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Colossal Movie Review (2016) | Analysis and Explanation | Major Spoilers

Colossal movie isn’t really a monster flick. So if you are rushing into the theatres just to see a Kaiju and Robot stand off, I would say don’t. Also, if you don’t like movies with hidden meanings, or if you are too shallow to understand poetic vibes, metaphors, and profound reflections, this isn’t a movie for you. Okay now that we have separated the facile crowd, remaining intense peeps, come with me. I will introduce you to this genius of a flick.

Colossal Movie Theme (Spoilers Ahead)

There’s one dialogue in the Colossal Movie that is basically the nub of the entire flick. When Oscar played by Jason Sudeikis asserts things to be boring, that life is boring, that we don’t pay attention unless and until something huge, something colossal happens to us, that’s when you realize the grandeur is simply showy.

That being said, if it were a simple flick about an alcoholic girl who has trouble holding on to things in her life, we wouldn’t have been surprised much. That is life for you ladies and gentlemen! You mess it up when things go boring. Then you jump from one leaflet to another in search of something interesting only to mess it up all over again. It’s that platitude of life that laughs at us, and we are no strangers to it.

Now you put a Kaiju in there to make things intriguing, and suddenly you are listening. The Kaiju in Colossal is nothing but a pictorial representation of Gloria’s (Anne Hathaway‘s) problems with her life. She has a drinking problem that seems to be uprooting her foundation. You can see that from the way she reacts to Tim (Dan Stevens) leaving her in the beginning.

Gloria’s Drinking Problem

Gloria is broken and she knows the solution to her problem is to just stop drinking and gain the reins of her life back. She is blacking out every now and then, sleeping at odd hours. At one point, she sleeps before inflating a mattress, and even while she was inflating it. She always ends up waking up in cramps and spasms. Days and conversations are lost with her shuteye. The world passes her by when she’s sleeping and she hears about everything for the first time, even though a news would be out for hours. It’s a muck she has brought upon herself, and things around her have paced up whilst she has slowed down.

Anne Hathaway as Gloria in Colossal Movie

Drinking has cost her job, her boyfriend, in short, her life. Until one day she wakes up to realize the monstrosity of her problem. She faces it in the form of a Kaiju, a gargantuan personification of her colossal problems. When she moves around with her problems she is bringing people down, here “killing them” even though she doesn’t mean to.

Why Seoul?

The people here are from Seoul where the Kaiju seems to appear whenever she is drunk as a fish. Nacho Vigalondo, the director, chose to press it against the time 8:05 AM just so we have a pictorial representation of something so deep. The reason he chose Seoul is because he had to pick a place that was aloof. Primarily, because when you have issues, you hurt strangers too.

For example, fighting with someone in a restaurant full of people. You have charred them too but you don’t care because it seems to you that ‘your’ life is more important and that ‘you’ are the center of it. That they are obligated to witness your monstrosity. The Seoul people are nothing but metaphors of lives you destroy in the process of you trying to figure out your life.

Another reason that Seoul was chosen is because it wishes to satirically remark West’s unperturbed feelings for the East. They believe it to be another world altogether and look at it as a wreck that is doomed for destruction. They are glad that they are away from the real problems and choose to brazenly witness it from a TV screen. It’s an apt and subtle wink at their unwavering thoughts as they do nothing but quilt up further just to gaze at misfortune of alien people.

Another one I could think of is how Seoul rhymes with Soul and has a spiritual level of gravitas to it. It takes you to delve into your soul to see what wrong you have done, what damage you have done in the wake of your complication.

Oscar with his problems

Gloria’s sorrow when she accidentally kills a helicopter is her lashing out at her minor fun act that causes a massive rampage. She feels really sorry for what she has done, and gets Oscar to arrange some Korean words to say sorry to the world. She is happy when the world forgives, as people say,

I knew it was a good monster.

That’s when the twist in the tale happens when a Robot like monster appears alongside the Kaiju telling us that Oscar is another one of those guys with “huge problems”. He dons a veil of the good guy for the better half of the movie, that makes us believe that he is one of the good people. But everyone carries a baggage that stays hidden from the world. His issues unroll when he finds out about Gloria sleeping with Joel (Austin Stowell). That baggage is nothing but sheer hatred and jealousy.

