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Storks Movie Review (2016) | Adorable Is Written All Over It

Storks movie is high on slapstick humour, chucklesome one-liners and an intelligently thought of oscillating story line. Even though Storks is like a constant roadrunner of a movie, which raises question about its editing, it still manages to rake you in with its primal theme – Baby! Isn’t that a winning idea per se?


Well, this one is an old one actually. The notion “storks deliver babies” finds its roots deep in European folklore. The fanciful imagination of how Storks would listen to crooning new parents thereby tending to their wants, has found new angles every now and then. Not long ago, in the year 2009 we were served a beautiful short called “Partly Cloudy” by Pixar which had briefly yet amiably touched that very area. Now, with Warner Bros. Animation bringing back the idea to a fully-fledged version in the form of a movie, the concept literally brims alive.


Storks have put an end to their baby delivering business. Cornerstone, their company has now moved on to a much profitable business of providing postal services. Headed under the aegis of Hunter (voiced by Kelsey Grammer), the visionary is about to promote Junior (voiced by Andy Samberg), the top deliverer of Cornerstone, to the position of ‘Boss’. However, he requires him to fire a girl named Tulip (voiced by Katie Crown), who was Cornerstone’s last undelivered baby. Tulip is trying her best to fit in the lifestyle of Storks, but unfortunately she is an epitome of obliteration, and Hunter wants him gone.

still of nate and his parents in storks movie

Meanwhile at Earth, a kid is trying his best to catch his busy parents’s attention. The ignored head Nate (Anton Starkman) is keen on having a baby brother so that he could have someone to play with. He writes a letter (or did an adult write that? :P) that gets delivered to Cornerstone. In a series of accidental chaotic events, where Junior is trying to get rid of Tulip, the old baby delivering machine becomes functional with that letter and a baby is produced.  Boy, is she the cutest thing?

What follows is one hell of a roller-coaster ride, with Junior trying to deliver the baby to its rightful address alongside Tulip, before anyone in the Cornerstone knows about it.


Storks movie packs in humour aplenty. The non-stop fun comedy will not let you settle down a bit. It is constantly trying to tickle you, sometimes too hard, sometimes effortlessly. The fact that the movie is so much reflective of our day to day work makes things even more relatable. That’s primarily why you laugh hard too.

In their little adventure to deliver the baby, Tulip and Junior come across an insane wolf pack that can take the shape of anything from a bridge to a boat to a submarine. It is hands down one of the funniest bits in the movie. Alpha Wolf and Beta Wolf are voiced by none other than Key and Peele themselves.

still of alpha and beta wolf licking baby in storks movie

Also, the part where an army of silent Penguins tries to attack the lead characters making sure that the baby doesn’t wake up, will have you in fits of laughter. Pigeon Toady voiced by Stephen Kramer Glickman is one psychotic angle to the tale that blends in a little perversion with fun.

The movie also tries to do a little mockery of how the advent of baby in one’s life changes so many things for parents. It goes on to show that insane cuteness comes at a price!

You can pre-order Storks movie here:


One apparent downside that vexes you a bit is how Storks literally gallops. It is a constant run of frames that doesn’t stop even for a second to breathe. At times it tries its level best to pass on even average jests with its swift gait, so that you move on quickly to the next.

With no gravitas in its frames, the Storks movie fails to uplift the emotional quotient that the movie at one point tries to bank on. In that respect it stays miles away from the likes of Pixar. Everything stays scooched under 1 hour 27 minutes of screen-time, even though we could have really used a better editing.


Even though Storks movie fails to do a Pixar in matters of sentient stories, it entertains us nevertheless with its snappy slapstick humour. The collaboration resuscitates the old forgotten lore that tries to celebrate lost stories. Even with its fun standpoint, we do get a comical entertainer in the end, and that’s what really matters.

If you wish to watch a whole load of cute, cuddlesome and Awwwwws, Storks is just the movie for you.

Here’s one cute trailer of Storks for you:

Keanu Review (2016) | Key and Peele are at it again | Entertaining Comedy

Our favourite duo Key and Peele are here with their very own fully fledged movie. Keanu is sort of a strange unraveling comedy made better by its rib-tickling comic performances.

Brilliant comic timings of Keegan-Michael Key and Jordan Peele aggrandize every comic scene they are in. There constant reasoning with references is what fills their cajoling with plentiful humour. Their inane talks will have you wait for that impactful punch and that’s what they invariably bank on.


Sitting on the director’s chair is Peter Atencio, who hands us over a slow paced yet perfectly plausible comedy. Does he make Keanu a winning affair? Oh yes he does!

The way he helms allows viewers to encash on perfect focus. You have plenty of time to comprehend what is going on. When you take the opening slo-mo sequence of Keanu into account, wherein a poor kitten gets trapped in a shootout escapade, you realize how he doesn’t rule out theatrics from his work at all. Peter Atencio pays attention to story building. He comprehends the crux of the theme he is directing and remembers to come around to justify it every now and then.

The bad thing is that you don’t see a lot of subtlety in his direction. He takes on a plain staid approach to depict his frames. Even though it works for him, to be candid, it ends up becoming a very jaded direction.


still of key and peele from keanu movie with the catKeanu is more of a sitcom that places cousins Rell Williams and Clarence Goobril in a really dangerous situation. Whilst they play along in order to find the kitten who took Rell’s heart almost at once, masks they wear are jocularly awkward. A series of lies get them finger deep in a muck of their own doing, and they end up donning an image they were never comfortable with.

Keanu, the adorable kitten, however ephemeral its role is, stays the rudimentary basis of the movie’s plot. It circles around the kitten constantly trying to put meaning into the no-nonsense comedy.

The good thing about Keanu is its unfurling pace. It runs on a brilliant conveyor that knows how to sieve in quality humour. The fact that every event has repercussions and is followed up properly with a plausible act is what makes this flick highly delectable giving it a proper movie-like contour.


Keanu unfortunately has plenty of downsides that slam it down as well. The Anna Faris story was an unnecessary sub-plot that seemed weirdly out of place. It was stretched beyond limit, something that lets you see the emptiness in its shoddy editing. Then when they try to justify it in the end, its revelation is equally stupid.

Even though you might say looking at the Hi-C story, the one played by Tiffany Haddish that you didn’t see that coming, it was something that impoverished the original theme Keanu was trying to rail on. The Allentown brothers story also seemed promising from the prologue but it ends up going nowhere.

still of the cute keanu cat kitten in gangster style

There isn’t constant humour running in the veins of Keanu that will fail to put you into fits of laughter. Even though you realize at the end of it how little were those laughable bits in the movie, it still has aplenty to make the movie interesting and engaging.


Keanu is saved and uplifted mostly by Key & Peele and its great meaningful direction. The rest is kind of really thin.

You can check out the trailer of Keanu here: