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The Accountant Movie Review (2016) | Ben Affleck’s a Badass Prodigy

Bill Dubuque’s story of The Accountant movie fits like a glove into the frames of Gavin O’Connor, one of the finest directors of our times. For those who are unaware, the latter’s the same guy who brought us the exceptional movie Warrior in the year 2011. The Accountant movie packs in a rare gem of a story that couldn’t have received a better director. Apart from a predictable climax, the movie retains just the right amount of action and a lot of awe-inspiring intelligible gestures that compel you to marvel at the protagonist, and his unworldly state of mind.

Gavin O’Connor isn’t the only one trying to furbish the brilliant frames of The Accountant movie. He is well supplemented at all times by extraordinary actors like Ben Affleck, Jon Bernthal, J.K. Simmons and Anna Kendrick. With Ben Affleck taking up the center seat to let us stay astounded at the genius his character is, you wonder if autism could really create something as badass as him.


I love how tranquil Gavin O’Connor remains behind the lens, and it literally shows in his work. There is this rare calm in his frames that keeps telling you the story intended to be shown. He doesn’t move on like others do when he is done. That leaves his work with proper apt focus.

The Editing of the movie is a tad troublesome, more miffing. The trick of inserting convoluted stories, overlapping tales into other tales, doesn’t really work that well in the case of The Accountant. The broken timeline that is created, in fact, ends up creating hell lot of confusion. You are forced to wonder which one’s which. However, at all times, even in that dire seriousness of helming subplots, Gavin stays undeterred. I surmise that helps in keeping his work well polished.


Christian Wolff is a licensed accounting genius working for a small business accounting firm in Plainfield, Illinois. His accounting “glitch missions” are provided to him over the phone by a voice, that seems to share his secret. Wolff had a harsh childhood with autism. He and his brother Braxton were left by their mother at a young age. With a military hardened father to tend to their actions, they had an even rougher livelihood growing up.

Another side plot introduces us to Raymond King (Simmons) who is keen on catching the one man that had eluded him ever since a painful meeting in the past. He hires Marybeth Medina played convincingly well by Cynthia Addai-Robinson to find him and arrest him.

Christian Wolff’s next mission is his final legal assignment in a Robotics Company where he is to solve a huge financial discrepancy issue. It also introduces him to Dana Cummings (Anna Kendricks). What follows is an intricate unfolding in an endeavour to find out who the real culprit behind the discrepancy is. What gorgeously skims alongside the revelation is an unknown figurine trying to shut everybody down by killing them with the help of a cool threatening assassin (Bernthal).


There are jaw-dropping moments squeezed into the accountant that will make you laud it profusely. To see Christian Wolff break all barriers of the mundane is insanely gratifying. His modus operandi of doing things, the unique style even before he begins focusing, and the things he does to stay confined becomes further embellished by Ben Affleck’s natural flair for acting. I loved how Wolff kept a painting of Pollock on his ceiling, that he would stare at the chaos on it before soothing himself to sleep.

still of Ben Affleck as Christian Wolff in the Accountant movie brooding

Also, the fact that Christian Wolff had everything in his life in order can’t be missed. Right from the point he would open his garage gates, to the precision in his entrance, to his parking and to the timely array of everything that composed his life; Everything, almost everything talked about how controlled he really was. Then how with an uncommon act of disarray, with the inclusion of a tinge of dissonance into his perfection, chaos ensued. It was beautifully portrayed.

Then there are dope action sequences that will leave you dumbfounded. Action is quick, stylized and decorated, just the way we prefer. His sniper shots are like music to the ears, and eye candy to the eyes.

You can pre-order the DVD of The Accountant from here:


Robert C. Treveiler plays a tough army dad who wishes to see his kids prepped up for an unfair world. For that he trains them, a punitive ceaseless affair that goes on till they learn everything there is, in all kinds of fighting lessons. But in his abominable bluntness, there remains a brazen overlooking of children injustice that stays unaddressed. As if all of it was fine.

With Ray King’s (played by J.K. Simmons) constant twitching, you get an idea if there is a sub-plot at play, or if there is a relation with the protagonist, waiting to be dropped at any moment. Then when you are entertained with the conjoining of prologue you get to see why Ray is keen on finding about “the who” and also the whereabouts of The Accountant. The fact that all of that search accounts for nothing eventually bothers you beyond limit, since that leaves threads out in the open. You can’t help but wonder – Why that dispensable build up when it wasn’t supposed to go anywhere?


