Fun in every frame! Exciting stuff!
Zootopia has all the characteristics of a great movie. CGI is top-notch. So is its humour. Voiceovers are pretty great too. Binding together all the aforementioned elements is an intricate plot which is nothing but a thrilling joyride that plays out extremely well.
The fact that comedy in the animal world is distributed profusely based upon the various types of animals makes it a laugh riot. Creators find humour lurking in the remotest corners of the fauna and squeeze out every bit to ensure that you have a great time. Zootopia is brimming up like a carnival where all sorts of animals live in harmony together and basically coexist to comically impede the story with their cussing and nagging letting their animal instinctive jargon to make things exciting.
The story-line begins way back in time, and then quickly takes the plot up in the vanguard the moment Judy Hopps reaches Zootopia with her dream job. She has to solve a case that unravels into a bigger game at play as the movie progresses. The intricacies entailed and the mind-boggling revelations at the bottom of it all are thrilling to experience. Nick Wilde makes the story smugger appending some classy humour to the tale. At no point does the fun stop.
Animation is simply the best when you can see how much effort has been put into trivial things that we often ignore like the twitching of the nose, the feet movement, the mobile phone that shows a picture of a carrot (well played!), the reaction of them bunny ears to the noise around and every minute detail surrounding the demeanour of the movie characters. Well researched I must say, and well executed!
Characters of Hopps and Wilde have been given so much thought! The anthropomorphology they score with their expressions will give you the chills. They are simply that perfect!
The sloths are simply the best. Watch out for the Flash! 😀
Danny Collins is sheer vapid. Everything a good drama should not be.
I went into the theatres with high hopes for this one, being a big Pacino fan. But boy I came out disappointed. It is a movie that wastes its hours on mediocrity, sometimes goes into the abyss of clumsiness and pointless melodrama. It stays away from profundity and lacks the luster of sentience. It was like watching a bunch of random guys act animatedly, to words that had no direction and that were headed nowhere. Screenplay so mediocre! It was like listening to random people talk. Humor was pathetic too.
Danny Collins began on a great note but then slowly died down as it stumbled with its poor script. The movie seemed to open with a strong musical backdrop but unfortunately it didn’t even skim its surface. Lennon is only a reference. Even the transition of Danny doesn’t exhilarate you. It is a very slow paced movie that simply scrambles towards the finish line without packing a good redemption.
If we try to focus on the good, the beginning bit with Nick Offerman was quite exceptional. Annette does a fair job with her role. Giselle Eisenberg is the cutest thing, who makes your heart melt with her sweet voice. Also the song that Danny seems to be penning turns out pretty good. Sometimes you could almost see the subtlety of Fogelman’s direction when he manifests fingers knocking on the door even when there was a doorbell. Danny’s disregard for his life and his decision to do what his audience loved was also brilliantly shown.
The fact that a lot of people knew Danny Collins was overused and eventually it just became sad. At the end it just seemed like a story heading towards a blank. There wasn’t truly any inspiration. Barely a decision that got cashed out for a change. You could almost tell why this movie had Annette Bening, Josh Peck, Giselle, Jennifer Garner and Christopher Plummer – simply to spice things up and make things interesting.
I would only recommend it if you wish to see a movie where things don’t go dark or grim and that is strewn with mediocre pleasantries.