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Tag: Interstellar

The Unpredictable Academy: Snubs and Wins (2015)

Every year the Academy slips in a frowned spurn at a movie that is on everybody’s mind. This time ‘Boyhood’ became the bait. The coming-of-age tale that spread brilliantly over the span of 12 years, was a sure shot per se. But alas! the Oscars have a reputation in doing the unthinkable. ‘Birdman’ beat Linklater’s panache not only in Best Picture and Original Screenplay categories but also in Best Direction. The latter managed to hold its ground thanks to Patricia Arquette’s Supporting Actress win.

Not long ago when the Academy had pressed its Oscar sheet, the snubbing of great movies like ‘Foxcatcher’, ‘Big Eyes’, ‘The Lego Movie’ and great actors like Amy Adams, Jennifer Aniston, David Oyelowo, Helen Mirren, Bill Murray, Jake Gyllenhaal, Ralph Fiennes and Christoph Waltz, had caught a lot of moss. Putting out Selma flame was a big rebuff this year since people claimed it to be a distinction on Academy’s part, not to mention the fact that a majority of voting members in the Oscar team are white.

Apart from the biggest surprise of the night, some more were strewn all along the event. Academy chose to ignore the ‘How to Train Your Dragon’ franchise once again giving precedence to ‘Big Hero 6’ in the animation department. Best Editing went to ‘Whiplash’ which again was a pie in the face for ‘Boyhood’. ‘American Sniper’ losing to ‘Whiplash’ in Sound Editing was another one. ‘Interstellar’ managed only one out of its five nominations. Surprise was Zimmer’s stunning score bowing down to Desplatic rhythm. Dawn of the Planet of the Apes overlooked in the Visual Effects department came as a big blow. However, it was a close call since Interstellar’s visuals were quite brilliant as well. It was great to see Glory glorified and Feast winning the Best Short Film Animated category. Winston just had to win 😉

Here is a short summary of what happened:

  • The Imitation Game (had 8 nominations, bagged 1)
  • Boyhood (had 6, bagged 1)
  • American Sniper (had 6, managed 1)
  • Birdman (had 9, got 4)
  • The Grand Budapest Hotel (had 9, got 4)
  • Whiplash (had 5, got 3)
  • Interstellar (had 5, got 1)
  • Foxcatcher (had 5, received none)

‘Foxcatcher’ was overlooked big time. Given the amount of work Bennett Miller had put in to create the beauty, he needed a little Academy respect and attention. Steve Carell’s transformational looks as John du Pont at least deserved a Makeup and Hairstyling accolade.

Rumours have continuously surrounded the Academy owing to its big decisions which seem pretty biased sometimes. The one that exemplifies the obvious perfectly – Incessant snubbing of Leonardo DiCaprio despite outstanding performances throughout his life. Academy even failed to recognize exceptional knacks of Wes Anderson and Richard Linklater last night. Both are yet to bag an Oscar, and that is just sad.

I picture Academy as one old crude witch, who just loves to see the world burn. If you have a favorite the Academy would snub it and shout “In your face!” in your face. Mainstream movies never even make it to the list.

Whatever the hammer says hardly bothers us though. We know for sure, nothing is really lost. The shattered are still celebrated. We still have incredible movies to watch thanks to sensational efforts put in by excellent directors, actors and the remaining crew.

If you didn’t make it, we don’t really care. Academy is just a bunch of people with their scathing point of view. If you consider all of us – people who watch you from every corner of the world, who care about every single thought you conceived to carve something beautiful, who praise your extraordinary efforts to create what we can only imagine, those who really love your work, who really encourage you do the exceptional, the real movie buffs, for us, you are still our winners! You will never lose! Let us raise one to that!

Interstellar Review (2014)

Not long ago, I watched a featurette with excerpts from the movie Interstellar, which showed the gargantuan amount of work and sweat Nolan brethren, Kip Thorne and others put in whilst exploring the behaviour of a black hole. The crisp attention and the minute details they did not overlook flabbergasted me beyond limit. So hopeful was written all over my head. And Nolan never disappoints.


Strewn with science, this movie not only takes you on a joy ride, it educates you as well. The concept of space-time singularity pervades throughout the flick as we witness a superb simulation of a black hole, and it doesn’t stop at just that. We go into it. Yes, through the eyes of our protagonist for the first time, we witness a distinct theoretical world that has found pragmatism. An impeccable representation of Tesseract with threads of time.

The best thing about Nolan is the enormity of the project he takes. The script is so beautifully written that it rivets you right from the start. The concept is like magic, a miracle happening in a distant galaxy. As the story unfolds it makes you feel as if you are getting closer to finding answers to our existence finally. The plot however has something else in store for you. And it is a big fat blunt satire on our loneliness. We are alone and all we have is each other. That is the penultimate truth.

Wormhole was never explored like this before. How time plays tricks on you, powerful representation of anomalies, the wickedness of human mind when left alone in despair(that Damon bit), how the music of nature (the rain, the thunder and the cricket chirping noise) makes you feel home, the conundrum of our purpose, the humour of TARS, the physics that touches almost every part in the flick, the poetry of the brave and wise through Dylan Thomas’s words, superb lamenting conversations, and the brain-wrecking revelations in the end – every little detail has been exemplified with proper logical explanations and shown on a platter of sensations.

Emotional surge is strong, and with a power pack performance by McConnaughey everything uplifts. Bits of a father-daughter melodrama are the most feeling kind. Shatters you from the inside, as you empathize with the protagonist’s tears. Zimmer touches your heart with his profound score. Notes are so brilliant that they put you right into the flick. This too would sit amongst Zimmer’s best works.

It is one of the most ambitious projects that would be remembered in impending debates for the intricacies it touches and the science it explores. Nolan is certainly one of a kind director, a great gift to mankind, a wise man who wouldn’t go gentle into that good night. Kudos to yet another mammoth achievement!