Dawn of the Planet of the Apes is a perfect example of how to make a perfect movie.

We saw the gradual development of a baby ape into an intelligent leader in Rise. In Dawn, we see him reign.

Reeves offers us an insight, a glimpse about the impending chaos in a Simian afflicted world. He spends hours into character building, the crucial element to any flick, where a director makes you feel ‘value’ and ‘importance’ of every soul at large. With apes spending more time on screen than humans, the title of the flick justifies.


There is Koba, the bad-ass scarred ape, who defies the leader of the herd with his differences and engenders villainy and exasperates chaos. Maurice, the lovely and loyal orangutan, is charming as ever, whilst Blue Eyes wears an apt role exhuming strong emotional vibes, his best part being: where Reeves uses his perceptive to show the ugly side of war, the absorption of the aftermath on a young amateur heart, the effects of violence, the dread, the fallen victims and the cadavers of the innocents. The war presentation was drenched in beauty.

Caesar emanates pizazz. We see him develop into a more thoughtful and intelligent being. The maturity that adorns his countenance makes him stand out from the rest. His personality would put you in awe.

The CGI is marvelous. It was thrilling to watch each and every Serkis emotion captured into a series of dark and grim frames impeccably.

On the humans counter, we have Jason, Gary, Kodi and Keri in the driving seat as crucial elements trying to help their own species for survival, by gathering resources for sustenance. The fear in the eyes of Jason Clarke is natural and relatable, when he ventures himself into the ape territory. A strange blend of geniality and fear persists whenever he is around Caesar and he dons it brilliantly.

If we take the downsides of the movie into account, we find a clichéd tale that has probably been narrated many times before in epic tragedies. There is no element of surprise in the flick. Nothing memorable to cherish too. Matt needs to take these factors into account, whilst directing the next sequel.

But overlooking the above fact, we do have a brilliant moulding of a tale that is on its way to become an epic saga of Caesar, his scion Blue eyed wonder, probably the next possible leader, an ape family who is willing to follow the footsteps of its leader, extinction of humans and their gasp for survival in a Simian-ridden Earth and a fight for coexistence – nature’s felony of keeping predators and preys in one basket.