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Alice Through the Looking Glass Review (2016)

Surprisingly good!

If Lewis Carroll would have been alive today he would have given a nod to Alice Through the Looking Glass. Of course not for the reason that they totally changed his book and messed with every single detail to weave something different altogether, but for the mere fact that it is brimming up with an equal fanciful inclination and zeal that Carroll shared.


Alice Through the Looking Glass personifies ‘Time’ which is both poetic and enigmatic as Alice embarks on a journey to bring Hatter back to life. Time’s depiction is downright extraordinary and aced superbly by Sacha Baron Cohen. The blue tinge in his eyes and his animated mechanical body help him lip a fantastic creation.

“Time is a thief, and a villain.”

There are a lot of time references that have been brilliantly thought of and executed nicely. Watch out for that bit when Time is made fun of by Hatter, Cheshire Cat, Thackery, Mallymkun and the rest. The movie packs in the concept of toying with timelines, which happens to be one of my favourite fancies. Unfortunately they fail to make it palpable.


You get to hear the voice of Alan Rickman as Absolem which was endearing per se as if he sprang up back from the dead. It was ephemeral but it makes you think of him which was really pleasant. Mia Wasikowska is as outstanding as she was in the prequel. So was Helena Bonham Carter as Iracebeth. Her rampaging confidence is a joy to watch. Also, Andrew Scott has a short cameo, that was actually quite satisfying.

Screenplay is kind of a beautiful literary affair, and will keep you interested throughout. Visually it is gripping. The plot oscillates a little betwixt the real and the virtual but finds a firm grip in both the worlds. Well thought of, I must say. It isn’t really that dark and grim as Tim Burton’s style of movie-making is. But it is still fun.


The thing that seemed a little out of place in Alice Through the Looking Glass was the huge plot punch on which the whole movie was based upon. If you look at it closely you wonder Alice goes to all that trouble just to make Hatter, who is already mad, happy? Is that it? To answer that you must think from Alice’s perspective. It is this whimsical world she tries to fit in, and petty things that entail in it that matter to her the most. If one was to weave a story out of her life, it would always surround tales with such quaint things, things that matter to Alice, if not to you. Well, if you can’t digest that, a simple – “Hatter was going to die with gloom” should do it.


Alice Through the Looking Glass isn’t really that serious when trying to skip alongside the time component that it so profusely tries to milk. It will flabbergast you beyond limit, vex you if you try to connect the dots, and elude you as you try to reason with it. At the end of the flick you realize it’s Disney after all. What do you expect?

Eventually, you wonder if Alice Through the Looking Glass even came close to how Lewis had intended his book to be, but to be honest there are more creative juices at play in today’s fantasy scenario. The world is constantly growing. We improvise, don’t we?

Spectre Review (2015) | Sam Mendes Embellishes James Bond Yet Again

Spectre is yet another exquisite icing to the renowned double agent’s tale. The grandeur of James Bond returns with Sam Mendes’s enthralling direction.

“To liars and killers. To liars and killers everywhere.”


It’s official. Sam Mendes is the only person who does immaculate refined justice to Bond. It is so great to see him handle such colossal projects. Three years ago, he had done a similar job of primping and preening the Bond who was jackhammered into the debris of Solace. With the right kind of posture, demeanour and mien, he had in his mind for a Bond of our dreams, Mendes’ protagonist soared to an unimaginable level. So he created Bond, a man with the right words, the right class and the right air.

still of james bond wearing spectre mask

The depth in his eyes when he seeks love, the fearless fluent proclamations he bears on his lips when he faces his enemies, his unique flamboyant flair, and the way he walks adjusting his cuffs. Ooh! So filled with pizzazz! Daniel Craig hits a home run with every minute detail that’s asked of him to master a Bond of style. He will stand tall as one of the best Bonds to have ever walked on the big screen.


Writers of Spectre do a fair job of revisiting the forgotten by punching in faces from the past to shake up an already stirred Bond. However, it is hard to shake him up. This is Bond we are talking about. Craig looks more focused, fearless and more relentless than ever in Spectre movie.

Spectre is one of the most realistic movies to have ever been made in the Bond saga. Even whilst Bond shoots pawns of Blofeld, he does so by sitting, crouching and aiming before taking the shot. He takes into account the distance factor, which seems quite plausible when you compare it to past Bond movies. He has a story to unfurl which moves at quite an interesting pace. (I don’t know why some found it lengthy!)

still of spectre movie daniel craig and lea seydoux

Christoph Waltz is brilliant as Blofeld too. His villainy is soothing, calm never leaving its walls of perversion. He has a badass voice that he carries superbly throughout his ephemeral act.

We have a side plot led by Andrew Scott which runs parallel to the story. Sam Mendes tries really hard to juggle both stories and endeavours to hold them in the same basket, but barely manages to succeed at that. Somehow I feel, the director could have done a better job weaving it more brilliantly.


There are extremely beautiful bits in the movie that come to my mind when I think of it. Like the one where Bond wakes up to the silencing commotion of a mouse. He points the gun at it and says,

“Who are you working for?”

I think watching Bond sandwiched between M and Swann was brilliantly shot. It was quite poetic if you really look at it. At one side, there were “saving-the-world-shoes” to fill, whilst at the other end there was freedom and the love of his life gawking at him with hopeful eyes. Right at the middle, the author of his pain asked him to shoot him. As Swann had said before life gives you choices. Bond was faced with a choice to kill and not to kill, and of course, to choose a side. To Blofeld’s beseeching command to kill him, he empties his barrel and says,

“I would if I had bullets.”

and starts walking towards Swann. He chooses “to stop.” What a beautiful way to go!

One of the most daring acts of Bond in the flick is when he rams and tries to scooch a plane amidst a narrow path surrounded by trees. He stops at nothing whilst chasing. So he has proven in the beginning chase scene of Casino Royale. Another one of course, walking into the lion’s den eventually, which was both bold and stupid at the same time. But hey, we are talking Bond here!

still of Dave Bautista in Spectre movie by Sam Mendes

The beginning of the flick is outrageously rad too. The cameras that walk alongside Bond as he strolls through Mexican streets, to a hotel room, then scales beside him till he reaches his target, every bit of it has been gorgeously captured. Action is top-notch as well. Watch out for the Bautista train duel. Perfetto!

Grab a Blu-Ray DVD of Spectre here:


Another thing that you would notice is its score. So bloody brilliant! Thomas Newman makes the music so beautiful and badass that it’s hard not to notice it. Before deciding to watch Spectre, mark this on your checklist: Choose a theatre you love for its sound. Right from the Mexican beats, to Sam Smith’s marvelous song, to soothing violins, everything downright impeccable!

Sam Mendes frames exceptional panorama as he ranges down beautiful landscapes all across the globe. The photography and the cinematography can’t be overlooked here. Simply outstanding!

This movie is a perfect Craig-Bond tribute. Go bid your adieus! (Only if this is Daniel Craig’s last movie)

You can check out the trailer of Spectre movie here: