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Avengers Infinity War Review (2018) | The Big Bad Mad Titan Finally Arrives

What a beautifully crafted flick! Avengers Infinity War is everything that we expected it to be, and so much more. It is intelligent, poetic, impactful, sad and badass, all at the same time. While it doesn’t fall short of thrill on the action front, it also fairly nibbles at melodrama aplenty.

It wouldn’t be wrong to call Avengers Infinity War a Thanos movie. The antagonist feels like a poem. He has been created so as to leave you in utter awe. Apart from the fact that Thanos is immensely powerful, and I mean like he packs in really hulk-defying powers even when he had just one infinity stone with him, he is also quite sentient.

Even in his blatant disregard for any form of life, you realize he is the feeling kind – a deviant who adheres to his code, unlike thousands of humans on our very own planet. You can feel his vibes, his pain, even though how wrong he is (debatable) in what he aspires to do. His methods diabolical and his ways to get things done even so infernal.

You will never be a god!

The whole MCU prepped us up for this huge moment and the good news is, it doesn’t disappoint. All roads lead to him, the eventuality that feels like death, and he acts like it. He walks like he owns the universe, delivers justice as if it were his call or deliverance.

That’s the ultimate badass villain that we wanted, and Josh Brolin does every bit of insightful justice to him. He is just not some mad Titan bent on destroying everything in his wake, but a sentient living monster who feels pang just like others, with a fixed purpose in life.

The Poetry in Avengers Infinity War (Spoilers)

There are plenty of moments in Avengers Infinity War where you will feel explicit poetry taking shape. In conversations of an adopted daughter with her father, of planets where civilizations collapsed as Thanos turns a leaflet of history to show Doctor Strange a glimpse from the past, his vision of why he is trying to do what he does, and “men” talking about the import of a job and what comes after. Everything has been inscribed in 2 hours and 29 minutes of enthralling awesomeness.

The part where directors Anthony Russo and Joe Russo choose to mum the destructive aspect of a colossal villain by showing him fragile, as he wakes up in Volmir in a pool of water, after retrieving the soul stone, as if waking up in his very own pool of tears has been brilliantly stowed.

Gamora: Did you do it?
Thanos: Yes.
Gamora: What did it cost?
Thanos: Everything.

Then the part where Thanos had so candidly confessed to the question of ‘what after’ about his plans to see the sunset has been brilliantly pulled off at the end. It is commendably subtle as we see him vanish after that deleterious snap of his finger to a place he had confessed about earlier. It perplexes the audience poking a question at his very existence.

Is he really dying? Or now that he wields the power of a God can he not surmount death?

The Dismal End

Avengers Infinity War is brutal in its killing spree. You realize that it’s abrupt, and even though you want your superheroes to somehow escape their fate, it is simply inescapable. One by one the Avengers get effaced. The characters you have grown so fond of get obliterated in a jiffy.

Death follows him like a shadow.

There also lies poetry in the aftermath as everything one holds dear begins to wane. Starting from Buck who calls out Steve before turning into ash to everyone you thought was important fades. It is like watching a piece of you getting decimated. All you can say is, “No….No….not him or not her!”

What you instantly like about Avengers Infinity War is that it is bold, unafraid to kill its characters. It kind of reminds you of Game of Thrones. Okay the reference somehow reminds me that we have Peter Dinklage playing Eitri, the role of a dwarf, so basically himself. Only the dwarf here is a giant. When you think about it, you realize – is it not a matter of perspective? The dwarf is actually a giant for some, ergo named so. It’s like Russo’s are telling us that no one should be judged by their size but the size of things they do. If that’s not poetry, I don’t know what is.

Thor

While the world is at war, Thor is on his own mission to garner resources to be resourceful so to have another shot at Thanos. He is forever optimistic, despite how funny his character has been arched. It should well be noted that everything, I repeat, everything has been taken away from him. You can’t help but feel sorry for him, even though the Russo brethren choose to mock at his problems. He is this immense fighting machine that believes in doing the right thing, of getting the world rid of evil.

There’s despair written all over him, and yet he takes on challenges without giving them a second thought. Watch out for that neutron star bit where he takes it as if he is invincible. His Godly demeanour is, I think, very underrated and in an attempt to make him sound cool and funny he has been deprived of a lot of grief that would have otherwise made his character a lot darker.

Eitri helps Thor create his new hammer, nay an axe, which is called the Stormbreaker which becomes the very reason for Thor having a chance against Thanos. His entrance is grand and everything that happens thereafter is like an inspiration to everybody fighting.

Besides we should not forget that Thor is the only Avenger who gets to lance Thanos like a boss even though the plan backfires, but it was going to anyway.

You should have gone for the head.

Iron Man

While a lot is going on in the head of Tony Stark when he is fighting the thought of calling Captain America, which he almost does, Earth is struck by members of Black Order. Ebony Maw (Tom Vaughan-Lawlor) is a badass minion with powers that surpass Doctor Strange’s.

You can’t park here, buddy. Earth is closed today. Take your tractor beam and skedaddle.

With the help of Spidey’s cult knowledge, he is able to defeat Ebony and then plan a properly planned attack on Thanos’s own turf.

While Iron Man depicts standards unseen hitherto in his fights, his presence of mind and techniques almost get the job done. If it were not for Star-Lord’s intervention victory over Thanos was possible. But everything goes to dust and then it becomes impossible to stop him.

But you cannot still appreciate Iron Man enough for his fighting efforts till last moment. He was no match for Thanos and yet he fought him as if he had a chance. The fact that he goes down trying only puts respect in the Mad Titan for him, and makes you revere him even more.

Stark, you have my respect. I hope the people of Earth remember you.

That fight sequence he sneaks in even after being exploded by a moon is one of the best that Avengers Infinity War movie retains.

Captain America

Cap is that beacon of hope that literally strikes every spark alive. As witnessed in Age of Ultron, him fighting Ultron as if he was imperishable, Captain America is nothing less than a fantastical marvel. So he proves yet again when he shows up at desperate times when we felt the end of Vision was near. He, alongside Natasha and Falcon, swoop in, in just the nick of time, making Proxima Midnight and Corvus Glaive taste defeat.

Not only does he personify the very definition of badass, but he makes you realize how badly you had missed him all these years. Him fighting alongside Black Panther against a bazillion terrifying giant rabid dogs with fury unparalleled makes you respect him even more. It is no surprise why everyone looks up to him for almost everything.

In a final showdown with Thanos, as he stops his gauntlet onslaught with both hands making Thanos go “What the fuck?” you can only imagine the strength he retains.

It is sad that the call was never made. That Stark and Cap never got to face each other, and in those desperate moments when you feel that either of them could have died, you realize that they could have died unfulfilled without having a chance to speak to each other again. That feeling is so sad that the moment Iron Man is lanced, you begin to go through some real emotional trauma.

Wanda and Vision

It’s hard not to talk about how hard Wanda tries to save Vision. Their chemistry is brilliantly pulled off with both Paul Bettany and Elizabeth Olsen weighing in on their characters superbly. As audience, we already know what is going to happen with Vision holding the mind gem in his head, his death seemed inevitable. But a ray of hope was struck alive with Shuri taking over to assist Vision by separating the mind stone despite how hard she tries, but everything just goes kaput.

Vision had spoken with Wanda about taking that call of destroying the gem when time came. It would have destroyed him too as his very life depended on it. Even though Vision asks her to make that choice, to which she finally gives in, doing something that every cell in her body was against, she succeeds in destroying the mind gem. It was a call that literally crushed her, and you could literally sense the pain that she had to go through to do something so huge.

It is just sad that Vision had to die twice for Thanos to retrieve the gem. He is thrown like trash when Thanos is able to lay his hands on the mind stone. It just goes on to show his evil recklessness for something we had only begun to admire.

Quill and Gamora

Whilst the crossover was a success, with Rocket and Groot speeding off with Thor on his quest to retrieve his hammer and Peter, Gamora, Mantis and Drax going after Thanos, humour was flung aplenty.

Alright, Guardians, don’t forget this might be dangerous, so let’s put on our mean faces.

Gamora had asked Quill what Vision had asked of Wanda. On being instigated he takes a shot too but fails because Thanos doesn’t let him. Thanos doesn’t kill Peter Quill instantly because he likes Peter and the very fact that Gamora was in love with Peter.

So basically that makes two of the infinity stones retrieval a process of ‘kill-me-before-Thanos-gets-it-out-of-me’ situation. Two of the other infinity stones retrieval was basically ‘torture-ones-you-love’ process and then get it from them. That fared well for Thanos, even the one that milks the Doctor Strange’s and Iron Man’s bropocalypse.