Jason Sudeikis as Oscar in Colossal movie

Oscar is a nice guy in actuality but he has this wont of shovelling his issues under the bed. So, that’s what he has been doing all this time until that glitch makes him lose it. He lashes out not only on Gloria, but also on Garth, one of his good old friends played by Tim Blake Nelson, whose issues he used to ignore all along. He breaks with,

I am tired of playing the good guy.

Oscar is a reflection of all those people who keep it together, only to explode when something horrible happens to them. So the Robot monster breaks loose.

Monster Face Off

There they are – a Kaiju and a Robot, Gloria and Oscar with their problems in the real world, fighting against each other. One stepping very carefully so as to not hurt the people around, the other reckless in his ways, because he doesn’t care about who thinks what of him, and is willing to hurt people in his frenzy.

Gloria’s avoidance of beer is her trying to straighten up her act so there are no repercussions. Oscar forcing one down her throat is him trying to twist her up so she stays the way she is.

Re-enters Tim. A glint of past that shines bright. Yes, he is nothing but a hue from the good old days she had once ignited with. He is an ex that sounds a good enough escape, but is in fact a horrible thought per se.

Oscar scares him away, with the firecracker and everything, putting on a show of wrath. He is really a messed up guy, a bully, yes that’s the word I am looking for, who has shackled Gloria, filled her house with furniture, TV and a job, roping her under favours so as to stop her from leaving him. The real life reflection of it is her not trying to escape because he blackmails her by hurting other people in Seoul, so she couldn’t leave.

I know what you have been thinking, why couldn’t Gloria just go and tell the cops and get him instead. Trust me I thought that too. But that’s what a shallow thought is. Things aren’t going to get better with the police involvement. It’s about her trying to stand her ground by fighting the biggest monster off her. It is going to get reinstated if she doesn’t face her problem herself.

The Ending of Colossal Movie Explained

Until one fine day it strikes Gloria that she could simply go away from him, and crush him even so by restraining his actions by helping those who get affected instead. That’s her going to Seoul, catching Oscar and flinging him away into space, making one final stand to show him who’s the boss of her life.

Her walking down to a Seoul bar to tell the bartender an amazing story is about her trying to tell the world of how she overcame the monster that had her caged. The irony to that is the bartender offers to offer her a drink.

The movie concludes at that point compelling us to think whether or not she would wind up once again encircled with the colossal problem she had just managed to scare away. While there’s a world out there trying to lure her into making mistakes, she has to face her demons by staying focused with life. It’s something she has to resist to stay sober, and not give rise to another monster that could bring havoc once again.

Why Gloria is a Kaiju and Oscar a Robot?

There is another great point to ponder upon as to why was Gloria representing a Kaiju and Oscar a Robot. You see, a Kaiju is evil in the minds of the people. Her huge drinking problem is frowned down upon by society. Her not being able to keep her life together, her blackouts, her inability to land a job, and constant partying habits are every representation of bad ways in societal eyes. That’s why she is akin to a Kaiju.

colossal movie kaiju image

But in reality she is good and pure from her heart. She accepts that she didn’t want to harm anyone, and that she was truly sorry for her act. It is something that is contradictory to a Kaiju’s behaviour.

Oscar, au contraire, appeared like a nice guy, and hence he is the robot. Because everyone thinks that he is a really good guy from the way he carries himself. Unfortunately he ends up doing just the opposite of good. That’s why the veil of a ‘Robot’ which the people consider to be just.

So we take another great point from the Colossal movie that what appears from an outward appearance is not necessarily the way things are in reality.

Direction of Colossal Movie

I can’t help but applaud Nacho Vigalondo enough for his colossal project. The trailer actually belied what the movie was going to be all about. It had us think that it was a mere comedy that was supposed to be superficial. But it isn’t. It is so much more than mere cheap thrills. To be able to wrap something so powerful inside a concept that appears shallow and that too is a resounding story in its own, it takes colossal balls. And Nacho has them!

Then you can’t overlook the editing of the flick. It gives ample focus to issues and makes for a good engaging watch. At all times issues are addressed, tension is created and every step promises to unwind into a plausible course of action. Everything falls in its natural order. That’s what makes the movie a hoot to watch.

