Aaron Eckhart Archives | Straight From a Movie

Sully took my breath away. I was rendered speechless by Chesley Sullenberger’s humanly impossible act, unbeatable acumen, extraordinary decision making and his unrivalled acuity that saw him through. How humbly does he put it?

“I was just doing my job.”

The gargantuan magnitude of the paranoia that engulfed him in those split seconds of life and death, the way he came out of it, a victor, it is something that you can never forget. A feat that is so rare in our mundane that you can’t help but call him a real life superhero.

What Chesley Sullenberger accomplished on January 15^th 2009 was simply incomprehensible. One could only shudder at the thought of having lived the horror firsthand, that too from the nose of death itself. One wrong move and you are talking head-on with it. Sully managed to land the plane to save every single soul onboard. All 155 of them! That just leaves your jaw wide open.

PLOT OF SULLY (SPOILERS AHEAD)

Clint Eastwood’s biopic does in every way justice to Sully’s magnanimous nature. Caught between a trillion could-haves and aftermath-thoughts, Sully hasn’t even yet recovered from the shocker that shook him up good, that we have dour faces knocking at his door. The unfeeling NTSB board begins pressing up hard trying to prove his human error. Their unvarying attempt is to disprove the choice Sully made when he decided to land US Airways Flight 1549 on Hudson River.

The movie rides to and fro showing us different timelines through Sully’s recalling. What it also does is try to depict us the real incident from different vantages. The fact that it is exhilarating to watch every single time even though from different pedestals, makes you marvel at Sully’s heroism even more.

TOM HANKS AS CHESLEY SULLENBERGER

If there was an actor who could have done Chesley Sulley Sullenberger justice, it was none other than Tom Hanks himself. The constant apprehension in his eyes as he tries to put meaning into things is havocing.

There is this moment where he is worried about the numbers, the count, whether everybody made it safe, and is asked:

“How are you?”

To that he replies:

“I will answer that question when we have counted 155.”

That flicker of doubt or that tumult of incredulity when he gets to know he has saved all 155 souls aboard on the plane, is literally going to melt you. He stays in a perfect aura of agitation as he talks to her wife to tell her he is fine.

There is this expressive impassioned face that he puts on as the world showers him in a tub of adulation, but he is polite enough to refuse. There are so many times that he apologizes at odd hours that you can’t overlook how civil and deferential amidst all of it.

Sully’s final lines will tell you how modest he stays in reality, not taking the credit of having pulled off the landing. He shares his accolade with the people who were on board and those who rushed to rescue when he hit the waters.

CLINT EASTWOOD’S DIRECTION

Even though chopping off frames to time-travel us toward memories from the past was a tad baffling, it worked nevertheless. If it weren’t for the music that rang up Sully’s head, it would have been hard to guess for some which timeline one was in.

Clint Eastwood nevertheless remains one of the most thoughtful directors of our time. The way he glides alongside the plane to show minuscule details about the sojourn that went kaput is worth commendable. He makes even conversations riveting.

Todd Komarnicki’s screenplay ices it up with witty one liners, most of them escaping the mouth of Jeff Skiles played by Aaron Eckhart. Talks with Laura Linney are directed to make you feel good. She does a fine Lorraine Sullenberger.

BEST MOMENTS

The most satisfying moment in the movie is when Sully proves NTSB wrong. All that colossal turmoil in Sully’s eyes vanishes in a jiffy. For the first time you see those clouds of doubt disappear for good. He takes a short break just to talk to Skiles to tell him how proud he feels; how relieved he was of his decision to land 1549 on Hudson.

If we focus on other crucial movie moments, there are many actually. The movie shows how when people are hit by a conundrum they react differently. One of those survivors thought he could swim all the way in the freezing cold towards the land. Whilst there was one lady who thought it was a gas leakage, and that the Jet might explode, and so she jumps into the water panicking.

THE FINAL VERDICT

It goes without saying that those lives he saved will stay indebted to him forever. Whilst there are people who are decimating lives, we have this silent modest hero at one end, who is concerned about saving them all. You can’t applaud Chesley Sullenberger enough.

Stories need to be told. I am glad I got to know about Sully through such a beautiful movie.

Check out the trailer of Sully here:

Miffed!

SPOILERS:

London has fallen, and does anybody seem to care? How would they? Streets are running empty! You wonder out loud, “Where is everybody?” Oh, Wait! This could be a different dimension altogether! But is it a sci-fi movie? No! So that gets ruled out too! The movie is so bad that it will make you remember the already forgotten previous installment, and make you go, “I think I liked it more when Olympus fell!”

In a world, where cities keep falling and directors try to cash in their checks through big names like Butler, Freeman and Eckhart, by showing meagre action without a good plot or direction to keep the pieces together, you are compelled to wonder what the action-world is degrading into.

In a planet which already reeks of terror, Babak Najafi believes you haven’t had enough, and tries to feed you a mouthful of terror-jargon with ample gun shots, bombs and some third-grade CGI. There is no subtlety in his direction, and you almost see everything coming. What is worse is the way he decides to snap off a frame, and then spearhead into another one, without a proper closure. In his head, he thinks he is being cool, but really Babak, Not Cool! Not Cool!

What was cheesy was the fact that every character in the movie gets a label. Najafi thought we were really that interested to notice who’s who. There is one juncture where all presidents get exterminated within seconds, which was laughable rather than being poignant. So, if your country’s president was insinuated there, you would go “Damn!” and might walk off the theater.

The screenplay has nothing to offer. It is further exacerbated to pulp just as victims of Gerard-fury were by the flick’s shoddy direction. Radha Mitchell just makes matters worse by running with a baby in her belly like she is on a football field. Gerard Butler stares at his screen with a scrappy resignation letter without emphasizing enough focusing on the words honor and privileged (wow! Writers!) just to tell you that he is thinking about it. Subtle, eh! Aaron goes live and suddenly he decides to be a man and show some real ballsy presidency. In his head he must be like, “Look at me, I am your ideal tough!” Shivani Ghai shouts at Patrick Kennedy to stay on the ground and then shoots him ensuring her order is heard. Well played! Oooh-Oooh before I forget, there was this guy who seemed constantly worried; he had a weird eyebrow that pointed up, no matter what. So even if he was happy he looked worried.

Sometimes these action flicks make me wonder if adroit Presidents watch them too and say, “Hey! That’s me. I am holding a gun, and going Bam! Bam! And Kaboom!” At least Family Guy’s Mayor Adam West would say that.

If we look at the bright side, which we generally do, the final action bits are pretty dope, when Gerard goes full Rambo on the terrorists. It almost seems like a good game you are playing, that skims the surface of Splinter Cell or Hitman for that to matter. The camera goes with a continuous shot, and Babak seems to have been waiting the whole movie just to shoot that. It was good while it lasted. Then the clouds of pointlessness walk in again.