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Alien Covenant Review (2017) | The Monstrosity Continues

Ridley Scott‘s Alien Covenant turns out exactly what we expected it to be. Filling in the shoes of a proper sequel Prometheus deserved. It is properly written in terms of story for the better half, then for the remaining half banks on mere cheap thrills to escape from what it aspires to be. Owing to that it ends up having a predictable story-line written to reach a certain end. And you see it coming from far away.

Ridley Scott does make great sci-fi and space movies. A wink at his last project The Martian of course. There’s no doubting him when there is the concept of space entailed. But it is that sense of complacency around this topic, I guess, that is making him a tad predictable. He has been overlooking a lot of things whilst doing so, and that’s not good news for his fans. For instance, he has tuned down considerably on horror. The concept of an alien on the ship is no longer giving us the chills. Why is that? Too much of it? I don’t know.

The Timeline of the Alien Franchise

Alien Covenant is on perfect lines of the Alien timeline which is appearing to be filling in all the right gaps. With the prequel Prometheus setting a new benchmark to pave a purpose, connecting everything has become a lot more fun. Alien Covenant answers a lot of questions and that makes delving into it an intriguing affair.

Here is the timeline we have so far:

93 AD – An Engineer sacrificing himself in a waterfall scene from Prometheus.

2023 AD – Weyland’s speech.

2089 AD – Discovering a star map in Scottish cave

2093 AD – Prometheus expedition.

2094 AD – Destruction of Prometheus. David and Elizabeth Shaw survive.

2104 AD – Alien Covenant film

2124 AD – Alien film

2183 AD – Aliens film

2184 AD – Aliens 3 film

2386 AD – Alien: Resurrection

Forgotten the previous parts? You can order the Alien Anthology from here:

Michael Fassbender as David: Case Study (Spoilers)

Michael Fassbender as David remains the heart and soul of the movie. Just like the prequel where he is the root of the evil, he imparts direction to the Covenant tale as well, showing up at just the right moment. Michael Fassbender also plays Walter who is an advanced android version of David, built to take care of the Covenant ship.

The conversation the duo has wherein David teaches Walter how to play a flute is deep in a way if you pay attention. David is trying to earn Walter’s trust, one of his own kind, at the same time trying to expand the dormant code in him. With Walter bound by his inabilities to channel creation, David helps him show that creation is possible for everyone.

It is poetic in a way if you realize that in real life too people are often convinced that they are not up for creation. But the truth of life is that creation is everything, and that’s what David intends to do. We can find him being mesmerized with the concept of creation when he helps a Facehugger incubate the captain.

The Crime of Our Species

David gets the primal truth behind it. The only setback is that he considers our species to be unworthy of existence. The poetic thing in this whole setup is that just like Engineers created us and then found us to be detrimental, they decided to kill us. In a similar fashion, we too created an android like David, and then by the end realized, his kind should be stopped too, like Walter trying to kill David on discovering about its deformities.

Michael Fassbender as David playing God in Alien Covenant movie

That’s the circle of life that keeps on going. It is befitting in a way as per Shelley‘s poem that David quotes:

Look on my works, ye Mighty, and despair.

The conversation David has with Peter Weyland (Guy Pearce) in the prologue takes us back in time when David was created. With Weyland asking David to serve him and then asking him to join him in seeking answers about his creators has been beautifully presented. David chooses his own name by looking at the eponymous Michaelangelo’s statue. In a way, it depicts his power to be able to do wish for things the way he likes. He isn’t meant to serve, it’s clear from his gestures. His loathsome demeanour to be asked to serve him tea lets you feel how grand he wishes his life to be, and he hates being tied as a servant. He is quick to sense malevolence as well, and his reaction to it is well calculated.

Alien Covenant: The Plot Thickens

When you look at the plot of the movie it is in a way similar to that of the original Alien movie with a crew encountering a signal in space coming from a planet. In reality, they were headed towards Origae-6 as their mission to colonize a planet favourable for life. However, they encounter a radio transmission coming from a nearby planet that forces them to check it out since it promised an atmosphere resembling that of Earth.

