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Tag: Direction

The Grand Budapest Hotel Review (2014)

“It was an enchanting old ruin.”

The Grand Budapest Hotel is drenched in literary awesomeness, Wes Anderson’s beautiful adventurous tale is about the life of a concierge named Gustave, who develops a friendship with a loyal Lobby Boy Zero Moustafa, a young immigrant from the East, on account of a misfortune that fires an avalanche of events. Set in a span between the World Wars, the story is basically a narration from a writer, who had met a hollow version of Zero in The Grand Budapest Hotel, who in turn narrates every account of his and Gustave’s adventure to him. (Talk about Inception eh!)

Screenplay is just marvellous. It touches bits of humour quite subtly. The direction is top notch just the way Wes likes to depict his cinema. If you have seen his previous works you would know how brilliantly he projects his frames and takes you to a different world altogether. You couldn’t help but marvel at the way he rotates his camera and runs into inanimate things for focus. He leaves most of the action part to our vivid imagination. Built backdrops and landscapes in the flick are quite artistic and perfectly manifested with a unique animation.

Wes carves his writing gorgeously, as occasionally he slips into splendid poetic verses beautifully enunciated by Ralph Fiennes. The story runs great along with some exceptional editing. A gripping adventure that breathes on outstanding performances by Fiennes, Norton, Dafoe, Brody, Goldblum and Revolori. Even though it had a stellar cast, actors like Bill Murray, Jude Law, Tom Wilkinson, Owen Wilson, Tilda Swinton, Jason Schwartzman basically had cameos.

The Grand Budapest Hotel is simply a glimpse into the creative head of Wes Anderson. It is a remarkable feat in comedy and direction and a must watch for people who love quality cinema.

Whiplash Review (2014)

Intense and epic!

Damien Chazelle has landed a knockout blow in extremity with his epic jazz project. Whiplash is a story of a young drummer with a potential to stand amongst the greats and an abusive instructor who seeks perfection at every note to help his students achieve the greatness.

The casting couldn’t have been more perfect. Both Teller and Simmons fit the portrait of their characters superbly. Simmons is an exceptional actor. He dons the abusive and mean demeanour quite naturally and carries it throughout the flick, reeking of perversion, cruelty and foul-mouthed barbarism. Going inhumane to create a musical virtuoso was something Simmons was trying to achieve. Teller, an equally great actor leaves no stone unturned to play the obsessive drummer, who fumes with confidence and rage when tipped over the breaking point. You see him burn in wrath and conviction when he is trying to prove himself.

Direction is enthralling. The way camera moves quickly capturing every gesture of the instructor and the protagonist and then landing on every instrument in the orchestra was a delight to watch. Beats in the background subtly wrapping up New York buildings show exceptional direction skills of Chazelle. Editing was outstanding. There wasn’t a moment of ennui in the entire movie.


There are excellent dramatic scenes in the movie that simply goes on to show how Teller has significantly evolved in the acting department. Watch out for the bit when he gets rammed by a truck and still goes on to play. Also when he plays so fiercely that he bleeds and jabs the drum in resentment.

The climax of the movie would literally stop your breath. My hands were moving along with Andrew’s sticks as if I was drumming it. One of the best drums you would ever listen to.

Wasn’t a big jazz fan. This movie has transformed the way I looked at it. Highly recommended quality cinema ladies and gentlemen!