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Colossal Movie Review (2016) | Analysis and Explanation | Major Spoilers

Colossal movie isn’t really a monster flick. So if you are rushing into the theatres just to see a Kaiju and Robot stand off, I would say don’t. Also, if you don’t like movies with hidden meanings, or if you are too shallow to understand poetic vibes, metaphors, and profound reflections, this isn’t a movie for you. Okay now that we have separated the facile crowd, remaining intense peeps, come with me. I will introduce you to this genius of a flick.

Colossal Movie Theme (Spoilers Ahead)

There’s one dialogue in the Colossal Movie that is basically the nub of the entire flick. When Oscar played by Jason Sudeikis asserts things to be boring, that life is boring, that we don’t pay attention unless and until something huge, something colossal happens to us, that’s when you realize the grandeur is simply showy.

That being said, if it were a simple flick about an alcoholic girl who has trouble holding on to things in her life, we wouldn’t have been surprised much. That is life for you ladies and gentlemen! You mess it up when things go boring. Then you jump from one leaflet to another in search of something interesting only to mess it up all over again. It’s that platitude of life that laughs at us, and we are no strangers to it.

Now you put a Kaiju in there to make things intriguing, and suddenly you are listening. The Kaiju in Colossal is nothing but a pictorial representation of Gloria’s (Anne Hathaway‘s) problems with her life. She has a drinking problem that seems to be uprooting her foundation. You can see that from the way she reacts to Tim (Dan Stevens) leaving her in the beginning.

Gloria’s Drinking Problem

Gloria is broken and she knows the solution to her problem is to just stop drinking and gain the reins of her life back. She is blacking out every now and then, sleeping at odd hours. At one point, she sleeps before inflating a mattress, and even while she was inflating it. She always ends up waking up in cramps and spasms. Days and conversations are lost with her shuteye. The world passes her by when she’s sleeping and she hears about everything for the first time, even though a news would be out for hours. It’s a muck she has brought upon herself, and things around her have paced up whilst she has slowed down.

Anne Hathaway as Gloria in Colossal Movie

Drinking has cost her job, her boyfriend, in short, her life. Until one day she wakes up to realize the monstrosity of her problem. She faces it in the form of a Kaiju, a gargantuan personification of her colossal problems. When she moves around with her problems she is bringing people down, here “killing them” even though she doesn’t mean to.

Why Seoul?

The people here are from Seoul where the Kaiju seems to appear whenever she is drunk as a fish. Nacho Vigalondo, the director, chose to press it against the time 8:05 AM just so we have a pictorial representation of something so deep. The reason he chose Seoul is because he had to pick a place that was aloof. Primarily, because when you have issues, you hurt strangers too.

For example, fighting with someone in a restaurant full of people. You have charred them too but you don’t care because it seems to you that ‘your’ life is more important and that ‘you’ are the center of it. That they are obligated to witness your monstrosity. The Seoul people are nothing but metaphors of lives you destroy in the process of you trying to figure out your life.

Another reason that Seoul was chosen is because it wishes to satirically remark West’s unperturbed feelings for the East. They believe it to be another world altogether and look at it as a wreck that is doomed for destruction. They are glad that they are away from the real problems and choose to brazenly witness it from a TV screen. It’s an apt and subtle wink at their unwavering thoughts as they do nothing but quilt up further just to gaze at misfortune of alien people.

Another one I could think of is how Seoul rhymes with Soul and has a spiritual level of gravitas to it. It takes you to delve into your soul to see what wrong you have done, what damage you have done in the wake of your complication.

Oscar with his problems

Gloria’s sorrow when she accidentally kills a helicopter is her lashing out at her minor fun act that causes a massive rampage. She feels really sorry for what she has done, and gets Oscar to arrange some Korean words to say sorry to the world. She is happy when the world forgives, as people say,

I knew it was a good monster.

That’s when the twist in the tale happens when a Robot like monster appears alongside the Kaiju telling us that Oscar is another one of those guys with “huge problems”. He dons a veil of the good guy for the better half of the movie, that makes us believe that he is one of the good people. But everyone carries a baggage that stays hidden from the world. His issues unroll when he finds out about Gloria sleeping with Joel (Austin Stowell). That baggage is nothing but sheer hatred and jealousy.

Jason Sudeikis as Oscar in Colossal movie

Oscar is a nice guy in actuality but he has this wont of shovelling his issues under the bed. So, that’s what he has been doing all this time until that glitch makes him lose it. He lashes out not only on Gloria, but also on Garth, one of his good old friends played by Tim Blake Nelson, whose issues he used to ignore all along. He breaks with,

I am tired of playing the good guy.

Oscar is a reflection of all those people who keep it together, only to explode when something horrible happens to them. So the Robot monster breaks loose.

Monster Face Off

There they are – a Kaiju and a Robot, Gloria and Oscar with their problems in the real world, fighting against each other. One stepping very carefully so as to not hurt the people around, the other reckless in his ways, because he doesn’t care about who thinks what of him, and is willing to hurt people in his frenzy.

Gloria’s avoidance of beer is her trying to straighten up her act so there are no repercussions. Oscar forcing one down her throat is him trying to twist her up so she stays the way she is.

Re-enters Tim. A glint of past that shines bright. Yes, he is nothing but a hue from the good old days she had once ignited with. He is an ex that sounds a good enough escape, but is in fact a horrible thought per se.

Oscar scares him away, with the firecracker and everything, putting on a show of wrath. He is really a messed up guy, a bully, yes that’s the word I am looking for, who has shackled Gloria, filled her house with furniture, TV and a job, roping her under favours so as to stop her from leaving him. The real life reflection of it is her not trying to escape because he blackmails her by hurting other people in Seoul, so she couldn’t leave.

I know what you have been thinking, why couldn’t Gloria just go and tell the cops and get him instead. Trust me I thought that too. But that’s what a shallow thought is. Things aren’t going to get better with the police involvement. It’s about her trying to stand her ground by fighting the biggest monster off her. It is going to get reinstated if she doesn’t face her problem herself.

The Ending of Colossal Movie Explained

Until one fine day it strikes Gloria that she could simply go away from him, and crush him even so by restraining his actions by helping those who get affected instead. That’s her going to Seoul, catching Oscar and flinging him away into space, making one final stand to show him who’s the boss of her life.

Her walking down to a Seoul bar to tell the bartender an amazing story is about her trying to tell the world of how she overcame the monster that had her caged. The irony to that is the bartender offers to offer her a drink.

The movie concludes at that point compelling us to think whether or not she would wind up once again encircled with the colossal problem she had just managed to scare away. While there’s a world out there trying to lure her into making mistakes, she has to face her demons by staying focused with life. It’s something she has to resist to stay sober, and not give rise to another monster that could bring havoc once again.

Why Gloria is a Kaiju and Oscar a Robot?

There is another great point to ponder upon as to why was Gloria representing a Kaiju and Oscar a Robot. You see, a Kaiju is evil in the minds of the people. Her huge drinking problem is frowned down upon by society. Her not being able to keep her life together, her blackouts, her inability to land a job, and constant partying habits are every representation of bad ways in societal eyes. That’s why she is akin to a Kaiju.

colossal movie kaiju image

But in reality she is good and pure from her heart. She accepts that she didn’t want to harm anyone, and that she was truly sorry for her act. It is something that is contradictory to a Kaiju’s behaviour.

Oscar, au contraire, appeared like a nice guy, and hence he is the robot. Because everyone thinks that he is a really good guy from the way he carries himself. Unfortunately he ends up doing just the opposite of good. That’s why the veil of a ‘Robot’ which the people consider to be just.

So we take another great point from the Colossal movie that what appears from an outward appearance is not necessarily the way things are in reality.

Direction of Colossal Movie

I can’t help but applaud Nacho Vigalondo enough for his colossal project. The trailer actually belied what the movie was going to be all about. It had us think that it was a mere comedy that was supposed to be superficial. But it isn’t. It is so much more than mere cheap thrills. To be able to wrap something so powerful inside a concept that appears shallow and that too is a resounding story in its own, it takes colossal balls. And Nacho has them!

Then you can’t overlook the editing of the flick. It gives ample focus to issues and makes for a good engaging watch. At all times issues are addressed, tension is created and every step promises to unwind into a plausible course of action. Everything falls in its natural order. That’s what makes the movie a hoot to watch.

The One Obvious Issue

The only thing that bothers is how many things do we have to sieve away in order to capture the gist of the movie? If you are watching Colossal movie in its utter joviality you are going to think it is nothing but a monster sci-fi flick that is for mere ephemeral fun. Well, I am pretty sure more than 75% of the moviegoers might have taken it that way.

Some might argue why wasn’t there any sort of linkage asking us to think in that direction. Why wasn’t there any remark if the movie was supposed to be an allegory? Why does it force us to think so much? The answer to that was in Oscar’s statement about boredom.

You take out the monster equation from the flick and it falls flat like an age old tale of a girl trying to figure out her crumbling life and then eventually taking a stand.

But that’s the whole point of it. If things were apparent and out in the open it wouldn’t have been as good a movie as it ends up being.

The Final Verdict

Colossal movie is an eccentric take, yes but it is so deep when you begin to actually think about it. It is manufactured to meet an esoteric bunch because if you think you have got it, considering it to be all about mere monsters and psychos, then you really haven’t.

Anne Hathaway and Jason Sudeikis remain the heart and soul of the movie just like their metaphorical monsters. Both keep it casual to show the worldly bit, joking around, fooling around with their fun and frivolous side, only to end up being serious eventually before ripping each other apart.