On reaching there with a Lander to investigate, they find the crashed Prometheus ship (from the prequel) and discover that it was once piloted by Elizabeth Shaw. On their way back two of their team members get infected by alien spores. We are introduced to Neomorphs then who burst out from the infected people, and attack the rest of the crew. Their Lander gets destroyed in the process, Walter loses his hand trying to save Daniels (Katherine Waterston); that’s when David appears out of nowhere scaring the Neomorphs away.

They follow him to a temple like structure which used to be inhabited by Engineers on the planet. David claims that while arriving on the planet, one of the black goo containers accidentally dropped killing all the Engineers in the process. Also, that owing to the chaos, the ship had crashed and killed Shaw.

Neomorphs Return

One of the surviving Neomorphs attack one of the crew members, who is then later killed by Captain Oram (Billy Crudup) fuming David up. On demanding to know what was he doing on the planet, David takes Oram to a chamber of eggs where Facehuggers laid dormant. He reveals that he used black goo as a catalyst to experiment on wasps to create a Xenomorph the ones we used to see in all the Alien Movies.

He then coaxes Oram into taking a closer look, tacking him against a Facehugger that goes on to kill Oram and then later becoming a Protomorph – an advanced version of neomorph. Walter figures out David’s truth that it was him who had killed all the engineers on the planet by releasing the black goo, and Shaw too who had ended up being a mere sacrifice for his experiment.

Sensing danger David shuts Walter down and attacks Daniels. Walter being the advanced version of David, restarts himself and then confronts David, the fate of which we are deliberately not shown. (You think it was hard to guess?)

protomorph from alien covenant

Meanwhile, the Covenant arrives on the planet to extract the remaining crew with the help of some intermittent communication and a beacon that Daniels uses. The Protomorph follows them attacking the ship trying to make its way inside however is killed by Daniels who uses a crane arm to slay it.

Another Protomorph

There is a Protomorph loose inside the ship after the Covenant is inbound for Origae-6 once again. It had gestated in one of the crew members somehow and goes on to kill two more. With the help of Walter on the controls, Daniels manages to flush it out in space.

As the crew return to their pods for stasis once again, Walter is busy tucking them into sleep. With Daniels being the last one to go, she tells Walter about her dream to build a cabin on Origae-6. But when she realizes Walter doesn’t understand what she is talking about, she sees through him since she had confided about the cabin with Walter once. She realizes it was David all along!

David closes the stasis pod deliberately after which we find him planting two Facehugger embryos amongst the remaining human embryos as the curtain falls.

Major Drawbacks

I think in an attempt to meet what Alien had originally set out on achieving, Ridley Scott has lost focus from the primal question of our existence. While the reason to love Prometheus was to have that inquisitiveness in us to find out the true cause of our origin, with Alien Covenant that question has simply ended up becoming a riddle. While there was so much we could have done with how Shaw could have at least had a shot at knowing more about Engineers, Alien Covenant simply destroys everything in its wake. It doesn’t even let us have a good look at them, or to figure why did they make us in the first place. More importantly, if we were mere experiments like David, why were they bent on killing us?

Instead of answering or even venturing into that enclave Ridley chooses to thrill fans with cheap shots of a Protomorph attacking people in the bathroom, letting them bask in the gore of chestbusters and spinebusters, finding it important enough to show the cliched act of jettisoning, of deliberately keeping people alone to become bait meat and other such dispensable bits.

The predictable stuff that you see from miles away was David cutting his locks to look like Walter. And then Ridley Scott intentionally cutting off the frame to not show the fate, David and Walter were about to come across in their face off. It is almost like he thinks he is being clever but the whole world knows there was nothing subtle about it. You can see the movie being rushed towards its climax as if the only surprise Ridley wished to keep was David under the wraps. It would have been great if Daniels had seen through the android she was always around. But alas! she was too dumb to see through what we figured hours ago.

The Final Verdict

Alien Covenant is great when you have stories to connect. It sieves right in with the timeline it is successfully augmenting itself to. It feels great if you look at the plot from David’s perversion, he is on his way to become a creator himself after all. The flick almost makes you want to question, what if our creator is a monster akin to David?

The movie is great in terms of theatrics, gives you ample focus to focus on, and is well written. But at the same time, it banks on those age-old cheap thrills which are no longer as breathtaking if you have been following the franchise up closely. We are way past waiting for an alien to show up from behind to sneak attack us.

You can check out the trailer of Alien Covenant here:

Assassins Creed Movie Review (2016) | Another Epic Game Bites the Dust

I am a huge Assassin’s Creed fan, and one of many expectant eyes who waited for the Assassins Creed Movie to finally sprawl out in a Cinema hall. With the likes of Michael Fassbender and Marion Cotillard embellishing my favourite game franchise, things were kind of looking promising from a distance. Hell, it was Justin Kurzel behind the lens after all, the guy who had given direction to the arresting MacBeth, and he had claimed his throne with the same onscreen pair. I thought, what could go wrong? Except everything!

Assassins Creed Movie is a debacle that became everything we did not want it to become. If you rule out the gaming franchise for a second, hell it doesn’t even make a good movie either. You compare it with other flawed game movies out there, okay it is better than a lot of them owing to its subtle direction, but it is still not up to the mark.

Direction of Assassin’s Creed

Justin Kurzel is no doubt great, but I believe, wasn’t ripe enough to take this project. He had still a lot to learn about the game before actually heading behind the camera for the plot. You take a look at any of the video trailers of the game, and you realize how intense their depiction really is. Hell! Ubisoft video game trailers are better than this movie! Sadly that intensity was missing from the flick throughout. He gave you those familiar ‘leap of faith’ moments no doubt, twice in the movie, but with nothing to bolster the movie on, everything ended up becoming a mere – Meh!

To do things differently he chose to show Animus as a robotic hand that man-handled the protagonist as he synced with his memories. It was different no doubt, but Kurzel, in an attempt to spoon feed the audience kept jumping from the real world to the past, which took its gravity away. How would you feel if whilst playing the game you kept getting desynchronized to see what your hero was actually doing?

still of michael fassbender and michael K williams in Assassins Creed Movie

He didn’t let us concentrate on one world, and chose to flicker in and out both enclaves instead. To be honest, it wasn’t easy on the eyes! I concur, Justin Kurzel was trying to make things appear more palpable and hence the frequent on-off depiction, but that killed the fun for most of us.

Plot of Assassins Creed Movie (Spoilers Ahead)

To comprise the plot of Assassins Creed we are served the original Apple tale. Yes, the Apple of Eden story! For those who don’t know anything about it yet, why don’t you give the game a shot for once? Anywho, moving forward, the story leaps ahead with a prologue set in 1492 where we find Aguilar de Nerha, portrayed by Michael Fassbender, being sworn in into the brotherhood. Then the frames take us to 1986 where we find Callum Lynch a modern day descendant of Aguilar, returning home only to find his mother dead. To his shock, he finds out she was murdered by none other than his father, Joseph Lynch. In the backdrop Abstergo sends men to capture Joseph. Before he was held captive Joseph asks his son to escape.

Main Course

Thirty years later, Callum Lynch is all grown up and set to be executed on charges of murder. Abstergo swoops him away after finding out that he too was a descendant of Aguilar. He gets a shot at life, but only if he complies to Abstergo’s demands. He meets Sofia (Marion Cotillard) who tries to cut a deal with him to find and locate the Apple, the ancient artifact with the cure to violence. So, what Cal is supposed to do is get in the Animus and relive his ancestor’s memory to find exactly where that wretched thing was.

The whole thing is seen over by Alan Rikkin, Sofia’s father portrayed beautifully by Jeremy Irons. He is pressurized by his superior, Ellen Kaye (Charlotte Rampling) to shut the whole project down since the Apple was nowhere to be found. Sofia discords with her father believing he was never actually looking for the cure.

You can order the Assassins Creed movie here:

The Bleeding Effect

Meanwhile the problem that silently nibbles Cal away is “The Bleeding Effect”, wherein he keeps getting hallucinations of Aguilar and other Assassins of his era. Owing to that he starts accepting his ancestral traits too, only to end up embracing  the Creed for good. Eventually, the Apple traces back to Christopher Columbus who had sworn to take it to his grave. We get to see that gradually happen with relived memories of the past.

Soon riots break out. Held assassins were plotting all this time, against the Templars to escape their inevitable death. Numerous projections of the creed that comprises of Aguilar, Cal’s father and mother surrounds Cal. It tries to insinuate that Cal fully captures the traits and memories of his ancestors, and becomes fully “synchronized”. He uses his abilities to break out from the facility along with the Brotherhood that he had befriended there.  Meanwhile Alan escapes with Sofia with the knowledge about Apple’s whereabouts.

The final scene takes us to London where a ceremony is being performed. Alan is celebrating with his fellow Templars the retrieval of the elusive artifact. Enters Cal, who assassinates him and takes the Apple back only to protect it again like his ancestors once did. Sophia vows revenge on him and the curtain drops.

Other Issues

Screenplay of Assassins Creed movie at times is good but then most of the times submerges with explanations. It has a lot of parkour no doubt, and some stunts look pretty dope as well. But there is nothing so catchy that you could go home cherishing. Except of course that leap of faith. But you have already seen that happen so many times in the game that it doesn’t budge you anymore.

still of Michael Fassbender and Ariane Labed in Assassins Creed Movie

Also, Ariane Labed‘s Maria, badass as it seemed starts off without a spark, and then dies down so abrupt that it is hard to sympathize with her. No chemistry was created, for us to actually feel bad for them. Sofia looking at memories when Cal finds projections surrounding him is one of those other things that vexes you beyond limit.

The music is fine, but it doesn’t have the intensity of Jesper Kyd‘s compositions. Jed Kurzel doesn’t retain the gravitas of Jesper Kyd’s thoughtful music. It was a big turn off!

The Final Verdict

It’s amazing how Hollywood keeps finding ways to ruin games. Maybe games tend to have that composed feel to it that syncs with our lives. When you play the protagonist you actually feel like you are in the driving shoes. With that you enjoy every element existing around you. You breathe in it, and you listen to the music as you clank your swords. You sway with control, with power. Maybe that’s why it is hard to achieve that high! If a movie tries to do that it never reaches such levels.

Assassin’s Creed becomes just one of those films that passes you without instigating or compelling you to look.

Check out the trailer of Assassins Creed Movie:

The Light Between Oceans Review (2016) | Tears you Apart | Profound

The Light Between Oceans left me speechless. I hadn’t broken down to a good drama in days. The Light Between Oceans had me in tears and excruciating chokes. The movie saunters on the theme of love, culpability, repentance, sacrifice and forgiveness, and it aces all of it owing to its ravishing direction and extraordinary performances. And that is just the plot of it. The flick’s stunning cinematography and Alexandre Desplat’s heart-melting music are constantly yet peacefully uplifting its standards of beauty, playing second fiddle.

DIRECTION OF THE LIGHT BETWEEN OCEANS

Derek Cianfrance has become one of my favourite directors. His 2010 movie Blue Valentine had me instantly arrested. Not for the fact that it capered around the concept of love, rather how he was bold enough to show both sides of the coin, that too in a rare engrossing rhythm. Also, he gave us ample time to reflect. When we consider the latter aspect, The Light Between Oceans stays no different.

still of Alicia Vikander and Michael Fassbender as Isabel and Tom

Cianfrance focuses on the most phenomenal aspects whilst directing. You can feel the warmth in his frames as he successfully depicts love, zooms in on minuscule ingredient of despair, repentance by focusing in on faces of the protagonists to read their thoughts and gravity via the arduous vibes in the air. He allows characters to speak their feelings out with their acting alone and doesn’t resort to theatrics. It retains the patience of time in it, which compels you to read them carefully.

THE PERFECT CAST

To say that the cast was good would be an understatement. They were outrageously fantastic! There is nothing Michael Fassbender can’t do. A war veteran who has returned from death seeks solitude to reflect on what remains of him. His Tom Sherbourne has a musing countenance, a man of few words, and he brims it up with credence. With the arrival of Isabel Graysmark played convincingly well by Alicia Vikander, life finds a new meaning for him. Together they make love very touching. Also, their chemistry has a rare blend of the extraordinaire. I can’t even begin to marvel at their acting prowess. Their faces feel like they are literally living the story. I mean just look at the movie’s poster; it talks!

Rachel Weisz’s Hannah Roennfeldt is equally mesmerizing. She plays a very authentic grieving woman that will have you concentrate on her every syllable.

still of florence clery and michael fassbender in the light between oceans movie

Florence Clery was a perfect fit for Lucy-Grace. If she wouldn’t have been that adorable, then the audience would have failed to see what the fight was for. She is downright enchanting!

MUSICAL FEAST

In those solitary runs to the Lighthouse, the terrific composer Alexandre Desplat underlines and hands us over a perfect backdrop imploring our reflective moods. That’s one rare corner I find myself going lucky inadvertently. I have had the good hap of watching plenty of movies with Desplat in the background, and he never fails to create a magical whirlwind of toneful melody. If you close your eyes, you will feel it literally begging for ovation.

Just when you thought, “Can it go any better than that?” Well, there arrives its magnificent plot.

PLOT OF THE LIGHT BETWEEN OCEANS (SPOILERS)

Amidst the harmonious notes, and alluring images of the sea, that calls for enough love, comes a situational conundrum that hangs on its thin wire of decisions. Isabel makes the wrong one, forcing a whirlpool of guilt to swallow Tom up.

A baby arrives in a dinghy which the unfortunate arid Isabel is keen on keeping. She goes so blind in love, she overlooks the fact that a dead man arrived in it too. She coaxes Tom into keeping it and burying the man without informing anybody about it. Along with the cadaver of the man they bury their secret too and the world doesn’t know. Nobody knows that underneath the blinding light of the beacon slept a corrigible mistake patiently waiting for their guilt to nibble them up.

Then one day, it happens. He finds Hannah the original mother grieving for her child and husband. The constant gut-wrenching wrongdoing eats him alive.

still of michael fassbender in tears in The Light between Oceans movie

You could see in those rare frames of Cianfrance, tears of Michael Fassbender lingering in his unsure eyes. What follows, reeks of unrivalled gravitas that will definitely rip you apart. I was shattered beyond limit; Cianfrance made sure of that.

You can purchase the movie DVD from Amazon here:

DEVASTATING BITS

There are so many good things that I take away from The Light Between Oceans. Its powerful screenplay makes me want to revisit it to concentrate enough to remember – Exact words that were spoken. Exact amount of tears that were spent when the poor little child, who had no clue why was she being taken away from her mother cries for her mom. Hannah’s endless scrimmage to get back Lucy even when she did.

still of rachel weisz as Hannah in the light between oceans movie

The fierce abomination that lurked in Isabel’s eyes for Tom, who became a murderer of dreams almost instantly. The zen in her orbs to see Lucy again. Tom’s selfless colossal sacrifice. When Isabel finally reads that letter that changes her heart.

Then when finally Lucy-Grace returns in the epilogue to meet a shriveled Tom. When she understands, comprehends every bit, and thanks him for taking care of her. When she reads Isabel’s letter. And then when she eventually hugs her. That look of contentment in his eyes, that little smile that had somehow gone lost in time returns.

I cannot thank M. L. Stedman enough to have thought something so unusual and exhilarating. Bravo!

Those who wish to read the book, which I am told is even better, can get it from here on Amazon:

Check out the trailer of The Light Between Oceans here:

Frank Review (2014)

Chinchilla!

Frank is so much more than a stark psychotic drama. It is a heightened dig into the heads of brilliant characters you might have trouble getting a proper read on. It is loosely inspired on the life of Frank Sidebottom (Chris Sievey) and has been curdled fictitiously into a gorgeous account.

OUTSTANDING FRANK CHARACTERS

To see everything through the sane eyes of the protagonist Jon Burroughs played superbly by Domhnall Gleeson was a delight per se. His character would shoehorn you into his shoes to help you get a better insight into the story. You soon get an endearing perspective on a peculiar persona who prefers to stay behind a mask, come what may.

Clara played by Maggie Gyllenhaal and Scoot McNairy’s Don are uncanny characters as well, aced by both the actors to perfection. Visual landscapes captured in the movie are magnificent, so is understanding the madness in every little thing. Lenny Abrahamson‘s direction is simply mind-boggling that ices the work of Jon Ronson and Peter Straughan beautifully.

ITCHY BRITCHES SPOILERS AHEAD

Michael Fassbender, the guy behind the papier mache cover, is the very definition of queer but he is simply fascinating when you get to know him better. He is the hidden force that keeps everyone together. You can get an idea about the gravity in his character with his lyrics primarily because for the most part you can’t really see the expressions he hides underneath the veil.

Things don’t stop tumbling towards the bizarre vale yet, as you get to know all the band members gradually, with the aid of Jon’s interaction with them. The movie is laced out with their insanity and their extreme love for music. Frank is the crux of the tale as the world Jon writes down is brimming up with love for him in every way. He is a very interesting character but unfortunately like most members of his band is suffering from a mental illness that Jon ploughs out slowly.

What was sad to find out was the world didn’t really share Jon’s enthusiasm, rather liked the hilarity of the group. He realizes eventually that he was trying to mould something irreparable, and then tries to make amends.

WHAT CONSTANTLY WORKS FOR FRANK

What works for this movie is its light humour and its surreal oddity, a misplaced feel of melodrama that weaves it into a majestic outcome. An intelligently built movie that ends with Jon setting things right again, the way things were in the first place, bizarre yet tied down by a single tinge of togetherness.

Check out another review of his another great feature film Room that hit the theatres in 2015 here: Room Review

X-Men: Apocalypse Review (2016)

X-Men: Apocalypse will have you brimming with mixed feelings about the movie. It wouldn’t be wrong to say that it is Bryan Singer’s most mediocre Marvel attempt ever. Kind of a mixed baggage actually, has so many flaws and yet so many thrilling scenes to keep you riveted.

X-MEN: APOCALYPSE ATTIRE

En Sabah Nur is here. But no one takes him seriously. Is it the attire? Is it the other-worldliness? Or is it the fact that he gets scorned at so many times that people laugh at him? Or it could probably be the panache Oscar Isaac was missing? In the comical world Apocalypse is a complete badass, who makes death his servant. Even the animated series is trickling down with his inhumane acts. Here, not so much.

SPOILERS X AHEAD:

The good thing about the movie is that it is really dark. Death is a quickie affair and Singer doesn’t stop singing with it throughout the flick. What he tries gorgeously this time to bring in the front-line is the spotlight Summers deserves and Tye Sheridan aces Scott to perfection. He gets a proper screen time unlike prequels with a really powerful laser shot that will give you happy feels for him.

The high point of X-Men Apocalypse is Peter Maximoff hands down. He brings in a few laughs as he coolly sways around in bullet time to set things right. Watch out for that awesome bit!

Michael Fassbender is still the pillar holding this X-Men timeline together. With his extraordinary acting prowess he makes Magneto one of the most revered characters ever. You can’t help but feel sorry for the fate he ends up with every single time when he tries to do good. James McAvoy still does a great Charles. We finally get to see Alex Summers in action, but sadly it was ephemeral.

DOWNSIDES OF X-MEN: APOCALYPSE

I didn’t like the fact that Singer decided to go with a theatrical resounding voice for Apocalypse whenever he would try to jackhammer a point. Also, Apocalypse isn’t really psychotic, not at all terrifying to look at, and it would seem hanging out with him wouldn’t be a problem. His regalia quite odd and the flair we expected in him badly missing.

That Wolverine bit in the X-Men: Apocalypse will definitely give you the jitters, but Jean trying to pacify the animal seemed so forced that you wonder where the subtlety is. We could have lived without it Bryan! At times the movie flings into uncalled corners where you can pinpoint the incongruity and the missing gravity. Characters don’t spend time grieving or even wonder-struck at what’s happening. We can blame editing for that.

OTHER MCU CHARACTERS IN X-MEN: APOCALYPSE

We see Jubilee here and finally some Sentinels that will fill you up with the animated series’ nostalgic vibes. Blob cameo was a pleasant wink. Eventually we get a glimpse at what’s coming in Wolverine 3 which makes MCU imminence a delectable treat. Wink at Mister Sinister!

But you still overlook it all since it is a comic after all. Things are supposed to hole that way. All in all it was really entertaining.

There is no better way to put it as Jean, who says,

“At least we can all agree the third one is always the worst”.

I am not going to debate on that. She just proves the point, as if Bryan knew midway that X-Men: Apocalypse was going to end up in shambles, and tries to justify the movie with that sneer.

All in all, X-Men: Apocalypse is nothing but a one time forgetful watch.

X-Men: Days of Future Past Review (2014)

X-Men: Days of Future Past is stark brilliant!

Boo you ‪‎Ratner‬! We don’t want you messing with it again! So I knew the flick was going to make me jump on my seat since ‪Time Travel‬ was entailed and boy it did!

SPOILERS

To begin with we have the punishing and ravaging ‪Sentinels‬, there designs hi-tech and adaptive unlike the sloth ones from the animated series! And boy can they fight? We see ‪‎Blink‬ and her portals equally ravishing, those fight seqs are pretty dope! We don’t see much of ‪Warpath‬ yet he has been subtly put just like ‪Sunspot‬ and ‪Bishop‬. Was having a gala time spotting my favorite mutants like ‪Toad‬, ‪Havok‬ a.k.a ‪Alex‬ \m/ and watching the fastest Marvel character ‪and Magneto’s yet to be officially proclaimed son, Quick Silver‬ fool around in bullet time!

‪Stryker‬ resurrects himself with his dots to connect, whilst ‪Wolverine‬ is charming as ever! But who really picked it up? Well it’s Lawrence‬ and friend-cum-foe duo ‪Fassbender‬ and ‪McAvoy‬! Acting knows no bound when Fassbender’s around. He paints a movie with his style and sheer pizazz! ‪‎Dinklage‬ does justice to ‪Trask‬ and breathes the character alive with his conviction! One of the most beautiful parts of the movie when ‪‎Charles‬ talks to himself through time  and convinces himself of himself, the end and the eventuality, making him rebound with hope.

The contrasting glimpse of future and past was a delight to watch and ‪‎Singer‬ sings like a nightingale wrapping up an epic Marvel universe drama with action, brilliant story-line, portals, mutant-thirsty charismatic Sentinels, series of heart-wrecking deaths, flying Magneto, manipulative X, and of course time travel! Nothing gave me more pleasure than watching Scott‬ come breathing alive on the screen.

All those final moments my crossed fingers talked “Please Scott be alive…Please Scott be alive!” Now I can die in peace 🙂