Quill and Gamora too had something special between them which was ruined when Thanos took Gamora back to Titan. With Gamora sacrificed, and the news broken to Quill was one of the turning points of Team Avengers/Team Guardians vs Thanos.

Understanding what Peter Quill feels when he discovers the truth about Gamora would be an understatement. You can relate so much to him, but it takes away the only chance they had of removing the gauntlet from Thanos’ hand.

With Strange hanging on to the Time Stone all this time without using it, you couldn’t help but wonder if the exact scene of them trying to take off the gauntlet could have been reiterated with its help. Strange could have taken Quill away for a while when the news of Gamora’s death was told. Then again maybe we have that saved for the next part.

Bruce’s Failed Resolve

Hulk’s no-show is utterly disappointing, but you know that he is going to show up in the next one. So that’s one epic thing to look up to. But given how easily Thanos beat the crap out of him, it seems highly unlikely that going with that same strategic plan of ‘Hulk smash everything’ is going to work again.

Bruce’s constant struggle to reason with his inner self is dispiriting even though how funny Marvel decided to make it. Natasha sees Banner after a long time, and it’s good to see that the spark is still kept alive. Maybe we will explore that story in the long run. It would be fun to watch how things sieve then. I have always wanted to see their budding love go into a direction.

Things That Bother You

There are some moments in Avengers Infinity War where you can feel the CGI falling apart. In one of the obvious moments where Gamora is talking to Thanos, you can see how difficult it must have been to fill in VFX through her continuously flowing mane. There’s a clear line on her left face that feels blurred since the work there remained shabby.

I know what it’s like to lose. To feel so desperately that you are right, yet to fail all the same. Dread it. Run from it. Destiny still arrives.

There are deaths galore as expected, but unfortunately, it doesn’t feel like it’s devouring your heart. Somewhere deep down you come to accept the inevitability, and even though how bluntly it takes a dig at all your favourite superheroes, you fail to feel the real anguish. Maybe that’s one of those parts that wasn’t milked enough. You don’t cry but you wonder something’s up, that something can be put back together still. Is it the time stone?

Also, there are some editing issues where you can feel the deliberate jumping of frames. A lot of time has been spent on Thanos’ resolve, some of which could have been used to fill some of the apparent visible issues.

Then there are those rabid dogs like creatures, more like wolves whose faces you don’t even properly get to see for a second. Agreed that they were really fast and mad but you want to see what you are up against, right? They felt like a swarm of madness that never ever stood still for a second. I don’t know if that was the point or not. But everything sped up so fast that I am pretty sure I need to watch all their action by pausing it on Avengers Infinity War Blu-ray to relive it once again.

You can order Avengers: Infinity War from here:

The Final Verdict of Avengers Infinity War

Avengers Infinity War is brilliantly pulled off. It is catered to be savored one meal at a time, and the pace is just right. In the end credit scene, we get to see that a call has been made to none other than Captain Marvel, a movie destined to drop on 8th March next year. So now we know that she is one of the answers to defeating a villain that has all the infinity stones, that has made him a celestial God now. I wonder what she was up to while all this was happening? Guess we will find out in her own flick.

Plenty of superheroes perish here in Avengers Infinity War. The worst deaths being that of Loki, Vision, Heimdall and Gamora that hurt the most. Others have a fair chance of survival, I suppose, given that we have still the time stone in our hand. It could be that or if since Avengers is the end of the road as they call it, then maybe we lost everyone for good.

What are your thoughts on that? Let’s discuss that in the comments section below.

Blade Runner 2049 Review (2017) | Denis Villeneuve Pays a Fitting Homage

Blade Runner 2049 is a powerful tribute, a fitting sequel to the 1982 blockbuster Blade Runner. The stakes were already high when there were talks of a sequel to a masterpiece, but when Denis Villeneuve‘s name was tacked to the project the world resounded with a sigh of relief. The good news is that he delivers. What a rad stunner!

To witness an eye-boggling dystopian world which has clearly uplifted Ridley Scott‘s version with everything technology could afford is beyond compare. Visuals are literally and figuratively out of the world as Denis uses his fastidious eye to aggrandize every frame.

The movie is paced really slow like a good and genuine thriller, a fact some might not have liked. I swear I heard a lot of people snoring in the theatres which makes me think, maybe the movie could have been edited or paced up a little bit. On a personal level, I think I liked its gait. The way it moves, letting us get in sync with its story, helping us chug wheels of imagination alongside the protagonist are some of the good virtues make it delectable.

Direction of Blade Runner 2049

Denis Villeneuve’s a true magician. The way he weaves his frames is a lesson for budding directors. Creating scenes that are inimitable from angles that aggrandize a situation. Everything is so tasteful that you realize that his frames are quite simple to helm which many fail terribly at. His brain’s simply peerless. There’s so much beauty lurking there; it’s an honour living in his era.

K played by Ryan Gosling in Blade Runner 2049

Blade Runner 2049 is a product of his brain that goes through his gorgeous filters. There’s an arresting aura about all of the characters chosen to star in the flick, and Denis plays with them like a pro he is.

Prolonged shots of the protagonist hovering over the dystopian world, an action sequence played out by silhouettes, or resurrecting the same old hide and seek tension that we had seen in the prequel, using a distorted fragmented piece of music to play in the backdrop or a shot showing a cold-blooded murder by placing the camera outside a window pane for effect are some of the shots that fill you with awe.

The music he chooses to blare is simply powerful. It becomes deafening at times, however never fails to complement his imposing frames. In a way talking about the impending impact just like he used it gorgeously in Arrival.

Writing and Orgasmic Visuals

Hampton Fancher (the guy who wrote the first one) and Michael Green do a fabulous job of creating a winning story. Keeping the memorable character of Rick Deckard (Harrison Ford) as the nub of the story, they weave a tale that’s unlike others we have seen. With a revelation that will blow your mind away, not once but twice, the movie persuasively and successfully houses a seriously good thriller in its womb.

Pain reminds you the joy you felt was real.

The screenplay takes you back in time with Fancher bringing most of his lost mojo back on paper. The wisdom that escapes Niander Wallace (Jared Leto) trickles down like honey, and you realize, the guy makes so much sense.

All the courage in the world cannot alter fact.

The Visuals team do a fabulous job of creating something really unworldly. With countless prepossessing panoramic shots to bedazzle us, the movie literally picks us up and puts us in a dystopian future. Deserted lands look unlike anything we have seen so far.

The Theme and Plot of Blade Runner 2049 Movie

The theme of the movie is centered around these very lines spoken by Lt. Joshi (Robin Wright):

The world is built in a wall that separates kind. Tell either side there’s no wall, you have bought a war or a slaughter.

Can a replicant become pregnant? If so there would be no demarking lines to separate humans from replicants. When K (Ryan Gosling) bumps into a case like that he is asked to keep something so colossal under wraps, and to take care of it before it goes out in the open.

The case ends up unwinding into something we don’t expect, and it is a convoluted tale that keeps getting better with every reveal.

Ryan Gosling as K (Spoilers)

The story is run from K’s perspective. Ryan Gosling, who by the way is a “tin job” blade runner, is a guy who accidentally comes across a secret that gnaws at his soul. It is hidden deep down his memory lane.

I have memories, but I can’t tell if they’re real.

He gets on top of the case, the good Nexus-9 officer he is, and visits Wallace Corp. to identify the DNA he had discovered to be that of Rachael. Yes, the replicant from the first part. She was the girl pregnant with the child of Rick Deckard.

Who keeps a dead tree?

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The Memory Maker

While trying to solve the puzzle of his life, the memory K keeps on witnessing is that of a child trying to hide a sculpted horse in a warehouse as bullies beat him up for the toy. The horse has the same date he saw on Rachael’s grave.

Tagging it as his own memory, and to reconfirm the fact K how much of it is real, K decides to visit a memory maker named Dr. Ana Stelline.

Dr. Ana Stelline Memory Creator in Blade Runner 2049

Ana is the best in the memory business who makes really convincing memories. From her he gathers that the memory he had been witnessing is none other than his own.

Someone lived this, yeah. It happened.

With that, he identifies the child that he was looking for to be none other than him. Whilst it’s a disclosure that feels like something you see coming, it gets answered soon with a final revelation that’s even bigger than the one you were being smug about.

Rick Deckard

With Blade Runner 2049 hitting the theatres, it was crystal clear upfront that Rick was the hero we all wished to see resurrected. Though not the protagonist of this story, the movie manages to preserve the integrity of the cherishable protagonist from the prequel. Harrison Ford reprises his role as Rick Deckard. And it does so really smartly something that doesn’t involve killing his character, unlike what we had to see in Star Wars Force Awakens.

Dick and K fighting in Blade Runner 2049

The force is strong in him as we see him throw the first punch followed by a couple others eyeing K as a threat. Despite the weird dissecting noise there, the scene amplifies automatically owing to the naturalistic vibes that it tags along.

K establishes Rick as his father, as Rick tells him that he had to leave the child for his own good.

Sometimes to love someone, you got to be a stranger.

He was hanging around when a replicant sent by Wallace named as Luv (Sylvia Hoeks) rams in unannounced taking away Rick with him and leaving  K kaput.

You really are the best angel. Aren’t you, Luv?

The Replicant Freedom Movement

When K wakes up Freysa (Hiam Abbass), the leader of the Replicant Freedom Movement asks K to kill Deckard so as to stop Wallace from knowing their whereabouts and saving Deckard’s “daughter”. Mind = Blown!

It’s a huge revelation for K who had been considering himself to be Deckard’s child all this time. But he figures out that it was Selline who was, in fact, Deckard and Rachael’s child that it was her memories that were implanted in him. Ana Selline was really good at her job and hence her memories in his head seemed very real to him.

Dying for the right cause. It’s the most human thing we can do.

With hopes to save Rick from the hands of Wallace who had plans to extract information so that he could progress with his colonization plans, K intercepts his transfer to the off-world. He bumps into Luv again as a fight ensues. Finally, he manages to drown her saving Rick in the process. Staging him as dead, K goes on to do the right thing. He takes Rick Deckard to Stelline for a father-daughter reunion.

It’s very clever to keep yourself empty of information, and all it cost to you was everything.

We see K badly wounded, resting on the stairs slowly succumbing to a probable death. He is feeling the snowflakes on his hand wondering, how for a second he had thought he was real, and what joy it had brought him.

Joi – the Holographic AI

K is in love with his AI holographic girlfriend Joi (Ana De Armas) who is realistic enough to show him a good time. She’s a pleasant companion to have. The technology we see in the movie is simply alluring.

It goes on to capture a transition, an upgrade too, with Joi moving from being trapped in a single room to experiencing the very first thing she wishes to experience – rain. It is then followed by her second most desirable thing – K.

A child. Of woman born. Pushed into the world. Wanted. Loved.

Some of the scenes where we see her network being affected in a crash site with all the lags and glitches are just amazingly done.

Laced in one of the high points of the movie is Joi’s fate. We see her lights being shut down as K burns in disgruntled air helplessly. She had named him Joe when K was busy figuring out his true identity to be akin to humans.

All the best memories are hers.

At a later point, we see K coming to terms with what Joi was all about. At the end of the day, she was nothing but a Wallace advertised product made insanely real.

Blade Runner 2049 movie still of Joi and Joe

Her advertisement calls him Joe venting a series of thoughts inside K’s head. His trance shatters as he accepts her true love to be a sham, another lie Wallace had created to mess with his head.

Luv: I see you are one of our clients. I hope you are satisfied with our product.

K: It’s very….realistic.

Niander Wallace

We see Jared Leto in another convincing performance as Niander Wallace in Blade Runner 2049. The bloke’s blind as a bat but he could see everything using the technology that he has built for himself, and such genius he is.

Every leap of civilization was built on the back of a disposable workforce, but I can only make so many.

He poses as an immensely intellectual villain (I guess we are going to remember him for the rest of our lives). The way he talks and the way he presents the character is simply astounding.

I can see it. As clear as dreaming. He loves her.

There are many other amazing things about the movie as well. About AI we see something very similar to what we had seen in the outstanding 2013 drama Her. One of the most memorable bits in that area is the syncing bit. There’s an apparent lag that we see while AI syncs with human which is a scene that’s beautifully fabricated. It makes you marvel at technology.

Then there was that astonishing scene of the one that literally resurrects Rachael back from the dead. Such beautiful VFX!

Her eyes were green.

The Final Verdict

Blade Runner 2049 movie’s true thrill lies in its proper nerve-racking narration. Even though its pace might not be something today’s fast-moving world is up for, it is a fantastic gem that shouldn’t be missed for the world.

It is a movie that tells you what geniuses are made of. You realize that artistry lies in every aspect of cinema right from the visuals team to the direction, to the cinematography and the writing. It is a combined extraordinary effort of the whole team who make this movie a worthy hoot.

