’s recklessness, he decimates what was so gorgeously built in the first half with classy strokes of stories that the rig survivors had narrated him. It is beautifully done. You rarely see his direction faltering at any juncture.

You can pre-order Deepwater Horizon movie here:

When you see how uncontrived Berg’s direction is, it almost makes you feel home. With Mark Wahlberg, who plays Mike Williams by the way, chatting his way on the go, it almost makes you realize things are going to be just fine. The casting was brilliant in that sense. Also, Kate Hudson as Felicia was a pleasant addition to Mike’s story. It helped us to grasp things from her vantage too.

Aftermath (Spoilers ahead)

The best part is the aftermath, where I was most interested in. Where a scathed Mike Williams is engulfed in a deep shock. There are people trying to find their loved ones. Their worried faces will compel you to feel sorry for them, and yet Mike is in such a daze that he is unable to respond. There is a point where he crashes on the ground weeping that makes you revisit what he had just escaped. It’s weirdly satisfying and yet sad.

image of Mark Wahlberg as Mike Williams in Deepwater Horizon movie

Even though there weren’t many frames left after the catastrophe hit, it was pursued beautifully with names and pictures of the dead. It leaves you with thin residues of gloom.

The Final Verdict

At the end of the day, looking at Deepwater Horizon oil spill incident is entirely up to you. If you wish to sneak at it as a mere accident, or an apparent case of human mistake, you wipe it out as a one time thing. You can learn from your mistakes, of course, and pay more heed to safety issues. You promise to not forget the dead. I am pretty sure that’s what the Oil Rig industries have dusted themselves up from. Or you can simply look at it as:

“If you play with fire, you are gonna get burned.”

If you wear an environmentalist’s hat to look at it you will see how much pollution the spillage really caused. You can’t justify the work being done there in the first place. We could have really used a line with someone reflecting grimly – “Is nature really punishing us?”

When you focus on how natural the flick appears as a whole, you realize its film-making has been top-notch, and it is celebratory in itself. It is sad that mishaps happen and despite what you do it always has a way of showing up at odd hours, at times when you are least prepared.

You can check out the trailer of Deepwater Horizon movie here:

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