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Sicario Review (2015)

“It is a land of wolves now.”

The aforementioned escapes the roaring gasps of Benicio Del Toro as he slips in an advice to Emily Blunt. Sicario is a thrilling ride into the US-Mexican ongoing drug war, where the story takes you into the deep waters of perversion, vengeance and corruption. Mexico reeks of death. The drug has polluted its air.

Denis Villeneuve has a knack for helming beauties. Sicario is yet another product of his extraordinary brain. What I love most about Denis’ direction is the fact that his frames carry the perfect amount of profundity. They are thought provoking, and give you ample amount of time to feel the thrill. You are able to focus properly and contemplate between his lingering frames.

Brilliant top scenic views that blend in with the gorgeous Johann Johannson music, deafening helicopter shots, or the silhouette of the private jet over a barren land depicting the long exhausting travel, carry Denis’ suggestive flair.

The acting department is literally thriving with exceptional performances by the movie’s stellar cast. The screenplay too is very well written, taking the crime genre into account.

SPOILERS AHEAD:

One of the most gorgeous bits of the movie is when Emily Blunt is shown “the fireworks” – a city breathing on tragedy, bleeding with death, and burning in fire. The unfolding of the main Sicario was one helluva twist to the tale that was written beautifully by Taylor Sheridan.

Another thing that I loved was Hernandez’s character Silvio. A dispensable soul who was manifested subtly by Denis. Like any other Mexican, he was a guy with fingers in dirt. Oblivious to what was coming, with a prepared family. Denis shows such a way of living is common in Mexico. How they have accepted death as a way of life!

The movie ends quite dramatically as it leaves Kate Macer with a choice, the choice to shoot a Sicario like Alejandro and do the right thing, or let him breathe and let the city smother itself in the flames of vengeance. As the final bits rush in showing the Silvio’s death aftermath, we see his son trying to play football, his mother trying to cheer him when we hear bullets in the backdrop. Their world stops to heed at the distraction, but then again, they have accepted it to be a part of living, and they still continue. It is an extremely poetic bit that makes you pity their lives.

Everest Review (2015)

The first thing that hits you when the Everest commences is its music. There is melancholy inscribed, and you at once know there is tragedy in the tale. Well, of course, if you have been following the movie, the book, the unfortunate event and been watching the trailers, you already know what you are in for. And so the placard in the beginning tells you.

Everest is a true story that laps around the 1996 disaster on the mountain. The story brings Rob Hall and Scott Fischer, the leaders of two different groups, into the limelight and unwinds every minute detail related to their expedition. What it also does is open the gates for a little dread for those who think trekking it is a piece of cake.

Baltasar Kormakur’s direction is good but not great. His frames are silent and endearing and connect you at once. You suddenly find yourself amongst the characters. But sometimes you feel something is missing. Fleeting frames of the progressive kind don’t actually let you take profundity in. They rarely let you focus and you keep moving on.

Another problem with the movie is that you have a script that you cannot play around with. These events happened. You cannot toy with its reality. To make it into a feature film, you have to ensure that your direction is out of the world. To connect to the audience you have to make the gloom shattering.

Personally, what I felt missing was a heartbreaking emotional touch that would break you into a million pieces. Death didn’t seem to tingle you. Because there was little time spent on the aftermath and more time on the ‘what’. You couldn’t feel the warmth in the characters so losing them didn’t exactly connect. This again was a ball in the director’s court. Also, the screenplay being average fails to blow your mind. But there are, at times, brilliant lines in the movie that can be cherished as is.

There is one badass scene when the storm cloud gradually moves towards a stranded Rob that was one of the most memorable ones. Also, Doug and Harold’s fate was terrorizing to watch. The scenic beauty that the badass mountain offers is simply out of the world and is well captured. Though Baltasar often used the same frame again and again for emphasis.

There are little things in the movie that are really thought provoking. Clouds of thoughts engulf the team when they are asked “Why?” Why are they trying to reach its peak? Also, when the protagonist looks at a returning team with an injured member, fallen and vanquished, it puts him in doubts. The scene is metaphorical of defeat.

If you wish to relive the disaster, this movie sets a brilliant backdrop and entertains one helluva cast into a commiserating melodrama. A definite watch!