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Inferno Movie Review (2016) | Robert Langdon Burns in Inferno’s Mediocrity

Skipping The Lost Symbol altogether Ron Howard was asked to do the Inferno movie instead. Unfortunately, Ron’s Robert Langdon franchise isn’t really doing so great when you take into account the colossal success of Dan Brown’s books. Do you wonder – is it because of Ron Howard’s direction? Or whether is it because it takes away almost everything from a book when a director is trying to give us a gist through his frames. The latter, right?

Well that’s an enclave we cannot help moving towards, given the limited time frame allotted to directors. But then of course there are things that we could definitely furbish so that the end result doesn’t look all impoverished in sheer adequacy at least.

INFERNO MOVIE PLOT

Inferno finds Tom Hanks reprise his role as the renowned professor Robert Langdon yet again. This time however he is shaken and messed up by what looks like a probable head injury. He wakes up in a hospital with Dr. Sienna Brooks played by Felicity Jones tending to him. Soon bullets ensue coming from a stout Vayentha. What follows is a quest to figure out what, who and why someone had him drugged whilst trying to decode Dante’s morphed map of hell that he found in a Faraday pointer in his belongings.

still of Tom Hanks and Felicity Jones in Inferno movie

The attempt is then to foil a deadly plan of mass killing that Bertrand Zobrist (Ben Foster), a billionaire debatable visionary has hidden in an unknown place. Inferno movie retains a great culminating point (which was terribly shown) which basically helps it to fight the franchise’s redundancy. But alas! It’s not enough!

DOZENS OF ISSUES (SPOILERS AHEAD)

The beauty of a Dan Brown novel lies in the fact that you are constantly decrypting codes alongside protagonists. That’s where the thrill lies. Figuring everything out by yourself, that makes you feel kind of intelligible. Au contraire, a movie however gambols on leaving you with a distasteful serum. You are trying to figure out something, but you realize the actor has already figured it out. That’s where the blame to ‘movie editing’ should really flare toward.

Glimpses that Robert Langdon see of Inferno, though abounding with theatrics vex you too much with their flickering lights. It doesn’t let you garb frames in a proper focus. Sometimes you can’t help but wonder where did Howard’s tranquility go?

Then the worst one is how Ron Howard decides to mess with the story. We find Elizabeth Sinskey portrayed by Sidse Babett Knudsen as Robert Langdon’s former love interest. In an attempt to slow down a bit, Ron keeps stretching their absent chemistry beyond limit. It is almost as if he rushed in towards the ending just to reach a dead end. That’s where the movie actually slows down a bit, and lets you swallow focus. But really! We could have lived without that cheap twist Ron.

Even though the betrayal and it’s follow up was brilliantly shot, Ron Howard went as far as to change the ending. According to Ron, Sienna ends up becoming the ‘immature’ girl in the Inferno movie, which wasn’t really the case.

CONTRASTING ACTORS

One of those actors who seemed to be acting extraordinarily well for a highly paced movie was Irrfan Khan. His flair for dialogues as he broods for a while before delivering his lines brings along all the experience he has garnered over the years as an actor. His portrayal of Harry Sims The Provost though limited was beautifully carved.

still of irrfan khan as Harry Sims The Provost in inferno movie

Then there was the worst one too. Christoph Bouchard, portrayed by Omar Sy ladies and gentleman! even though he is a good actor, he seems a tad out of place. As if it wasn’t supposed to be his timeline at all. There is no subtlety when he assigns his agents to follow up a feigned lead, and then goes to contact Langdon and Brooks.

So now you know Dan Brown books are way better than the movies, you can order the illustrative Inferno book from here:

THE FINAL VERDICT

As the old maxim goes, “Read the book!”, I wouldn’t recommend anyone to watch Robert Langdon movies. All that Dan Brown knowledge that slithers on to cryptic leaflets go poof, if you choose to watch its movie instead. Ron Howard has never really done Dan’s books justice, like ever. It is time someone else gets into his shoes, or even better try to helm a slow paced pensive thrilling TV series. Now that would do him justice!

You can check out the Inferno movie trailer here:

Warcraft Review (2016)

Warcraft is badly in need of a director like Peter Jackson.

You see what Peter Jackson did to The Lord of the Rings franchise, Duncan Jones doesn’t even come close to nailing. The World of Warcraft is brimming up with extraordinary stories that are in need of better helming, and even though Duncan Jones is a good director, he ends up moderating the game.

SHORTCOMINGS OF WARCRAFT

The movie picks off at an interesting juncture, right amidst a rad depiction from an Orcish vantage with a badass music to kick-start. But then soon its shortcomings come sieving to the banks. The first amongst it was the way the frames were being changed. Artful as Duncan used to be, in awesome movies like the Moon and Source Code, you don’t really expect him to hit that low. Right betwixt a good scene he would chop off a frame, changing it without caring to sustain viewer emotions. At one point it seemed fine, but then it kept happening throughout the flick.

To top that all not everybody is into Warcraft. So, if you are making a movie about a game that has millions of fans, you really need to start off slow, gradually trying to allure non-fans into this majestic world you are trying to create. Warcraft fails to do that. Half of the time you aren’t even aware, what’s what and who’s who.

No doubt there are mesmerizing scenes in the movie that will leave you wanting for more, but the tale somehow gets clouded owing to a persisting disconnect. CGI is really good but the screenplay has nothing to offer. The editing is quite poor as well. Plot is awesome but you just wish it was manifested in a better way.

SPOILER PORTAL AHEAD

Travis Fimmel was a brilliant blend of badass and finesse as he takes the character of Lothar to great heights. Paula Patton as Garona is good too. Ben Foster does a great Guardian Medivh who unfortunately keeps succumbing to weakness.

Focusing on the high points of the movie, the clash between Durotan and Gul’dan was a good one. Also, whenever Lothar came into the picture with his sword, you would instantly know that an Orc is going to be ripped apart. The part where he tries to save his son by doing everything he could to get through Guardian’s magic was magnificent. At times camera takes a satellite view showing wars across the Warcraft realm which is reminiscent of the game.

THE FINAL HUMAN VERDICT

Despite all the good stuff it had, you end up overlooking everything owing to the sour taste it leaves you with in your palate. I really wish a good director picks Warcraft up to make its future sequels.

The Finest Hours Review (2016)

A survivor tale that goes dodgy mid-way, scrabbles towards the end with an insipid feel.

Unfortunately for this one, I can’t say my two hours were the finest hours of my life. The movie’s dramatic quotient is bland.

SPOILERS:

Chris Pine is an absent unimpressive Coast Guard hero who seemed oddly placed in the shoes of Bernie Webber. Ok, so he was trying to depict a sheepish introvert, yet Craig Gillespie just makes him disappear like an apparition. He does the opposite with Ray Sybert played brilliantly by Casey Affleck though, the guy who kept the Pendleton afloat for hours in a punishing storm. Casey looked engrossed in his job, very intelligent, and despite being scared was trying to save lives of the people around. Ray, au contraire, just wanted to get married to Miriam, and follow orders. It seemed in the beginning the way he slouched around with his team that he didn’t really care about people’s endangered lives.

Screenplay is very shoddy, doesn’t have anything interesting for word-freaks. The love story that Casey Sherman and Michael J. Tougias have endeavoured to weave makes you indifferent towards their romance. It starts out pretty good though but then is lanced by mediocre lines, and unfelt romance. Editing is below average and often makes you wonder out loud what should have been shown and what we could have lived without.

There is literally at one point a “What-the-hell” moment when Miriam Webber walks into the office of the Coast Guard, and refuses to leave, and “orders” the Coast Guard officer to bring the boys back. When Daniel Cluff (played by Eric Bana) retorts, she storms off in her car only too drive into a snow mound. I mean, that entire affair will make you go “Whaaaaaaaaat!” It was supposed to be subtly written and should have packed in the right amount of sentiment, which was clearly missing. But it all seemed so stupid with her weird acting that you can’t really shake it off.

The Finest Hours misses big time on its much needed emotional trauma. You don’t feel a thing for anybody. If it was helmed properly, you would. At the end of the movie, Bernie doesn’t get a hero’s welcome as he disembarks the CG-36500, but rather his lover’s warmth, which leaves you actually vexed. You wish it was milked more or maybe shown in subtlety.

The Finest Hours is good but it could have plunged in better waters to be honest. A one time watch if you want to know about the Coast Guard bravado, a rare feat that saved 32 lives on just a mere lifeboat.