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The Magnificent Seven Review (2016) | Mediocre and Empty

The Magnificent Seven is a stale tale left on the mercy of gun-power to prop it. We have seen so many cowboy movies hitherto that if there isn’t something new to it, it becomes an instant bore. The Magnificent Seven is no different. However, the movie isn’t exactly bad either. It hangs around in its mediocrity. Alas! it goes nowhere.

The Magnificent Seven is a remake of the 1960 movie of the same name. However it has nothing new to offer, not even an angle or a culmination point. What it offers is even a washed down version of itself. This new version is like a child’s whim where he is trying to create a story to shoot thousands of hooligans. I am afraid, it is almost as if Antoine Fuqua decided to round up everybody just to shoot ‘em up.

ABOUT ALL THE FIGHTING

There aren’t any dope shots that are going to pop your eyes out. It doesn’t have proper gore either, that could have at least piqued the interest of gore lovers. Not even a clichéd hand to hand combat with the boss. Everything is done by the book. The book here is a gun of course.

There are some crazy hits in the movie nevertheless that are going to leave your jaws wide open. The time when the Gatling gun is brought in, it will have you biting your fingernails. Billy Rocks played by Byung-hun Lee is a complete badass. His swift knife movements are the ones to watch out for.

UNFEELING DRAMA

The Magnificent Seven lacks a proper melodrama for you to actually stop and care for the fallen. You don’t feel sorry for the villagers at all. Drama isn’t dramatic that gnaws away the element of pain from it. Emma Cullen played by Haley Bennett goes nowhere when you give her dialogues like these:

I seek righteousness. But I will take revenge.

still of haley bennett as Emma Cullen in The Magnificent Seven movie

Screenplay reeks purely with witty and cheesy lines that mostly come from The World’s Greatest Lover Josh Faraday played convincingly well by Chris Pratt, whose love making we don’t get to see, so it ends up becoming a mere assertion. Even though the screenplay comes from the likes of Nic Pizzolatto, we don’t end up with anything profound to chew upon. It is one of those factors that take its levels of spectacle down a notch.

CHARACTER DEVELOPMENT: THE MAGNIFICENT SEVEN

Peter Saarsgard as Bartholomew Bogue looks very promising as the villain of the Magnificent Seven, when he starts off with the role. Unfortunately with no substance to back him up, he goes down in an instant. Eventually, as the movie tries to reach that final face-off he lets us down again. All that perversion that he carried throughout goes in a whiff, against the fury of Chisolm, the bounty hunter played by badassery of Denzel Washington. Bogue becomes a villain you forget the moment you leave the theatre.

still of Vincent D'onofrio as Jack Horne in the Magnificent Seven movie

I love how Vincent D’Onofrio does experiments on himself. This time he creates something different altogether, with that wheezing and breaking voice of his. It becomes hard to tell if Vincent is behind all that flab.

Denzel’s character stays extraordinary too with his heroic demeanor. Chris Pratt brings in that element of fun to the movie. Ethan Hawke is good but he carries a jaded plot that washes him down. He goes away only to return again without expanding on his sub-plot. Well, Billy Rocks!

Vasquez played by Manuel Garcia-Rulfo though no doubt confident, ends up becoming the least impact maker. It is like he was chosen just for the odd pairing. Martin Sensmeier‘s Red Harvest is well, red.

LAST KNOWN FILM SCORE OF JAMES HORNER

The music of The Magnificent Seven will remain the last known work of the legendary James Horner. The legend died in an unfortunate plane crash last year. His music however still lives on and will forever.

With inputs and arrangements by Simon Franglen, the music of The Magnificent Seven stays top-notch throughout. It skips well over the strings of that cowboyish theme, trying its level best to bring the flick to its proper course.

You can preorder the movie here:

THE FINAL VERDICT

I really think it could have been better if there was an unseen card lurking somewhere in the pockets of the director. Or even awe-inspiring theatrics to balance the theme would have done justice. But alas! The Magnificent Seven had none.

You can check out the trailer of The Magnificent Seven 2016 here:

Jurassic World Review (2015)

Jurassic World gives you the nostalgic jitters. Colin Trevorrow is no Spielberg. Yet he tries to nail an awesome project into the right groove. Jurassic World is a constantly entertaining, at times dramatic, thrilling joyride into the lost dino theme. We are introduced to the most dreadful, villainous and invincible creatures of all times, Indominus Rex, the hybrid that manifests multiple traits. She is relentless, aggressive, highly intelligent and untamable and she kills for sport. Things look pretty bad right there, huh! Wait till you see the other pack of dinos that Jurassic World hatches.

The story of the movie is technically quite similar to the originals however it races in as a sequel to them. The plot is a little bit predictable but Trevorrow manages to unfurl it gorgeously at the right dire moments.

SPOILERS AHEAD:

Dinosaurs are living things. They can communicate, understand each other, work as a team to topple the bad and avenge! Jurassic World runs on this very theme. It also exalts the brave, with Chris Pratt doing us the honours under the skin of Owen Grady, a relentless bad-ass who would do anything to save lives. A messed-up Claire played by Bryce Dallas Howard who thinks these animals are mere assets that don’t feel a thing, however has a change of heart at a later stage when she sympathizes with one. Two kids who are on their holiday to explore the park and a lot of tourists who are there just for fun. Irrfan Khan does a brilliant job as Masrani with his engaged acting. Vincent D’Onofrio too does a fine job with his character trying to milk opportunities. BD Wong has a short but powerful cameo and reprises his role as Dr. Henry Wu.

There are many Easter eggs in the flick that would throw you into the pits of nostalgia. Many references are made to Hammond and his mistakes, a revisit to the previous Jurassic Park place, the aviary aftermath with Pteranodons, ruthless Velociraptors, the red burning flare, the unflinching T-Rex and the deafening triumphant growl of the Rex everything simply takes you back in time.

Screenplay is well written if we concentrate only the first half of the movie. There are brilliant conversations between Masrani, Wu, Hoskins and Owen that pack in the dramatic quotient to the flick.

The movie however fails to revive the fear that all its prequels breathed on. Nobody is really afraid of dinosaurs. With Pratt doing ballsy stuff, you suddenly aren’t afraid of dinosaurs. Next thing you know even Claire goes on to summon a frigging T-Rex with a flare. We used to pee our pants with a Velociraptor around, and they are literally dancing with the dinos! Kids in the movie too don’t have much to do in the climactic scenes. Nature plays survival of the fittest once again and humans become mere spectators of destruction. In the end it boils down to teamwork and overpowering your killer instinct like valued lessons for humans which become a little indigestible.

After the attack of the Pterosaurs, the movie tries to dive into the dark from where things become a little shoddy. Editing goes a little poor there considering the classic frame cuts in the first half. Profundity in the characters of Claire and Owen loses its charm, and suddenly Owen is open for some Hoskins change. Claire’s change of heart has no gravity or a backdrop screenplay to nail the effect. There is no scientific rendezvous unlike its prequel. Also, sometimes you wish the family drama to be a bit engaging. Some flaws pop up too but apart from these little things the movie is a complete entertaining package into the past.

Watch and reminisce!