The flick is truly about facing real problems, but it keeps everything fun and light by bringing to life epitomes of behemoths. It leaves everything out to exist on its own without actually relating anything to anything. So there are like two stories in it each capable of existing on its own universe.

Colossal movie is for the unusual masses who like to read between the lines. Watch it only if you aren’t as shallow as the unfeeling crowd.

It is a peculiar flick yes and so I will place the Colossal movie amongst my Avant Garde Bunch.

You can watch the trailer of Colossal Movie here:

 

Alice Through the Looking Glass Review (2016)

Surprisingly good!

If Lewis Carroll would have been alive today he would have given a nod to Alice Through the Looking Glass. Of course not for the reason that they totally changed his book and messed with every single detail to weave something different altogether, but for the mere fact that it is brimming up with an equal fanciful inclination and zeal that Carroll shared.

THE CONCEPT OF TIME

Alice Through the Looking Glass personifies ‘Time’ which is both poetic and enigmatic as Alice embarks on a journey to bring Hatter back to life. Time’s depiction is downright extraordinary and aced superbly by Sacha Baron Cohen. The blue tinge in his eyes and his animated mechanical body help him lip a fantastic creation.

“Time is a thief, and a villain.”

There are a lot of time references that have been brilliantly thought of and executed nicely. Watch out for that bit when Time is made fun of by Hatter, Cheshire Cat, Thackery, Mallymkun and the rest. The movie packs in the concept of toying with timelines, which happens to be one of my favourite fancies. Unfortunately they fail to make it palpable.

ALICE THROUGH THE LOOKING GLASS REVIVING CHARACTERS

You get to hear the voice of Alan Rickman as Absolem which was endearing per se as if he sprang up back from the dead. It was ephemeral but it makes you think of him which was really pleasant. Mia Wasikowska is as outstanding as she was in the prequel. So was Helena Bonham Carter as Iracebeth. Her rampaging confidence is a joy to watch. Also, Andrew Scott has a short cameo, that was actually quite satisfying.

Screenplay is kind of a beautiful literary affair, and will keep you interested throughout. Visually it is gripping. The plot oscillates a little betwixt the real and the virtual but finds a firm grip in both the worlds. Well thought of, I must say. It isn’t really that dark and grim as Tim Burton’s style of movie-making is. But it is still fun.

CURIOUS SPOILERS AHEAD:

The thing that seemed a little out of place in Alice Through the Looking Glass was the huge plot punch on which the whole movie was based upon. If you look at it closely you wonder Alice goes to all that trouble just to make Hatter, who is already mad, happy? Is that it? To answer that you must think from Alice’s perspective. It is this whimsical world she tries to fit in, and petty things that entail in it that matter to her the most. If one was to weave a story out of her life, it would always surround tales with such quaint things, things that matter to Alice, if not to you. Well, if you can’t digest that, a simple – “Hatter was going to die with gloom” should do it.

OTHER DOWNSIDES

Alice Through the Looking Glass isn’t really that serious when trying to skip alongside the time component that it so profusely tries to milk. It will flabbergast you beyond limit, vex you if you try to connect the dots, and elude you as you try to reason with it. At the end of the flick you realize it’s Disney after all. What do you expect?

Eventually, you wonder if Alice Through the Looking Glass even came close to how Lewis had intended his book to be, but to be honest there are more creative juices at play in today’s fantasy scenario. The world is constantly growing. We improvise, don’t we?

The Intern Review (2015)

Nancy Meyers has a knack for making ‘pleasant and delightful’ movies. The Intern is no different. The flick is upbeat. Almost like a fairyland, where good things keep happening, and everything is quite refined and elegant.

Anne Hathway is brilliant as Jules. With the backdrop plot of a girl doing really well with her startup, I imagined people of her character’s age group instantly relate with her. What makes the story even more endearing is the inclusion of Robert De Niro as an intern who walks into the life of Jules as a fairy godfather. He comes as a pleasant surprise and makes things better for her, and takes the load off from her shoulders. Something tells me people are really looking for someone like De Niro in their lives. A friend or a watchful protector who just wants the best for you, and wishes good things to happen to you, who takes the driver’s seat of your life and lets you enjoy the ride, and takes the pressure off, and also helps you out with the clutter in life.

Sadly the world doesn’t really work like that. If it weren’t so dark, each one of us would be living our fantasies without life’s wretched inhibitions. The Intern is all a mere figment of Nancy Meyers imagination. She punches in forced comedy in order to make the matter in hand sound fun. Eventually she tries to create tension, which is again Meyers’ way of putting hurdles into her story. Screenplay of the movie is more like conversations with a shrink. At one point, it seems you are witnessing one.

We must bear in mind, not everything in this life is plushy and fluffy. You don’t always end up with unicorns and rainbows. Given the jovial theme of the movie, it would at once strike you how the director thinks. Nancy isn’t a great director, but for some, she is.

I would recommend it for people who don’t really like dark, who are light-hearted and are always down for a pleasant popcorn movie.