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Guardians of the Galaxy Vol 2 Review (2017) | Yet Another Gem of Marvel

Guardians of the Galaxy Vol 2 is as fun as its previous installment was, or maybe a tad less. But it remains entertaining nevertheless. It tries to answer the speculations we had about who is Peter Quill’s Dad. The flick also forms the basis of the entire story of Guardians of the Galaxy Vol 2. It seems to be drifting away from the absolute rampaging hoot the first part was, yes, but when you have a story to tell, it’s a price one is willing to pay.

The movie drives its crosshairs to all its character giving them proper screen time to prove their mettle on numerous occasions. But the ultimate hero remains none other than the antihero Yondu Udonta, the whistling blue alien, with a badass flying arrow. It is him, his one Godly fight of reprisal, his acceptance, and his sacrifice that serve as the cardinal crux of the flick. Then it was also a great allusion to tell everyone about what a Celestial is, and what is it capable of.

Plot of Guardians of the Galaxy Vol 2 (Spoilers Ahead)

Guardians of the Galaxy sequel returns with a whole set of new forgotten songs never forgetting the real importance of music in the life of Quill. More importantly it does not forget its humour as it starts off with Baby Groot dancing off to a song unfazed by what’s going on while in the backdrop remaining Guardians are trying hard to defeat an inter-dimensional monster.

Baby Groot is akin to a baby whom they are supposed to look after until and unless he grows up, of course, to do some actual damage. So he remains his own dumbed down version for the better part of the flick, cracking us up good with his childlike understanding.

image of baby groot in guardians of the galaxy vol 2

Rocket is just trying to be well, himself, when he steals some important batteries right under the nose of Ayesha (Elizabeth Debicki), who had hired them to kill the monster in exchange for Nebula. Ayesha the leader of the Sovereign Race then sends thousands of drones to kill them. But the Guardians are saved a mysterious figurine riding a spaceship.

Gamora: A little one inch man saved us?

Rocket: Well, if he got closer I’m sure he’d be much larger.

Peter: That’s how eyesight works, you stupid raccoon.

On the crash site they encounter Ego played by Kurt Russell, who introduces himself to be Peter’s dad. He has a pet called Mantis (Pom Klementieff) who is later revealed to have powers of an empath and is kept around to soothe Ego to sleep.

Yondu and Rocket’s Escape

Meanwhile, Ayesha hires Yondu Udonta who has been exiled from his greater Ravagers community and is desperate to earn his name and get back on the saddle. He, along with a bunch of Ravagers find the stranded ship and capture Rocket. A mutiny breaks and Nebula steps in to decapitate Yondu by shooting the fin on his head. One of the ravagers called Taserface (Chris Sullivan) begins to lead the team of Ravagers by capturing Yondu’s ship and imprisoning both Rocket and Yondu, leaving Baby Groot to stray around.

I am so sorry. I just keep imagining you waking up in the morning, start looking in the mirror and all seriously say to yourself. You know what would be a really kick-ass name, Taserface!

Nebula leaves the ship to avenge the misdeeds carried out on her by her father Thanos owing to Gamora’s self-seeking glory.

With the help of Baby Groot and Yondu’s loyalist Kraglin, Yondu and Rocket manage to kill everyone aboard (watch out for that deadly arrow!) and escape. It is hands down one of those rare moments to remember in the Guardians of the Galaxy Vol 2 movie.

Ego the Planet

The secondary parallel running story is about Ego, Peter Quill’s dad, who explains what he is all about. He expounds that he is a God-like entity Celestial who is nothing but an immortal and who has manipulated matter around himself to create a breathing planet with his brain at its core.

Taking a human shape Ego had travelled across the universe to beat his loneliness and discover his purpose. That’s when he had come across Peter Quill’s mother Meredith on Earth. Peter was consummated then however he was forced to leave her to pursue his purpose. He had asked Yondu to deliver Peter to him, but Yondu had kept him to himself. Ever since that he had been constantly looking for Peter. Ego teaches him little tricks to channel and manipulate Celestial power since he was Ego’s true lineage.

On the same planet Gamora is attacked by Nebula and a fight ensues. In an awkward twist of fate they both end up rekindling their lost sisterhood. They find skeletal remains in the caverns of the planet smelling something fishy going on.

You can order Guardians of the Galaxy Vol 2 movie here:

The Ugly Plan

Ego one way or the other proves himself to be exactly what its moniker insinuates it to be. In an attempt to bring Peter to his side, he tells him about how he had planted countless seedlings across different worlds and that it would take him another celestial to activate them. Activating them would create extensions of Ego in different worlds through terraforming. Guardians of the Galaxy Vol 2 depicts a blob like thing consuming planets when Ego forcefully activates the seedlings using Peter as a source.

It is revealed that Ego was responsible for conceiving countless women all across the galaxy just to create extensions of himself, and he sent Yondu to retrieve the children to activate his seedlings, later killing them owing to them turning out to be failures. On realizing that it was Ego who had put a tumour in his mother’s head just because love was distracting him from his purpose, Peter Quill attacks Ego.

Meanwhile Mantis spills out Ego’s plans to Drax, Nebula and Gamora, who then join the alliance to help Peter Quill.

When you’re ugly and someone loves you, it means they love you for who you are.

The Final Showdown

Rocket, Yondu and Baby Groot arrive just in time to abate the punishing onslaught of Ego as they search for his brain inside the planet’s core. Ayesha’s army of droids arrive too causing a minor discomfort in their plans to kill Ego. Rocket creates a bomb with Ayesha’s batteries and has a hard time coaxing Groot to push the right button when it’s planted near Ego’s brain.

Peter uses his Celestial powers to save the remaining team by fighting Ego with all his might, as Kraglin approaches with Yondu’s ship for extraction. The bomb goes off killing Ego and disintegrating the planet in the process. Yondu sacrifices himself for Peter Quill. Peter realizes Yondu was simply trying to save him from being delivered to Ego and that’s why keeping him away from his true parentage, saving him from getting killed.

I told Gamora how when I was a kid I used to pretend David Hasselhoff was my dad. He’s a singer and actor from earth, really famous guy. Yondu didn’t have a talking car, but he did have a flying arrow. He didn’t have a beautiful voice of an angel, but he did have the whistle of one. Both Yondu and David Hasselhoff went on kick-ass adventures and hooked up with hot women, and fought robots. I guess David Hasselhoff did kinda end up being my dad after all, only it was you, Yondu.

When Guardians hold a funeral for Yondu, The Ravagers from all across the Universe come to pay tribute. The sacrifice Yondu was so huge that they revere him for that by showing up.

Post-Credit Scenes

In a post credit scene we see Stakar Ogord (Sylvester Stallone) reuniting with his ex-team inspired by Yondu. It appears we have another group in the making.

Kraglin picks up Yondu’s fin and arrow, clearly stating that the badass power is going to be his in the future sequels.

image of yondu with kraglin in Guardians of the Galaxy vol 2We find Ayesha looking for a proper revenge by creating something mysterious in a huge box. On being asked what it is she has to say:

That, my child, is the next step in our evolution. More powerful, more beautiful – more capable of destroying the Guardians of the Galaxy. I think I shall call him… Adam.

It is an allusion at Adam Warlock, another amazing Marvel character, who we might have the good hap of seeing in the long run. In one of the fun scenes of the movie Howard the Duck is shown once again. I think he is being toyed with for cameos so far. Stan Lee shows up once again with his cameo with The Watchers this time. It seems to make a curt remark as if it is Stan Lee filling them with the knowledge about his MCU. Some consider him to be a Watcher himself? Whaaaa….?

The Final Verdict

After watching Guardians of the Galaxy Vol 2 you realize the real hero of this movie was none other than Yondu. With an apt way to depart him from the future stories, which I think wasn’t at all necessary, (Why so soon?) the movie tries to draw out its emotional factor. But since its drama is always interposed by someone’s witty remark, a jest, or Baby Groot cuteness, it fails to charge up the melodramatic enclave it wished to go on, and eventually things kind of seem like a stretch.

Nevertheless Guardians of the Galaxy Vol 2 turns out to be simply amazing owing to the fun factor it trundles on, the choice of music it picks every now and then, the proper screen time it lets each of the superheroes have, and its brilliant direction.

Check out the trailer of Guardians of the Galaxy Vol 2 here:

The Fate of the Furious Review (2017) | What it was and What it will be

The Fate of the Furious is more or less what the franchise is, and has always been about. There is no changing that. What continuously changes is the story. There is one primal plot in every flick that stands like a nub to steer the story. Since we need to keep the franchise up and running for it’s been ridiculously successful, studios are trying their level best to blow our minds. And in doing that they are leaving no stones unturned, no enclaves untrodden.

Luckily the magic formula is still working. As long as the audience is entertained, and the producers are making tons, who’s complaining?

Yet another installment that’s brimming up with death-defying stunts, mind-boggling action, eye-popping theatrics, cool jests, classy melodrama and some exhilarating adrenaline pumping action, The Fate of the Furious is everything you wish to see in the Furious universe.

Theme and Plot of The Fate of the Furious

Just two minutes in the movie and you realize it’s going to pack in tons of cheesy stuff. That it’s going to be full of it and that we should probably brace ourselves for that dumb impact. But surprisingly the movie rises up from its ashes the moment it begins to put on a show. Who saves it? It wouldn’t be wrong to say Dominic Toretto, the awesome Vin Diesel.

The one huge steer we have here is, “What if Dom goes rogue?” And I am pretty sure a room full of producers and writers might have gone nuts with that very thought. They found a way to make it happen, and they didn’t even have to use a cyborg chip, or Poison Ivy magic to hypnotize Dom. Dom does it all pretty convincingly like a robot following orders taking hell from Cipher, the stunning 41 years old showstopper Charlize Theron. Hell she could have convinced anyone to do just about anything sans conditions.

still of charlize theron as cipher and vin diesel as dom in the fate of the furious

So Dom falls like a domino rampaging everything that comes his way, turning his back on the one thing he loves the most – su familia!

And it isn’t a pleasant sight for anyone. It’s the worst for Letty (Michelle Rodriguez). One of the most impactful drama lies in the wake of the repercussions when he comes face to face with Letty on two occasions. Each time you can’t help but feel sorry for her when she fails to fathom why Dom’s become a leering bastard all of a sudden.

The movie becomes then an affair to understand Dom, to stop him from doing something awful, and failing at it of course, and then eventually being helped by him when things are all sorted out. All of this, of course, stands in their usual chaotic playground of fascinating action.

Exquisite Wrap (Spoilers Ahead)

The Fate of the Furious is strewn with four major action extravaganzas that happen like their regular jobs, only this time the perpetrator is none other than Dom himself. Others are simply trying to stop him to figure out the what, and the why, they have been hit with.

The first one happens with the main betrayal, EMP getting stolen right from underneath the unsuspecting nose of Hobbs. The second one happens at his Team’s headquarters, from where he walks in like the badass hero he is, to grab the God’s Eye. The third one happens at New York with the stealing of Nuclear launch codes, and the last one in Russia where the actual EMP is brought to use to take control of a submarine that holds weapons of mass destruction. The great thing about all of it is that there is a plausible reason for everything. The creators are constantly spending a good deal of thought in whatever they are doing. So, that’s commendable.

Racking Action

Some of the movie’s best fight scenes are delivered by the body decimating machine Hobbs, and the Parkour fighting specialist Deckard played by Jason Statham. While it’s a delight to watch Hobbs slither into his full “The Rock” mode delivering Rock Bottoms out of nowhere, forcing the WWE community to miss him even more, it’s an equal delight to watch Deckard kick some more ass. One of the best fight sequences is, hands down, the prison bit when both of them are desperate to get a piece of each other.

Roman is just as great with words as he has always been, making everything appear effortless with his innate flair. Little Nobody played by Scott Eastwood was a pleasant addition although he was mostly patronized for the better part of the flick.

There is this elongated section where a foreign minister is attacked by hacked cars. Though absurd as it might sound, or how it appears, it has been brilliantly pulled off. To achieve something so huge on such a colossal level, that’s something! It is one bit that you might remember the movie by for a really long time.

It is, however, hard to beat the final lines of Dom, when he names the baby Brian as a tribute to his bestie Paul Walker. You can’t help but feel satisfied with that apt icing.

You can order The Fate and the Furious here:

Weird Stuff

As always there are a lot of things that remain oddly placed here as well. Like how Dom still fails to even scathe himself even after being in an accident. Fire doesn’t bother him. His Godly powers still eludes us. If only someone walks in one day and says he isn’t human.

Then there are laws of physics that the franchise has never really cared about. You see when you are involved in a ridiculous action movie, clearly it is always about how and why you have ended up there in the first place. Yes, you weren’t paying attention in the class.

There are absurd loopholes aplenty, badly written comebacks at times. Deckard single-handedly bringing a flight full of hooligans down as bullets are flung around, and he is carrying a frigging baby at all times with him. Like how safe is that? Things aren’t made worse when he keeps taking pit stops to talk with the baby on numerous occasions. Ah! the cheap thrills!

Worst is when subplots are deliberately shoehorned to tell us what had happened in the past, and it is like a to and fro motion to tell us exactly how things went down not leaving anything for viewer imagination. Even during the submarine stint, bullets never hit the target; villains remain like dispensable stormtroopers.

2015’s Fast 7 had panned out better owing to that gut-wrenching Paul Walker quotient. The Fate of the Furious was all left to the mercy of Dom’s turning on his family.

The Final Verdict

It’s the USP of the Furious that sells this franchise. Keeping Dom at the center of the action, like a beacon that shows light. Everyone, nay, everything revolves around him, and you know it when you see him as this epitome of power that’s hard to challenge. You don’t mess with him, no matter on which side of the court you are. Period.

You see him do the unthinkable with his muscle revving beast. He wheelies his Dodge Charger too, and it is hard not to go crazy when he does. There are tons of thrilling action scenes waiting at random junctures that will make you jump on your seats. It is just sad that you see everything coming all along.

The Fate of the Furious is yet another insane and inane part that will blindly entertain you. It is trickling down with extraordinary action, and Hobbs, Deckard and Dom make it worth every penny. Rest of the cast end up getting clouded, and that’s both sad and bad.

That being said we all know how the sequel is going to deliver, and how are things going to be. Nothing much changes around here. Even though it’s fantastic, it is becoming a daft charade. I just wonder what if every possible action run runs out, would things be as thrilling?

You can check out the trailer of The Fate of the Furious here:

The Hateful Eight Review (2015)

The Hateful Eight is a thrilling crime carnage that crawls and feeds on utter suspense.

Quentin has a knack for making the awesome. Not only does he walk in with a dope gore crime drama in his baggage, but he directs the tale magnificently too.

Plot, strewn across three hours of engaging drama, entails six chapters akin to a book that have been well played by a stellar cast. With the front runner Quentin’s ace Samuel L. Jackson under the skin of Major Marquis Warren, and Kurt Russell as John Ruth, a.k.a The Hangman, to do us the honours in the form of bounty hunters, with the latter carrying a brutal plot alongside in cuffs, everyone is headed towards a chaotic world waiting at Minnie’s haberdashery. What is quite beautiful is the way the story unfolds. You almost feel like nothing’s wrong and yet everything is!

The theme is loosely based on blood law, where shooting a perpetrator is simply a form of justice nail and jackhammering it down is a perfect way to end it. But you need to understand if it’s a bandit landscape, killing or shooting without a conscience, without batting an eye, is an acceptable way of living.

Jennifer Jason Leigh is simply outstanding as Daisy Domergue. Tatum has basically a cameo of a role. Walton Goggins is exceptional. Demian Bichir’s short stint as Bob can’t be overlooked either. Both Madsen and Roth have done their bits nicely.

Ennio Morricone’s theme is addictive as he weaves a thrilling score to complement the tale. Sometimes fed in by awesome songs like Apple Blossom, Now you’re All Alone and There Won’t Be Many Coming Home, cut off superbly by Quentin frames, the end product turns out to be sheer delight.

Tarantino’s head is a cruel world. Bullets and gore are his favorite props. But it’s never confined to that. He always has a unique story to tell, which makes for a great movie watching experience. You can almost sway to the Tarantino rhythm as he prolongs frames for emphasis. But sometimes you do wish some editing to take over and snip off some unwanted bits quickly and be over with. What the movie misses on is gut-wrenching tension that used to be the crux of Quentin’s earlier works.

Another downside of The Hateful Eight is at times you feel everything enacted. There is a fluency missing in the flick that fails to connect every act. With a screenplay that appears being ‘read’ and crispy lines that fail to mingle with others, for a touch of the innate, it seems more of a theatrical put-on act. It is only by the time you reach Chapter Four that you begin enjoying the flick truly, for it is then when sham paves way for clarity and things become more dramatic.

However, leave out the above minute details and The Hateful Eight is still a gorgeous criminal entertainer that speaks only of brilliance. Go watch! Tarantinites shouldn’t miss it for the world!