Unfortunately the Accountant movie has its Martha moment too. (I am a huge Affleck fan, but sorry it was too evident to overlook). You wait for that final fight to take place only to realize Braxton and Wolff were in fact brothers. You kind of see that from far away too. But then even after that big climax, the reason they start fighting for is something that will make you shake your head. That aftermath lacks proper melodrama, and their squabble ends up becoming a complete dud.

still of Jon Bernthal as Braxton in the Accountant movie

Another one of those I have already mentioned before. Bazillions of subplots! It is hard to keep track of them. It’s like someone is telling a story, and then even before it gets over, someone narrates another one. Perplexes you so much!


I would recommend you to celebrate the movie for its dark theme. However limited its action is, you are going to love it for its thrilling depiction. Also, there are two reasons to watch the Accountant movie. The first one – Ben Affleck, hands down. A clean winner! The second one is for Gavin O’Connor’s grim direction. He shoehorns in just the right amount of everything confirming nothing’s truly spoiled. So despite the vexing flaws it possesses everything’s overlooked.

You can check out the trailer of The Accountant movie here:

Me and Earl and the Dying Girl Review (2015) | Comical Allegory

I have been meaning to write the review of Me and Earl and the Dying Girl for so long that it makes me sad to see it stand waiting for so long, in the backcloth of my mind, hungry for appreciation. It deserves adulation. It deserves your attention. My sole intent is to shower undying love for this intensely deep and touching movie that beats every convention that mainstream cinema sells us today.


Me and Earl and the Dying Girl is a constant droll that stays beautifully supplemented by the subtle direction of Alfonso Gomez-Rejon. What you cannot certainly overlook is its extraordinary cinematography that pays attention to meticulous details at different crises. If you pay attention enough you will approve the existence of the genius behind the camera.

still of greg and rachel walking in me and earl and the dying girl

Alfonso’s frames are in a perfect sync with the flick’s deadpan. Also, you are invariably smiling at the way things are shown which makes Me and Earl and the Dying Girl a propitious watch. Camera’s superlative swiveling from a single axle point and such countless experimentation throughout, will make you realize how Jesse Andrews might not have been able to get a better director for this movie.

Apart from stunning camera movements, the flick scores high on editing too. It stays fueled by its perfect timing for skipping frames, or throwing in a funny jest every now and then. Best ones are stop motion animation scenes that try to expound what our protagonist is thinking. It is intelligently depicted, and bides by its “out of the box” thinking.


Even though the titular flick gives away the primal plot through the moniker itself, it balances on a mere assertion to show us what might or might not happen. Me and Earl and the Dying Girl stays in the head of Greg played by Thomas Mann at all times, and depicts coming of age stuff from his perspective. We also have Earl who is Greg’s best friend, played by RJ Cyler who gives a brilliant icing to the story. There are subplots to the tale that unveil as a result of an unusual setup which get superbly helmed too.

It also has 21 mini movies that tell you how talented and amazing the brains behind the Me and Earl and the Dying Girl are. All of these short movies land up one way or the other inside the flick, and you can’t help but reflect on your childhood dreams. You are compelled to brood over that passion of yours that could never really go anywhere.

still of Olivia Cooke as Rachel in Me and Earl and the Dying Girl

Olivia Cooke as Rachel is absolutely perfect for the role. Her eyes do most of the talking, and you can’t thank the casting director enough to have chosen her. Earl doesn’t disappoint either. He creates this perfect comportment to depict ‘distance’ whenever it was the call of the hour. Thomas Mann can’t be applauded enough. His Greg brings plausibility to the tale and makes him a very promising character.


The final movie on Rachel is a colossal metaphor. It leaves you wondering about things that constantly float in the head of Greg. It is hard to picture someone as furled as Greg have gargantuan profundity hidden.

There are images that run wild without words that try to say bazillion things to Rachel. It is Brian Eno’s music, and Greg’s animation that speak up abstract thoughts in a language only Rachel understands. It is so beautiful and poetic at the same time that you cannot clap enough for the writer to have thought something as eccentric as that.


Me and Earl and the Dying Girl is a fun frolic into the lives of Greg, Earl and Rachel. But the tragedy that awaits or doesn’t, at the culmination point is going to leave your mind impassioned with emotions. A must watch!

Check out the trailer of Me and Earl and the Dying Girl here: