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Suicide Squad Review (2016) | Entertaining But Falls Bland

A whole lot of bang with no deafening noise to cover it all up. Suicide Squad might not be that DC movie you have been impatiently waiting for, and it is highly probable that we are never going to hit that old Nolan high ever again, but it still manages to rope you in with entertainment galore. What is important that we are joining DCEU pieces together, and trying our level best to build something beautiful in the long run. Aren’t we really looking up to it?

DIRECTION OF SUICIDE SQUAD

The problem with David Ayer’s direction is that he doesn’t retain focus. The guy wouldn’t let you pivot on anything. His direction gallops like a speeding steed, and by the time you are trying to put sense into something he canters around to imminent frames to cloud his shoddy direction, without caring about how spectators feel. That’s where he goes wrong. What we need is depth, a gorgeous profundity to hold onto something serious, so that we have something to reflect, and possibly tag along to a frequency that keeps us on our toes to meet those elusive frames. Sadly, Ayer doesn’t have that tranquility and he storms like Usain Bolt.

BEST THINGS WE TAKE

Without wasting any time, let’s delve into the good the flick had to offer. The best thing about Suicide Squad is hands down Harley Quinn. A one woman show that swallows everything in its wake of perversion. Margot Robbie does justice to our good ol’ Harley successfully creating a stunning persona that is probably the most cherishable character we take from Suicide Squad.

still of margot robbie as Harley Quinn in Suicide Squad movie

Another powerful one is that of Will Smith’s Deadshot. He has some of the best lines and he delivers too. But still I wished he was built as memorable as the animated character in Batman: Gotham Knight. Watch out for that one man army show though with his unmissable headshots.

Joel Kinnaman as Rick Flag was a confident affair too. He carries a comportment that will have you believe things were actually serious. Amanda Waller was magnificently built with Viola Davis placing things in perspective. But she melts into immaterialism with a vapid story to back her.

THE JARED LETO JOKER

David Ayer fails to stun us with a Zack Snyder like theatrics when it comes to depicting fighting sequences, but he still manages to create memorable bits keeping Joker under the wraps. There are cameos of him that are absolutely dazzling, as Jared Leto masters that notorious Joker laugh, thrilling every frame with his occasional presence. There are theatrics entailed, no doubt, but I wished he was given more screen time to create an enchanting scene all for himself. His occasional visits with hooligans in dramatic veils sizzle the screen with pizzazz nevertheless.

still of Jared Leto as the Joker in Suicide Squad movie

Enchantress was gorgeously carved in the beginning. The part where Amanda Waller introduces her will have you mesmerized by her ghastly transition. But then as the movie progresses on its thinly built plot, she loses the charm and dread of enchanting us, and withers away like a dead flower. The worst part is when you see Cara Delevingne actually dancing as she performs her bewitching acts. Terrible!

Another good part was ephemeral Batsy cameos. Wish he had some more unexpected eye-popping bits at odd hours and we would have the whole hall erupting with his occasional presence. The part Zack Snyder shot for Flash was there too and will have you bite your nails for that Justice League movie build up.

FOCUSING ON OTHER ASPECTS

Other characters in the movie have not been helmed properly. They fall like dominoes without having a proper focus on their abilities except for Diablo played by Jay Hernandez, who gets to have his proper super-villain moment. Incubus walks in strong with his outrageous annihilation in the beginning, but where it all mattered, he succumbs to one of the easiest victories ever.

still of jay hernandez as diablo from suicide squad movie

I am afraid, the screenplay has nothing much to offer. There were moments inscribed wherein you would be impatiently waiting for a funny one-liner, and then end up realizing it was already advertised in the trailers before. Side stories to the tale were like inevitable bits that didn’t have us feeling sorry for the characters. Those were the things that were highly plausible, and don’t reek of enough melodrama to sieve things in perspective.

For the better half of Suicide Squad, we have songs that play in the backdrop, that we all have been forever accustomed to. The flick has limited score strewn across that will make you feel how steep the fall really is, coming from Hans Zimmer’s gorgeous music in Batman v Superman: Dawn of Justice.

SPOILERS SLAYING AHEAD:

Suicide Squad has fabricated bits too. Like that scene when Harley takes the elevator. It seems a deliberate attempt to create just one scene. To be honest, we could have lived without.

Killer Croc and Boomerang get shadowed beyond limit. I can’t believe they made Captain Boomerang so forgetful here when in animation he was so superbly sculpted. I can’t forget these memorable lines by Harley for him till date.

Anyone who throws boomerangs has some real issues letting go.

Slipknot is literally added just for one scene. Is he that expendable?

To put it out there candidly, you should watch the animation to witness how beautiful comic helming is done. To experience what the original Suicide Squad was capable of doing you must read the comic or watch the Batman: Assault on Arkham version.

Introduction to characters fell far away from the tree as well. It felt sped up as if you were playing some kind of game, and that time was the key factor. With such teensy moments to spare, there was a whole team to cover and it is understandable too. But really we needed some calm there too.

THE FINAL VERDICT

It goes without saying, DC has a lot of ground to cover. Whilst Suicide Squad might have come out a dud, it was entertaining nevertheless. At the end we still wait with dilated eyes to see what DCEU has in store for us in future.

You can check out the trailer of Suicide Squad here:

The Legend of Tarzan Review (2016) | A different but mediocre take

The Legend of Tarzan is an entirely different take on the story of Tarzan. Aptly named as the song that spoke of his feral legends sung by tribals, it is an above average flick that has been beautifully helmed by David Yates. Even though the style of frame depiction is sheer amazeballs, The Legend of Tarzan isn’t exactly all goodies either.

DIRECTION OF THE LEGEND OF TARZAN

I have a mixed feeling about Yates direction. Bits where he chooses different angles to depict a grim situation, cashing in on the intensity makes every frame powerful. He aces such frames with badass music in the backdrop. However there are moments where his frames tumble into the shoddy territory. Like when he starts rotating the camera around a character who is delivering generic dialogues, it is hard to take him seriously.

still of Akut and Tarzan fighting in the legend of tarzan movie

Action scenes in Legend of Tarzan are very unsteady, and it is almost impossible to focus on what’s really happening until it’s all over. Either the characters are too zoomed in or not properly shown. There are plenty of areas where this is evident.

Music is brilliantly chosen and imparts quite a darker comportment to the movie. Screenplay is kind of okay. There are two to three memorable one liners that will definitely wiggle your ears. The other moments, however, your ears will stay parched in need of some intelligent literary lines.

PLOT OF THE LEGEND OF TARZAN

Another area where Tarzan scores profusely is the plot. It comes with a good one, beating the clichés of the jungle tale. The only sad thing is that revisiting the old story is like a constant to and fro motion. It is done at awkward junctures, without choosing a proper way to deliver the complete storyline. Visuals are average. Sometimes you see the CGI dwindle too much taking things towards the animated crossroads.

still of Alexander Skarsgard as Tarzan in the Legend of Tarzan movie

Alexander Skarsgard works magnificently in the shoes of the legendary Tarzan. He creates a more silent and darker aired hero who let his grim nature do the talking for him.

You will also find humour at weird junctures in The Legend of Tarzan, mostly coming from Samuel L. Jackson as George Washington Williams and his shenanigans but most of it is bland.

SPOILERS CLINGING HEREON

Conversations between Leon Rom and Jane Clayton are the worst. There is something wrong with their timing, and the fact that Yates is okay with it, will leave you scratching your head. Also, you cannot overlook the constant disconnect there is to the tale. Just when you begin to think that something is going to happen, the frame changes to a different timeline entirely. It is a constant wrestle between the frames that takes out the tangibility from the movie.

BADASS MOMENTS TO REMEMBER

The Legend of Tarzan is gorgeously blended with moments that resuscitate elements from his past. The first one being the cubs he grew up with. There is a moment where he bows down to grown up versions of lions and lionesses, who recognize him and rub their heads against him in mute affection.

still of alexander skarsgard as tarzan bowing down to lion and lioness in the legend of tarzan movie

Also, the fight between Akut and Tarzan is definitely one of the most theatrical bits of the tale. The mere fact that he fights with someone whom he can’t defeat is ballsy per se. When he tries to save Jane by covering her with his body is both romantic and brave. Another one where he beats a box of soldiers to pulp with his bare hands is one helluva eye-candy.

THE FINAL VERDICT

The Legend of Tarzan has its ups and downs that constantly keep playing with your head. There are flaws galore at the same time beautiful moments to be cherished. I would say go for it, so you don’t regret not watching it, if there are future sequels planned.

Check out the trailer of The Legend of Tarzan here:

The Big Short Review (2015)

Can we ever forget the big bad ugly “Great Recession”? Just when you were trying real hard to forget, bam! comes The Big Short, forcing you to relive the pain again. But wait! Don’t be fooled just yet. It isn’t like any other mainstream movie, or a drama to focus on the severity the great fall brought along, or the lives it uprooted, or the devastating aftermath it brought along with the punishing tide, rather a prequel to how some geniuses had envisaged the collapse way before, and decided to swim across.

Adam McKay packs in an excellent exposition to depict the players of The Big Short, with Ryan Gosling as Jared Venett, the guy with exceptional presentation skills (yes watch out for that bit!), Christian Bale as Michael Burry, the autistic polymath who was the first one to figure it all out, Steve Carell as Mark Baum, the lunatic front-runner to milk out the mortgage shortcomings, Brad Pitt as Ben Rickert, the laconic beast-banker who mentored Charlie Geller and Jamie Shipley played by John Magaro and Finn Wittrock to bet against the dwindling housing market. McKay’s direction is one of a kind, as he slams frames mid-way to not focus on apparent conversations. He steers in its comic factor by asking characters to look at the camera mid-way for emphasis. Occasionally playing recorded video frames to make it all look more appealing. You can almost perceive the effort he has put in to break down the gorgeous Michael Lewis book.

“You know what I hate about fucking banking? It reduces people to numbers.”

Screenplay of the movie is extraordinary. There are so many words selected from profound areas that fill in the voids of sentience. Dramatic bits in the movie are just so right, that you always feel connected with the adrenaline vibe. There are so many banking terms incorporated in the flick expounded in laymen terms by renowned personalities like Margot Robbie, Anthony Bourdain, Selena Gomez and Richard Thaler that make things easy to gobble.

The moment the flick reaches its climax, you know what’s coming, but you still end up with a feeling of satisfaction for those who managed to milk the Great depressing cow with a smug face that barely read “We told you so!”

The fact that it isn’t confined to just one perspective drives home its enthralling factor. The story of the people, who saw the monster coming from a distance, makes you want to plunge in the bandwagon too, but alas the procession is long gone and recession pervades. It gives you a sense of contentment to see the hefty checks protagonists managed to weave out of a disaster. It is inspirational in a way and makes you want to get instant rich too. Well, you can do that! Just be a genius and watch out for such loopholes in the system.

Focus Review (2015)

What a disaster! Focus is a movie you can’t really focus on. Problem being, just downright pathetic!

Writers of the movie had a great story in their bag all along but the moment they put it down on paper it went chaos. Direction is poor. The plot lacks substance. Screenplay doesn’t impress much either. Editing is average too.

Even though the story took off at a great note manifesting the genius Will sells subtly, it started heading on a belt of shoddy towards the mouth of indifference in no time. One moment it seemed as if Wong was going to take it towards impending awesomeness but then boom!….comes another jackhammer and we are left without a great story. Okay so this keeps happening throughout the movie. Yet these twists and turns don’t lift you off your seat. You just end up with a ‘meh’. Then enters Rodrigo Santoro but alas he has a screen time of a blink. Without any power to his role he vanishes without posing a threat too. Character detailing is simply absent. You don’t even get to know Nicky’s team, forget others.

The chemistry between Will and Margot wasn’t engaging at all. It lacked spark and seemed more animated than real. You could literally see Margot flinching in her act (poor casting choice). Adrian Martinez was in there to throw in a few laughs. One time his humour goes so bizarre it becomes literally unfunny.

Really poor script, I would say, for a con movie. There are needle dropped songs replacing score here. Also, nothing flabbergasting that would blow your minds away. You almost see the end coming. Very predictable at times and quite average story build up. Can pass this!