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Tag: Colin Firth

Bridget Jones’s Baby Review (2016) | Sharon Maguire Revives Jones

What a sweet movie! Bridget Jones’s Baby, a sequel that picks up crumbs that were left off in the year 2004, finds its original director Sharon Maguire back in the chair again. She literally revives what was lost in the Edge of Reason, and brings to the vanguard another “hard to beat” actor Patrick Dempsey who is hands down perfect for Jones.


A lot has happened over the years, so we are told in fleeting frames. We come to know things haven’t gone well for Bridget reprised by Renee Zellweger yet again (who else?), when there is no one to celebrate her birthday with.

image of renee zellweger as bridget jones in bridget jones's baby movie

She is in her fortys, 43 to be precise, and clueless and lonely. She has an awesome company by the way – Miranda played by Sarah Solemani who is an absolute delight. Her clumsiness will make you feel good for Jones, at least she is in right hands.

The plot unfurls with the funeral of Daniel Cleaver (Hugh Grant) where she runs into Mark Darcy (Colin Firth) once again. Leaving the awkwardness behind, she tries moving on to celebrate her single life by attending a music fest with Miranda. That’s where she meets Jack played by Patrick Dempsey for the first time. She ends up having sex with him, and then on returning with Mark, when the fire in them blazes alive out of the blue.

The real conundrum begins when Bridget Jones finds out she is pregnant, and then is unsure of whose baby it is. The fact that both try to win her over with their impressive acts frame the basis of the story-line of Bridget Jones’s Baby.


Bridget Jones went back into safe hands when Sharon Maguire decided to helm it. Her direction is better than a lot of reckless directors out there. Editing just about right to make you bide by its actual rhythm. No sudden movements or chopping off frames at odd hours. It made Bridget Jones Baby a perfect hoot.

Movie capers on the smart wits of Helen Fielding, Dan Mazer and Emma Thompson, with the latter playing the role of Dr. Rawlings. The screenplay turns out to be fine, however mostly things stay pigeonholed under humour. There is probably once or twice when Bridget Jones Baby delivers thoughtful lines. Rest stays wrapped under blankets of comedy.


Right from the moment when the movie begins you can see Renee Zellweger put on a mask. The script demands her to act that way, I understand, but unfortunately you are able to see through every bit.

Right from the moment when she picks up the phone, to discern who the caller is, to the time she waddles down to attend that funeral, there is a constant channel of deception that clouds her face and you know that’s not really her or her character either. At such moments you perceive she overacts beyond limit, as if the world is all cuddly and swishy.

still of Jack and Mark carrying Bridget Jones Baby movie by Sharon Maguire

Also, given the theme of the movie, Bridget Jones Baby forever stays in shallow waters of melodrama. It doesn’t get or let you be serious at any time. You don’t feel sorry for the characters since you know they are going to be around. It isn’t at all reflective of real life.

Apart from that Bridget Jones’s Baby works just fine. It remains smart, witty and fun almost all the time. Even with the butt jokes and all the clumsiness it stays well above the carpet of entertainment.

You can preorder Bridget Jones’s Baby here:


Bridget Jones’s Baby has surprisingly good humour and has been written with the right wits, which help it dally towards the finish line. Patrick Dempsey is an outright charmer as Jack and a very tough competition for Darcy. You will realize that when you go watch Bridget Jones Baby yourself. Go go go!

Here you can check out its trailer here:

Kingsman: The Secret Service Review (2014)

Kingsman is exhilarating!

What does a spy movie need? Eye-popping gore, ridiculous concepts, shreds of humour and some ballsy action sequences. Add a suit to it, and you have got yourself some classic JB stuff. But it ain’t James Bond. Kinda more like Jack Bauer! 😉

Matthew Vaughn hardly disappoints. He is a man of KickAss taste (see what I did there?)  He literally survives on theatrics. Take any of Vaughn’s work and you know he has this unique way of film-making that sways around with the actors, occasionally jumps at them for emphasis, and stays till the animation hangs around. Also, if Vaughn gets serious behind the camera, you just know how his work becomes grim all of a sudden. First Class reference intended! Fortunately we see everything in this movie.

You have a concept, even though how clichéd it might sound, that breathes on Vaughn’s pizzazz, which is seriously taken up with Firth’s splendor and well supported by Taron Egerton’s audacity. To fill in the voids you have Mark Strong to the rescue, whose facial expressions are enough to tell shit’s getting serious. Samuel steps up to fill in the boots of villainy with a lisp. He isn’t dangerous exactly but yes he wears a brainiac-head with an idea so hideous that takes care of the world’s population per se.

There are some ridiculous and uncanny bits in the movie but they are all passable because of this explosive entertainment package that we are shot in the head with. Also, primarily because it is a comic adaptation so I would suggest just go with it. Sit back and enjoy the theatrics. Get on a joy ride that would take you to the rails of awesomeness with bursting heads, popping eyes, plucked hands, flying prosthetics, split bodies and a cute little pug. Whoa! Quite a descent!

The finest part of the flick: Watch out for that church massacre! Amen to that! 😉