An enchanting flick!

PLOT OF BIG EYES

Big Eyes is in a way reflective of a feeling every artist goes through when someone else steals credit for their work. It is a crime that Walter Keane, played superbly by Christoph Waltz, commits without batting an eye and Margaret Keane, portrayed by Amy Adams, endures for the better half of her life. Screenplay coming from Walter Keane is very reassuring as he inspires Margaret to not underestimate herself, and drops soothing lines to make her believe she is gifted.

“You shouldn’t sell yourself so cheap. Your heart’s in your work.”

BREAKING DOWN THE FLICK

Music is endearing and so is its editing. Has a constant charming pace that keeps everything strung well in place. Tim Burton’s intelligent style of film-making can be read through his thoughtful frames that occasionally drop off humorous subtleties to make things alluring and delectable.

The paintings of Big Eyes have a telling veracity that is told my numerous stunningly drawn children with their beady eyes. As Margaret expounds:

“Eyes are windows to the soul.”

Big Eyes beautifully captures the struggle one had to go through in order to be seen. Even though art was revered profusely, beginnings were still as relentless as baby steps of any creative profession.

SPOILER PAINTINGS AHEAD:

Christoph Waltz does a fabulous job as he tries to convince the whole world of his lie. It is hard to see through him. He is that good! Hell, he convinces you in the very beginning that he is for real. It is kind of a slow reveal when you start guessing his ugly facade.

MARGARET’S SILENT SUFFERING

At times you can’t help but feel sorry for Margaret and wonder why she doesn’t revolt. Trying to look at things from her perspective you realize she was pretty meek and weak. Also, he had a smooth talker for a husband who would always bring her around, probably why she was always in a constant dubitation. Also, there was moolah being pressed out on a regular basis; one of the major reasons for her mum.

You might wonder, despite the conning, Margaret does fairly well for herself, with a lie that helps both parties entailed. But for an artist who is fond of one’s work, money is always secondary. It is pride that matters the most, which Walter exploits profusely.

The fact Tim Burton doesn’t toy with the flick to make the biopic darker will compel you to raise brows. Dramatic elements don’t induce gut-wrenching feels which could be a downside to Big Eyes. But it does fairly well walking on its pleasant and bewitching theme to manifest eclipsed art and an engaging tale in its truest form.

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