Check out the trailer of Blade Runner 2049 here:

Guardians of the Galaxy Vol 2 Review (2017) | Yet Another Gem of Marvel

Guardians of the Galaxy Vol 2 is as fun as its previous installment was, or maybe a tad less. But it remains entertaining nevertheless. It tries to answer the speculations we had about who is Peter Quill’s Dad. The flick also forms the basis of the entire story of Guardians of the Galaxy Vol 2. It seems to be drifting away from the absolute rampaging hoot the first part was, yes, but when you have a story to tell, it’s a price one is willing to pay.

The movie drives its crosshairs to all its character giving them proper screen time to prove their mettle on numerous occasions. But the ultimate hero remains none other than the antihero Yondu Udonta, the whistling blue alien, with a badass flying arrow. It is him, his one Godly fight of reprisal, his acceptance, and his sacrifice that serve as the cardinal crux of the flick. Then it was also a great allusion to tell everyone about what a Celestial is, and what is it capable of.

Plot of Guardians of the Galaxy Vol 2 (Spoilers Ahead)

Guardians of the Galaxy sequel returns with a whole set of new forgotten songs never forgetting the real importance of music in the life of Quill. More importantly it does not forget its humour as it starts off with Baby Groot dancing off to a song unfazed by what’s going on while in the backdrop remaining Guardians are trying hard to defeat an inter-dimensional monster.

Baby Groot is akin to a baby whom they are supposed to look after until and unless he grows up, of course, to do some actual damage. So he remains his own dumbed down version for the better part of the flick, cracking us up good with his childlike understanding.

image of baby groot in guardians of the galaxy vol 2

Rocket is just trying to be well, himself, when he steals some important batteries right under the nose of Ayesha (Elizabeth Debicki), who had hired them to kill the monster in exchange for Nebula. Ayesha the leader of the Sovereign Race then sends thousands of drones to kill them. But the Guardians are saved a mysterious figurine riding a spaceship.

Gamora: A little one inch man saved us?

Rocket: Well, if he got closer I’m sure he’d be much larger.

Peter: That’s how eyesight works, you stupid raccoon.

On the crash site they encounter Ego played by Kurt Russell, who introduces himself to be Peter’s dad. He has a pet called Mantis (Pom Klementieff) who is later revealed to have powers of an empath and is kept around to soothe Ego to sleep.

Yondu and Rocket’s Escape

Meanwhile, Ayesha hires Yondu Udonta who has been exiled from his greater Ravagers community and is desperate to earn his name and get back on the saddle. He, along with a bunch of Ravagers find the stranded ship and capture Rocket. A mutiny breaks and Nebula steps in to decapitate Yondu by shooting the fin on his head. One of the ravagers called Taserface (Chris Sullivan) begins to lead the team of Ravagers by capturing Yondu’s ship and imprisoning both Rocket and Yondu, leaving Baby Groot to stray around.

I am so sorry. I just keep imagining you waking up in the morning, start looking in the mirror and all seriously say to yourself. You know what would be a really kick-ass name, Taserface!

Nebula leaves the ship to avenge the misdeeds carried out on her by her father Thanos owing to Gamora’s self-seeking glory.

With the help of Baby Groot and Yondu’s loyalist Kraglin, Yondu and Rocket manage to kill everyone aboard (watch out for that deadly arrow!) and escape. It is hands down one of those rare moments to remember in the Guardians of the Galaxy Vol 2 movie.

Ego the Planet

The secondary parallel running story is about Ego, Peter Quill’s dad, who explains what he is all about. He expounds that he is a God-like entity Celestial who is nothing but an immortal and who has manipulated matter around himself to create a breathing planet with his brain at its core.

Taking a human shape Ego had travelled across the universe to beat his loneliness and discover his purpose. That’s when he had come across Peter Quill’s mother Meredith on Earth. Peter was consummated then however he was forced to leave her to pursue his purpose. He had asked Yondu to deliver Peter to him, but Yondu had kept him to himself. Ever since that he had been constantly looking for Peter. Ego teaches him little tricks to channel and manipulate Celestial power since he was Ego’s true lineage.

On the same planet Gamora is attacked by Nebula and a fight ensues. In an awkward twist of fate they both end up rekindling their lost sisterhood. They find skeletal remains in the caverns of the planet smelling something fishy going on.

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The Ugly Plan

Ego one way or the other proves himself to be exactly what its moniker insinuates it to be. In an attempt to bring Peter to his side, he tells him about how he had planted countless seedlings across different worlds and that it would take him another celestial to activate them. Activating them would create extensions of Ego in different worlds through terraforming. Guardians of the Galaxy Vol 2 depicts a blob like thing consuming planets when Ego forcefully activates the seedlings using Peter as a source.

It is revealed that Ego was responsible for conceiving countless women all across the galaxy just to create extensions of himself, and he sent Yondu to retrieve the children to activate his seedlings, later killing them owing to them turning out to be failures. On realizing that it was Ego who had put a tumour in his mother’s head just because love was distracting him from his purpose, Peter Quill attacks Ego.

Meanwhile Mantis spills out Ego’s plans to Drax, Nebula and Gamora, who then join the alliance to help Peter Quill.

When you’re ugly and someone loves you, it means they love you for who you are.

The Final Showdown

Rocket, Yondu and Baby Groot arrive just in time to abate the punishing onslaught of Ego as they search for his brain inside the planet’s core. Ayesha’s army of droids arrive too causing a minor discomfort in their plans to kill Ego. Rocket creates a bomb with Ayesha’s batteries and has a hard time coaxing Groot to push the right button when it’s planted near Ego’s brain.

Peter uses his Celestial powers to save the remaining team by fighting Ego with all his might, as Kraglin approaches with Yondu’s ship for extraction. The bomb goes off killing Ego and disintegrating the planet in the process. Yondu sacrifices himself for Peter Quill. Peter realizes Yondu was simply trying to save him from being delivered to Ego and that’s why keeping him away from his true parentage, saving him from getting killed.

I told Gamora how when I was a kid I used to pretend David Hasselhoff was my dad. He’s a singer and actor from earth, really famous guy. Yondu didn’t have a talking car, but he did have a flying arrow. He didn’t have a beautiful voice of an angel, but he did have the whistle of one. Both Yondu and David Hasselhoff went on kick-ass adventures and hooked up with hot women, and fought robots. I guess David Hasselhoff did kinda end up being my dad after all, only it was you, Yondu.

When Guardians hold a funeral for Yondu, The Ravagers from all across the Universe come to pay tribute. The sacrifice Yondu was so huge that they revere him for that by showing up.

Post-Credit Scenes

In a post credit scene we see Stakar Ogord (Sylvester Stallone) reuniting with his ex-team inspired by Yondu. It appears we have another group in the making.

Kraglin picks up Yondu’s fin and arrow, clearly stating that the badass power is going to be his in the future sequels.

image of yondu with kraglin in Guardians of the Galaxy vol 2We find Ayesha looking for a proper revenge by creating something mysterious in a huge box. On being asked what it is she has to say:

That, my child, is the next step in our evolution. More powerful, more beautiful – more capable of destroying the Guardians of the Galaxy. I think I shall call him… Adam.

It is an allusion at Adam Warlock, another amazing Marvel character, who we might have the good hap of seeing in the long run. In one of the fun scenes of the movie Howard the Duck is shown once again. I think he is being toyed with for cameos so far. Stan Lee shows up once again with his cameo with The Watchers this time. It seems to make a curt remark as if it is Stan Lee filling them with the knowledge about his MCU. Some consider him to be a Watcher himself? Whaaaa….?

The Final Verdict

After watching Guardians of the Galaxy Vol 2 you realize the real hero of this movie was none other than Yondu. With an apt way to depart him from the future stories, which I think wasn’t at all necessary, (Why so soon?) the movie tries to draw out its emotional factor. But since its drama is always interposed by someone’s witty remark, a jest, or Baby Groot cuteness, it fails to charge up the melodramatic enclave it wished to go on, and eventually things kind of seem like a stretch.

Nevertheless Guardians of the Galaxy Vol 2 turns out to be simply amazing owing to the fun factor it trundles on, the choice of music it picks every now and then, the proper screen time it lets each of the superheroes have, and its brilliant direction.

Check out the trailer of Guardians of the Galaxy Vol 2 here:

Spectre Review (2015) | Sam Mendes Embellishes James Bond Yet Again

Spectre is yet another exquisite icing to the renowned double agent’s tale. The grandeur of James Bond returns with Sam Mendes’s enthralling direction.

“To liars and killers. To liars and killers everywhere.”

SAM MENDES AND BOND CONNECTION

It’s official. Sam Mendes is the only person who does immaculate refined justice to Bond. It is so great to see him handle such colossal projects. Three years ago, he had done a similar job of primping and preening the Bond who was jackhammered into the debris of Solace. With the right kind of posture, demeanour and mien, he had in his mind for a Bond of our dreams, Mendes’ protagonist soared to an unimaginable level. So he created Bond, a man with the right words, the right class and the right air.

still of james bond wearing spectre mask

The depth in his eyes when he seeks love, the fearless fluent proclamations he bears on his lips when he faces his enemies, his unique flamboyant flair, and the way he walks adjusting his cuffs. Ooh! So filled with pizzazz! Daniel Craig hits a home run with every minute detail that’s asked of him to master a Bond of style. He will stand tall as one of the best Bonds to have ever walked on the big screen.

BLAST FROM THE PAST

Writers of Spectre do a fair job of revisiting the forgotten by punching in faces from the past to shake up an already stirred Bond. However, it is hard to shake him up. This is Bond we are talking about. Craig looks more focused, fearless and more relentless than ever in Spectre movie.

Spectre is one of the most realistic movies to have ever been made in the Bond saga. Even whilst Bond shoots pawns of Blofeld, he does so by sitting, crouching and aiming before taking the shot. He takes into account the distance factor, which seems quite plausible when you compare it to past Bond movies. He has a story to unfurl which moves at quite an interesting pace. (I don’t know why some found it lengthy!)

still of spectre movie daniel craig and lea seydoux

Christoph Waltz is brilliant as Blofeld too. His villainy is soothing, calm never leaving its walls of perversion. He has a badass voice that he carries superbly throughout his ephemeral act.

We have a side plot led by Andrew Scott which runs parallel to the story. Sam Mendes tries really hard to juggle both stories and endeavours to hold them in the same basket, but barely manages to succeed at that. Somehow I feel, the director could have done a better job weaving it more brilliantly.

BEAUTIFUL SCENES (SPOILERS AHEAD):

There are extremely beautiful bits in the movie that come to my mind when I think of it. Like the one where Bond wakes up to the silencing commotion of a mouse. He points the gun at it and says,

“Who are you working for?”

I think watching Bond sandwiched between M and Swann was brilliantly shot. It was quite poetic if you really look at it. At one side, there were “saving-the-world-shoes” to fill, whilst at the other end there was freedom and the love of his life gawking at him with hopeful eyes. Right at the middle, the author of his pain asked him to shoot him. As Swann had said before life gives you choices. Bond was faced with a choice to kill and not to kill, and of course, to choose a side. To Blofeld’s beseeching command to kill him, he empties his barrel and says,

“I would if I had bullets.”

and starts walking towards Swann. He chooses “to stop.” What a beautiful way to go!

One of the most daring acts of Bond in the flick is when he rams and tries to scooch a plane amidst a narrow path surrounded by trees. He stops at nothing whilst chasing. So he has proven in the beginning chase scene of Casino Royale. Another one of course, walking into the lion’s den eventually, which was both bold and stupid at the same time. But hey, we are talking Bond here!

still of Dave Bautista in Spectre movie by Sam Mendes

The beginning of the flick is outrageously rad too. The cameras that walk alongside Bond as he strolls through Mexican streets, to a hotel room, then scales beside him till he reaches his target, every bit of it has been gorgeously captured. Action is top-notch as well. Watch out for the Bautista train duel. Perfetto!

Grab a Blu-Ray DVD of Spectre here:

SCORE OF THE JAMES BOND MOVIE

Another thing that you would notice is its score. So bloody brilliant! Thomas Newman makes the music so beautiful and badass that it’s hard not to notice it. Before deciding to watch Spectre, mark this on your checklist: Choose a theatre you love for its sound. Right from the Mexican beats, to Sam Smith’s marvelous song, to soothing violins, everything downright impeccable!

Sam Mendes frames exceptional panorama as he ranges down beautiful landscapes all across the globe. The photography and the cinematography can’t be overlooked here. Simply outstanding!

This movie is a perfect Craig-Bond tribute. Go bid your adieus! (Only if this is Daniel Craig’s last movie)

You can check out the trailer of Spectre movie here: