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Tag: love

Carol Review (2015)

An alluring take on same-sex love!

Carol isn’t just a self-exploration sojourn of Therese Belivet; it is so much more. With an enchanting screenplay to keep us company, Carol walks with a constant finesse depicting human emotions in a beautiful way. You can’t help but feel for the characters as they carry the right gusto in their acts.

Rooney Mara is simply outstanding. She carries a face of innocence that reads confusion quite often, whilst trying to learn the ways of her character. Coming to her aid is the voluptuous Carol Aird played by Cate Blanchett, whose life is torn apart owing to an ongoing divorce scene that hurls her into fits of melancholia.


The way Todd Haynes traverses the camera from a gutter to a third person perspective by capturing the rattling and chugging of a train in the backdrop, to reach the protagonists having a conversation on a table speaks volume of his sheer genius. Right there the prologue gets painted, and memories gush in from the past through the mist of the car window, as Therese Belivet (Rooney Mara) gawks at the city, being indifferent to the talks of the mundane.

It is a beautiful way of depicting movie frames which Haynes seems to have mastered. He nails them like a pro. Complements Todd brilliantly in the background with an enthralling profound score is Carter Burwell, whose music is placed at right scenes, to make you feel the flick’s endearing rhythm.

“My angel, flung out of space.”

Love has so many forms. It goes beyond age and sex, and Patricia Highsmith’s story couldn’t cover it better. With a genius like Todd to help us crawl alongside the frames, the movie forever stays in empathetic waters. With spectacular performances by Cate and Rooney, the movie reaches a pinnacle of emotions. Little things, like when Therese notices minute details in Carol whilst she drives, and when she shows up eventually with a quivering heart hoping that she would see her are all brilliantly shot.

The movie’s drama at times misses on milking Carol’s love for Therese. Her life’s atrocities fail to cash in on the love she feels for Therese, and that’s where the flick appears to have dwindled. But still Haynes manages to keep the juices flowing and what we have in the end is a magnificent project in melodrama.

Highly recommended!

Legend Review (2015)

“Love is a witness.”

Tom Hardy’s “the double project” Legend rams into the average door. So what takes it down the gnawing jaws of mediocrity? The plot! Yes the plot! Wish they had thought it through before helming it.

The drama isn’t engaging at all. There is a constant upbeat score that keeps going in the background that makes sure of it. You almost know you are in for some humour and constant light-hearted melodrama. So things work until you see some serious business going on.

The biopic had a lot of potential if the story building was given a proper look-see. But unfortunately the direction takes a weird sluggish pit stop as it proceeds with the Frances-Reggie sub-plot to bring the tale to fruition. A lot of real facts in the Kray dictionary go down the toilet as John Pearson’s story tries to concentrate more on Frances and Reggie than the twin story itself.

Screenplay is good at times, however not enough to drop the anvil. You also wish the direction to be a little more engaging. You feel this sudden need for more humour, more drama and more colours into the “not so kray-onic” world of gangsters. When the movie gets over, you instantly feel the void all the aforementioned absent elements leave you with.

The only reason you should watch this movie for is Tom Hardy. Watch him turn into something else yet again. This time he gets to play two of ‘em in a single flick. Both his personalities are very different from each other. He wears two different voices (one’s a monotone where he chews on his words mostly) quite gorgeously. You will marvel at his walk, the way he talks and reacts to a situation. It is both ballsy and reckless at the same time.


In the movie Legend, the chemistry between Frances and Reggie was terribly missing. Wished Tom Hardy’s Reggie to be a more feeling kind. His acting at other junctures is simply outstanding though. Like when we get a glimpse of his rad provoked anger at a badass moment when he stabs the hell out of Jack McVitie. It was probably the most memorable thing in the entire movie. That and the fight between the twins which was quite hilarious and emotional at the same time.

Go watch Legend if you wish to have a little glimpse into the history of the Krays and the London mafia scene back then. That and if you are a Hardy boy!