The One Obvious Issue

The only thing that bothers is how many things do we have to sieve away in order to capture the gist of the movie? If you are watching Colossal movie in its utter joviality you are going to think it is nothing but a monster sci-fi flick that is for mere ephemeral fun. Well, I am pretty sure more than 75% of the moviegoers might have taken it that way.

Some might argue why wasn’t there any sort of linkage asking us to think in that direction. Why wasn’t there any remark if the movie was supposed to be an allegory? Why does it force us to think so much? The answer to that was in Oscar’s statement about boredom.

You take out the monster equation from the flick and it falls flat like an age old tale of a girl trying to figure out her crumbling life and then eventually taking a stand.

But that’s the whole point of it. If things were apparent and out in the open it wouldn’t have been as good a movie as it ends up being.

The Final Verdict

Colossal movie is an eccentric take, yes but it is so deep when you begin to actually think about it. It is manufactured to meet an esoteric bunch because if you think you have got it, considering it to be all about mere monsters and psychos, then you really haven’t.

Anne Hathaway and Jason Sudeikis remain the heart and soul of the movie just like their metaphorical monsters. Both keep it casual to show the worldly bit, joking around, fooling around with their fun and frivolous side, only to end up being serious eventually before ripping each other apart.

The flick is truly about facing real problems, but it keeps everything fun and light by bringing to life epitomes of behemoths. It leaves everything out to exist on its own without actually relating anything to anything. So there are like two stories in it each capable of existing on its own universe.

Colossal movie is for the unusual masses who like to read between the lines. Watch it only if you aren’t as shallow as the unfeeling crowd.

It is a peculiar flick yes and so I will place the Colossal movie amongst my Avant Garde Bunch.

You can watch the trailer of Colossal Movie here:

 

Beauty and the Beast Review (2017) | An Exhilarating Musical to Revive the Age Old Fairy Tale

How many times have we seen this gargantuan heartfelt epic romance take shape? Every era has its own version of Beauty and the Beast, a fairy tale that had once originated in the beautiful mind of Gabrielle -Suzanne Barbot de Villeneuve. Over the years we saw its retelling, we saw it getting hammered in the form of TV series, animated movies and what not. The fairy tale would never fail to surprise as long as there is that tinge of magic in it to support it, thoughtful verses that send us brooding and music that aggrandizes prospering love. Fortunately Bill Condon‘s Beauty and the Beast movie retains all these elements.

Theme and Cast of Beauty and the Beast

Beauty and the Beast is a theatrical feat that gambols along with its extraordinary music. Yes, it’s a musical and I think only an alluring musical could do a gorgeous fairy tale like that justice. On one side of the ring we have the gorgeous beauty Belle, who Emma Watson wears quite beautifully making it her very own persona. On the other side of the ring is none other than the cursed Beast, who by the way is a softie trapped in a monstrous body played by Dan Stevens. He could have really used a little less CGI, or a better one, now that we have already boldly ventured into that territory.

still of luke evans as gaston in beauty and the beast

Not to forget the very handsome Luke Evans who is as perfect, confident and rad with his dialogues, er, songs as he looks in reality. Casting for Gaston happened perfectly there. We have LeFou done by Josh Gad who is one of the most entertaining dimwits in the movie. He alleviates perversion with his outlook.

Voices of Cogsworth, Mrs. Potts, Lumiere were done beautifully by the likes of Ian McKellen, Emma Thompson, and Ewan McGregor. Stanley Tucci hid under the veil of Maestro Cadenza pretty good.

Mocking Society

While this might have been like an umpteenth adaptation, I liked Beauty and the Beast for its hard-hitting veracity. The fact that it stuck to reflect things as they are or are supposed to be in real life, is something that connected with me the most. It is a satire on human perception, of how things work around a town that scoffs at a person who thinks differently. It is a parable that reflects how mob works, that how easy it is to egg them with a cunning spark.

The opening scene that showcases Belle’s obsession with the books, and how everyone in town sees education as a curse goes on to mock ignorant societal elements who want to churn the world their way. While at one end Belle is ahead of her time clearly seeing through it all, the insular mob in her little village wants her to follow its footsteps. People don’t like different and that’s what they hate about Belle.

Your library makes our small corner of the world feel big.

Whilst Belle is busy trying to find a world that isn’t as insolent as the one she is living in, she seems to have come to terms with it, and found the perfect abode in her books. She is thriving in a world that doesn’t get her. I guess a lot of us can relate to her in that aspect.

Materialistic Judgments

It takes our protagonist a curse to make him realize that materialism wanes. That whatever we judge based on the way it looks or appears is a curse per se because beauty is always hidden.

He fell into despair and lost all hope, for who could ever learn to love a beast?

Gaston, au contraire, is braided just the opposite. He is an irritable narcissist who can’t see beyond the material world that engulfs him. Him talking to the mirror carving a living satire with remarks like,

No one deserves you, but at least your children will be beautiful.

Goes on to show how he is full of it. He is a paragon of beauty and strength, which are things that the world is quick to judge you by.  They think exactly what he thinks of him, and fail to see what’s underneath his veil.

still of Belle and Beast in Beauty and the Beast

That salient materialism is in the punitive action of the beast too. When he punishes Maurice, Belle’s father, for life, for merely picking a flower.

He means forever. Apparently that’s what happens around here if you pick a flower.

People are so full of it that they are quick to deliver judgments. There is hatred in the heart of the beast and hatred is one of the primal causes of things that affect one’s judgment. He has punished a man with a life sentence for just picking a flower! His world’s no different from the one that we live in. The flower was dear to him, and that was it – Reason enough for him to punish and have his revenge.

You can’t judge people by who their father is, can you?

In a way the movie elicits a satire out of human perception, emotions and judgments.

Love Takes Time

People don’t fall in love in a moment. That too when there’s a ghastly creature involved; You can’t fall in love with him in a snap of a finger. You have to be around, spend ample time around someone that looks different to truly understand him, to even venture that lane.

She had seen that there was no love in his heart.

Overlooking everything takes time, and that’s what the movie sells. Belle spends ample time with the Beast enough to understand him, to accept him despite that apparent skewed image of his. Love was gradual and it was very much relatable unlike some Hollywood muck we come across every once in a while.

Then it teaches us how clingy never works with people. If we truly love someone we have to give them space. That’s what Beast does when he lets Belle return to her village. He couldn’t have possibly asked her to stay, and wished to earn her trust.

Can anybody be happy if they aren’t free?

You can order Beauty and the Beast movie here:

Issues with the Movie

If you are thinking, by now, the movie was outright impeccable, I would have to sadly add: No. There were plenty of drawbacks in Beauty and the Beast. The first and foremost being the fact that you could feel the contrivance knocking at the big screen at every juncture. Emotions were often absent. Behind that awful CGI you couldn’t see Dan Stevens reacting the way he should have. Despite how committed Emma Watson appeared in her role, Dan felt quite the opposite. He didn’t quite fit the bill, and would often get carried away with animation.

image of lumiere and cogsworth in beauty and the beast

Their chemistry wasn’t quite right either. Didn’t evoke a keen sense of longing when they weren’t together, didn’t draw out emotions when there timing was right. Everything seemed placed awkwardly like marionettes. With Lumiere taking most of the screen time , and some zany bits loosely hanging around in every scene, the movie takes away its requisite seriousness.

You must forgive first impressions.

Climax has been bluntly filled with a tasteless flavour. It rushes in eventually as if all we wanted to see was the revived cast heading into another ball. Questionable editing there! People who like to have proper focus in their movies, it’s clearly not for them.

Then you can’t really overlook how the movie doesn’t project the enchantress properly as well. She walks in at a time when she was needed as if she was supposed to be there. No character build up, nothing. She was a mere needle in the haystack.

The Final Verdict

People who are averse to musicals might not enjoy all that singing. But those who love musicals are going to love this beautiful flick. Pay attention to what the characters have to say through apparent metaphors, and you might even enjoy the musical more than anything.

Different timbres and tempo and the deafening music in the flick is something that makes the movie an enjoyable hoot. It is as loud as it is supposed to be. We can’t thank the composers Alan Menken and Howard Ashman enough for that.

Gaston stands out, hands down, as one of the finest antagonists, and something that you might remember the movie by. As far as feelings and emotions were concerned the movie failed to induce that.

You can check out the trailer of the flick here: