If Lewis Carroll would have been alive today he would have given a nod to Alice Through the Looking Glass. Of course not for the reason that they totally changed his book and messed with every single detail to weave something different altogether, but for the mere fact that it is brimming up with an equal fanciful inclination and zeal that Carroll shared.
THE CONCEPT OF TIME
Alice Through the Looking Glass personifies ‘Time’ which is both poetic and enigmatic as Alice embarks on a journey to bring Hatter back to life. Time’s depiction is downright extraordinary and aced superbly by Sacha Baron Cohen. The blue tinge in his eyes and his animated mechanical body help him lip a fantastic creation.
“Time is a thief, and a villain.”
There are a lot of time references that have been brilliantly thought of and executed nicely. Watch out for that bit when Time is made fun of by Hatter, Cheshire Cat, Thackery, Mallymkun and the rest. The movie packs in the concept of toying with timelines, which happens to be one of my favourite fancies. Unfortunately they fail to make it palpable.
ALICE THROUGH THE LOOKING GLASS REVIVING CHARACTERS
You get to hear the voice of Alan Rickman as Absolem which was endearing per se as if he sprang up back from the dead. It was ephemeral but it makes you think of him which was really pleasant. Mia Wasikowska is as outstanding as she was in the prequel. So was Helena Bonham Carter as Iracebeth. Her rampaging confidence is a joy to watch. Also, Andrew Scott has a short cameo, that was actually quite satisfying.
Screenplay is kind of a beautiful literary affair, and will keep you interested throughout. Visually it is gripping. The plot oscillates a little betwixt the real and the virtual but finds a firm grip in both the worlds. Well thought of, I must say. It isn’t really that dark and grim as Tim Burton’s style of movie-making is. But it is still fun.
CURIOUS SPOILERS AHEAD:
The thing that seemed a little out of place in Alice Through the Looking Glass was the huge plot punch on which the whole movie was based upon. If you look at it closely you wonder Alice goes to all that trouble just to make Hatter, who is already mad, happy? Is that it? To answer that you must think from Alice’s perspective. It is this whimsical world she tries to fit in, and petty things that entail in it that matter to her the most. If one was to weave a story out of her life, it would always surround tales with such quaint things, things that matter to Alice, if not to you. Well, if you can’t digest that, a simple – “Hatter was going to die with gloom” should do it.
Alice Through the Looking Glass isn’t really that serious when trying to skip alongside the time component that it so profusely tries to milk. It will flabbergast you beyond limit, vex you if you try to connect the dots, and elude you as you try to reason with it. At the end of the flick you realize it’s Disney after all. What do you expect?
Eventually, you wonder if Alice Through the Looking Glass even came close to how Lewis had intended his book to be, but to be honest there are more creative juices at play in today’s fantasy scenario. The world is constantly growing. We improvise, don’t we?
Sarbjit starts off with overacting galore, blemished further by director’s shoddy style of depicting frames. You can’t help yourself from falling into pits of instant indifference, the moment songs come into play one after the other. It starts off on a bad foot, there is no doubt about that. But then it takes a pleasant pace, where you actually get to fathom the story of an unfortunate guy muzzled by the grinding gears of countries at war.
FLAWS IN THE DIRECTION OF SARBJIT
There are hundreds of flaws in direction that walk boldly around in prominence. The worst half of it appeared like a comedy movie. You cannot take seriously a character as they deliver detached unfeeling lines. Aishwarya Rai Bachchan is the poorest choice one could make for a movie. She fails to get under the skin of the protagonist, and seems aloof from the gravity of the situation. Screenplay doesn’t have much to offer except for few occasional dialogues that will make you ponder. Like when she drops:
“Where is all the hate coming from?”
BEST BITS OF SARBJIT
The best part, the most sentient part of the movie, however is when Sarabjit, played exceptionally well by Randeep Hooda, meets his entire family for the first time in jail. You cannot stop yourself from breaking down empathizing with the head of a guy parched for years without love. One of the most shattering moments of the flick! Also, when Sarabjit mournfully broods he must have done something terrible to have met such a fate. You can’t help but feel extremely sorry for him. A life lost – as he reflects. Richa Chadha, a brilliant actor, stays overshadowed throughout, under the wraps forever, until one time in the end she tries to image memories from the past by holding Sarbjit’s belongings only to keep them so that he stays around in the house. Powerful stuff!
As you chug down the movie lane further, there is boisterous uproar from Dalbir Kaur (Aishwarya) which becomes impoverished further by the movie’s writing. Terrible I would say as goosebumps fail to register!
At times it becomes akin an Indian TV soap, sometimes even worst. The music department makes a purposeful endeavour to squeeze in a melancholic tone to make everything sound gloomier.
But as you take a good look at it, you have to hand it over to the sister who endures unfettered yet shackled by the plight of his brother. There is so much she does, that is quite relatable of all stuffs, something you would do for your family.
IN NEED OF A BETTER DIRECTOR
All in all you cannot help wonder of ways the movie on Sarbjit could have been better. The real grim feel behind the situation has been obscured profusely to muster out sentience. If only a better director and writer had eyed Sarabjit first!
As we slip into a new era, it is high time we delve into the preceding past that was successful in helming some brilliant movies. 2015 was a happening year for every movie buff. We were super-stoked as flicks bloomed and boomed one after the other like droplets falling from the sky. Some were downright pathetic. Some were exceptionally good. This leaflet is intended to celebrate the top 15 movies of 2015 that discharged from cannons of top-notch directors and gave wings to ideas that were already badass per se on papers.
TOP 15 MOVIES OF 2015 LIST
Guided by our supercool wont of looking at the positive vibes of a flick, we bring to you a list of the top 15 that simply can’t go unnoticed. If you haven’t committed yourself to these yet, make sure you watch ‘em ASAP!
1. INSIDE OUT
The most endearing movie of all times, Inside Out came as a blessing to us. Not only did this Pixar concept blow us away, but the fact that the movie waded deep into the waters of sentience melted us beyond limit. It was a whole new territory of comedy blended superbly with a brilliant plot iced by an outstanding animation. Hence, we place it at the top of our top 15 movies of 2015 list.
2. STAR WARS: THE FORCE AWAKENS
The Force Awakens let us dig into our forgotten past. It allowed us to revisit the awesomeness of one of the most successful and awesome franchises of all times. With a bad-ass plot that promises another great sequel in the making, Star Wars is a complete package. Glimpses and references from the past made our heart melt.
3. MAD MAX: FURY ROAD
Fury Road was everything we could have asked from a George Miller extravaganza. The rad setup, outstanding plot, and sheer insanity hurled us back into time. There was more to the franchise, an unexplored territory of beauty that Miller was successful in re-creating. We loved this newly found laconic avatar of Max. Tom Hardy was a perfect find.
Creed was a big pleasant surprise. The fact that the trailer didn’t say much had us doubting the franchise future. But Coogler uplifted the series once again, with Jordan in his vanguard. Stallone was surprisingly good yet again. With a story that reeked of a touching dramatic proving ground, it was a perfect way to keep the Rocky legacy alive!
Sicario is a perfect depiction of the US-Mexican muck. Things are bad there, and Sicario leaps into the waters of chaos to give us the complete picture. A story that unfolds like a blossoming flower, it was an engaging flick that walked on paths of a brilliant political drama.
6. BRIDGE OF SPIES
Ah! The intricacies involved! From our vantage things appear trivial news. But the complexities entailed have been shot by the rad Spielberg camera. Tom Hanks was just perfect as the protagonist who went through hell to save lives. Politics at its best and worst!
7. THE MARTIAN
With Andy Weir’s genius tale doing magic for Ridley, this was a perfect leap into sci-fi intricacies. Matt Damon does a great job as Watney and packs in the right kind of humour to make science even more interesting than it already is. One of the finest literally out of the world flick!
8. MISSION IMPOSSIBLE: ROGUE NATION
The MI series barely fails to deliver. This stood as one of the finest MI movies to have ever been helmed. With McQuarrie behind the camera to do it the justice it deserved, it had impossible gut-wrenching action, and an intricate plot that kept our adrenaline pumping throughout the flick.
9. AVENGERS: AGE OF ULTRON
Marvel marveled us yet again with a super-villain that made sure Avengers end up turning into his puppets. With a bad-ass plot, and a brilliant glimpse into the head of pizzazz, Age of Ultron was successful in opening up even better gates of impending sequels.
10. JURASSIC WORLD
Another movie that let the tap of reminiscence running, Jurassic World came at a time when everything about dinosaurs was long forgotten. A perfect tribute to our ancestors who never made it! This is a deadly jump into the jaws of awesomeness that would let you relive your lost verve.
Mendes brought yet another installment to bid adieu to one of the finest and classiest actors to have ever played Bond. The awesomeness of the movie pervaded throughout as it let Bond on a hunt to find ‘The Boss’ and the author of his pain. Batista inclusion made things even more bad-ass.
12. PAWN SACRIFICE
One of the most underrated movies that probably might have gone unnoticed if you aren’t a chess fan, Pawn Sacrifice was a brilliant exploration into the head of one of the finest players to have ever lived. It was a unique perspective that made for a great viewing experience as it skipped minute aspects of the game for emphasis. Toby was a perfect choice for Bobby!
13. IN THE HEART OF THE SEA
Get lost in the rhythm of poetry and bad-ass visuals. A perfect tribute to the brilliant Moby Dick tale. The movie’s screenplay is sheer music to the ears. It brings Philbrick’s brilliant perspective into the front page, and reeks of crime, helplessness, and despair.
14. THE WALK
If there’s a biopic out there that is endearing, elegant, comic at the same time riveting, this is it! The walk isn’t just a walk on a rope, it is everything that lets an insane thought unfurl into the horizon of possibilities. Petit’s confidence, verve, gusto, flair and spirit are all worth commendable.
15. THE MAN FROM U. N. C. L. E.
What is downright delightful is to watch how two people who hate each other to their guts end up working as a team. The humour of the movie makes it a brilliant hoot! Even though it tries hard at a point to run into gravity, the comic timing of actors don’t let it become one. A brilliant entertainer!
We have assembled top 15 movies of Leonardo DiCaprio that were overlooked by the Academy.
Leo has finally managed to bag an Oscar for his enthralling gut-wrenching role in The Revenant as Hugh Glass. We were so euphoric for him to have finally won the elusive award that we ended up partying for 3 days straight. Goes without saying that he is still the most revered, respected and loved actor all across the globe. To be brutally honest, we really don’t care about what Academy thinks about him, how it has failed to honour him for all his dramatic roles so far. You will forever be a winner in our eyes, Leo! You go boy!
TOP 15 MOVIES OF LEONARDO DICAPRIO THAT WERE OSCAR BAIT
We take a look at top 15 movies of Leonardo DiCaprio that were undoubtedly Oscar bait materials, and were overlooked big time. If it were up to us, we would have given him an Academy for every single one of them. This list doesn’t have The Revenant, for the mere reason he received the accolade for it.
PS: We have placed it in chronological order. You get the idea, we are psyched too.
1. THIS BOY’S LIFE
Leo wasn’t nowhere around fruition, and yet this movie’s role was the best a child actor could have possibly nailed. His eyes carried the innocence of a Chihuahua, and the fretful insecurity that anyone could be a victim to if they had a psychopathic De Niro for stepdad. This movie had the world find his talent, hence we allow it cut the ribbon of our top 15 movies of Leonardo DiCaprio list.
2. WHAT’S EATING GILBERT GRAPE
If Leo could have gone any crazier, he would have ended up in an asylum. Academy failed to recognize his talent in this beauty. Well to that I say Academy’s rigged. You wouldn’t find a more convincing actor to play this kind of twisted. Some people thought he was messed up in the head for real!
3. THE BASKETBALL DIARIES
Who would have done better justice to Jim Carroll? Okay, so we understand River Phoenix was the first choice and this topic is debatable, as a true Leoholic I wouldn’t have preferred any other actor in Jim’s shoes. The way he has depicted the drug aftermath is outstanding and bloody brilliant. Smitten by his acts!
4. ROMEO + JULIET
For a second let’s imagine you haven’t ever come across Shakespeare, and you watch this beauty of a flick woven in a contemporary world. Wouldn’t you just, I don’t know die too? Leo’s eyes carried mad love right from the moment he set eyes on Claire. The turmoil he depicts in order to get her and the aftermath of love he manifested simply calls for a standing ovation.
The biggest blockbuster ever to rock the Hollywood niche. Still stands second in terms of gross. Leo walks tall as the guy to have won a bazillion hearts in the process of sinking the unsinkable. That image was hard to escape from! Yet he set a benchmark for lovers in one of the finest love stories ever made. His Jack Dawson deserved an Oscar right there as well!
6. THE BEACH
One of the most underrated works of Leo. This movie deserves watching and re-watching in order to truly appreciate Leo’s acting prowess. Outstanding job by Leo as he tries to hit adventure.
7. GANGS OF NEW YORK
This movie saw him evolve as he tried to take some Daddy revenge. It was his entry into the world of bizarre as he tried to get rid of a boy’s image. Well it was one helluva thing to take vengeance, when you have Daniel Day-Lewis to slay.
8. THE AVIATOR
He had almost made it with the nomination there, but unfortunately didn’t make the cut. What was the Academy thinking? Didn’t they watch him not touch the knob for hours? Didn’t they watch him play a convincing losing-it Howard Hughes? This was one of the finest works of Leo, but Academy had to be a bi***.
9. THE DEPARTED
Whilst Leo was busting his a** by going undercover, and crossing every line to do the unthinkable, the Academy was busy not looking at his Billy wits. The Departed was superbly made and brilliantly executed by some classic Leo acting.
10. REVOLUTIONARY ROAD
One of the most highly underrated dramas, Leo touched the extremities alongside Kate in this beauty of a flick. It was a delight to watch him lose it so bad when they fight. So convincing his acts are!
11. SHUTTER ISLAND
So twisted it gave us the chills! We all felt for poor Leo as he tried to solve a crime his head committed. He was helpless yet convinced that he was close to solving the mystery. Exceptional direction by Scorsese made Leo resuscitate once again.
Sadly no one had any clue what was going on till they were knee deep in Inception waters. The good thing Nolan had chosen Leo to do justice to Cobb. And so he did. So brilliant a flick which was executed quite perfectly by some fine Leo acting.
13. DJANGO UNCHAINED
His first supporting act and that too so mind-numbing. Not only did he sport a badass look in the flick but he managed to give us the chills. He was, like he said, a ‘businessman’. But his acting was so engaging he didn’t even care to stop when he accidentally injured himself in the process. This was downright Oscar bait!
14. THE GREAT GATSBY
If anybody ever came closer to nailing F. Scott Fitzgerald’s Gatsby, it was Leo. His expressions always hit the jackpot and his eyes carried the perfect grief. The music complemented him gorgeously as he waited patiently for that b**** to call.
15. THE WOLF OF WALL STREET
By far the boldest things he has ever rid on. It took out every bit of acting he had in that prolonged speech. He needed the Oscar pretty bad. His eyes could tell. Exceptional stuff by Leo as he squirmed and crawled to make his way to his car.
INSANE LOVE FOR LEO
We have mad love for him. As we impatiently wait for his next colossal project to be announced, we can only pray now that he hits a consecutive high. To remember him, so we never forget, we often keep visiting those nostalgic enclaves wherein he showcased some of the best works of his life. A true hero!
We adore Leo’s resolve the most, and salute him with our top 15 movies of Leonardo Dicaprio list, not to mention his diligence, the thoughtful mien his brows carry whenever he acts. He literally gets under the skin of the character and you are compelled to wonder if he has always been in that portrayal. Levels he tries to hit are simply majestic. We hope him the very best for his future, and hope to see many Oscars lined up under his belt.
Also, coming back to the top 15 movies of Leonardo DiCaprio list, if you haven’t seen the aforementioned movies yet and still his fan, dude! Why are you still alive?
Disney’s fast paced sci-fi adventure Tomorrowland is an entertaining package. With a great fantastical story in its vanguard, the flick unfurls into a beauty thanks to powerful performances by Clooney, Hugh Laurie and the brilliant Britt Robertson. What constantly gallops the story is its mystery quotient that unfolds gorgeously with luster, amazement and pizzazz. Britt lets you see everything with her eyes of awe as you sit on her saddle to perceive the beauty of an unseen futuristic world that is not only downright advanced but marvelous too.
Tomorrowland is something we have always dreamt of. A place where limits of the mundane don’t bind us. We are free to choose our profession and use ideas to build something beautiful without inhibitions from stuff that bring us down – malice, regulations and confinements.
As a kid, I have always wanted to split open the world’s mystery and walk, with open arms, into the magical dimension of what-ifs. The possibility of the existence of different dimensions in our own has always beamed me up. The part that follows Britt discovering the pin that shows her Tomorrowland is an excellent reflection of our childhood fantasies. How many times have I dreamt of finding something that took me away from all this! Also the frames that follow Britt literally globe-trotting to see the future are visually majestic.
This movie skims the surface of dimensions, portals, and time travel subtly, without prodding into it like pros. This could be counted as a con to the movie. However, it being a Disney flick the specifics can be overlooked. Also, at times you feel the profundity factor missing from the movie, but not for once does the cast drop its guard. Excellent performances I would say buffed up everything, not to mention the concept that keeps you riveted.
Kabooms happening in the middle of the light and the crowd not caring, people disappearing without people noticing, not capturing the world’s reactions are some of the instants that would make you think out loud, “Really?” The dark is completely absent from the movie. There is no time where people sit and brood for a while about the happenings. Even the animation sometimes looks…well really animated. But that was the kind of movie it was supposed to be. A Disney movie!
Screenplay is great, with the majority of the melodrama brought in to play by the animate Athena, and Frank taking things up from there. Hugh Laurie as Nix is exceptional with his villainy touch. His reflection on mankind’s recklessness was really something.
Having made above average movies like Orphan, Unknown and Non-Stop, Jaume Collet-Serra comes with yet another flick that gets down straight to business – kicking ass, taking names and shooting bullets. Run All Night, despite its forgettable title, manages to stick to its name. You witness events that occur in a single night. Packed in with exceptional performances by the cast, this movie literally breathes on its constantly moving storyline.
Run all night comes with a surprisingly good story taken on the vanguard by great actors like Liam Neeson and Ed Harris. The direction of the movie could have gone better, since there were a lot of useless filler frames that Jaume used to connect scenes. Some of them were really unrelated. Also the frames in the movie skipped so fast that it sometimes became hard to follow up. Incessant movement of the cameras made it hard to focus and taking in the gravity of the situation became really daunting.
Joel Kinnaman as Mike too was a big disappointment. All he did in the movie was act tough, and walk around expressionless. Poor casting choice there, I would say. Also, what is with the poster of the movie? So bland and meaningless!
Melodramatic bits of the story aren’t that great and look more animated than real like the conversation between Mike and Jimmy in the car. Screenplay is hence just okay. As we reach the end, things become a bit clichéd and predictable. It took me back to ‘Road to Perdition’ for a while.
There is one great face-off scene between the two protagonists in a restaurant where Jimmy urges Shawn to spare Mike. Shawn is pissed beyond limit to let Mike off easily and resents him with a wrathful threat. It looked pretty badass. Also, Jimmy’s backfiring act when he barges in Shawn’s place looked pretty dope too.
Overall the movie was above average. If it weren’t for shaky cameras and really fast paced storytelling this movie could have slipped into the bag of the greats.
What a disaster! Focus is a movie you can’t really focus on. Problem being, just downright pathetic!
Writers of the movie had a great story in their bag all along but the moment they put it down on paper it went chaos. Direction is poor. The plot lacks substance. Screenplay doesn’t impress much either. Editing is average too.
Even though the story took off at a great note manifesting the genius Will sells subtly, it started heading on a belt of shoddy towards the mouth of indifference in no time. One moment it seemed as if Wong was going to take it towards impending awesomeness but then boom!….comes another jackhammer and we are left without a great story. Okay so this keeps happening throughout the movie. Yet these twists and turns don’t lift you off your seat. You just end up with a ‘meh’. Then enters Rodrigo Santoro but alas he has a screen time of a blink. Without any power to his role he vanishes without posing a threat too. Character detailing is simply absent. You don’t even get to know Nicky’s team, forget others.
The chemistry between Will and Margot wasn’t engaging at all. It lacked spark and seemed more animated than real. You could literally see Margot flinching in her act (poor casting choice). Adrian Martinez was in there to throw in a few laughs. One time his humour goes so bizarre it becomes literally unfunny.
Really poor script, I would say, for a con movie. There are needle dropped songs replacing score here. Also, nothing flabbergasting that would blow your minds away. You almost see the end coming. Very predictable at times and quite average story build up. Can pass this!
What does a spy movie need? Eye-popping gore, ridiculous concepts, shreds of humour and some ballsy action sequences. Add a suit to it, and you have got yourself some classic JB stuff. But it ain’t James Bond. Kinda more like Jack Bauer! 😉
Matthew Vaughn hardly disappoints. He is a man of KickAss taste (see what I did there?) He literally survives on theatrics. Take any of Vaughn’s work and you know he has this unique way of film-making that sways around with the actors, occasionally jumps at them for emphasis, and stays till the animation hangs around. Also, if Vaughn gets serious behind the camera, you just know how his work becomes grim all of a sudden. First Class reference intended! Fortunately we see everything in this movie.
You have a concept, even though how clichéd it might sound, that breathes on Vaughn’s pizzazz, which is seriously taken up with Firth’s splendor and well supported by Taron Egerton’s audacity. To fill in the voids you have Mark Strong to the rescue, whose facial expressions are enough to tell shit’s getting serious. Samuel steps up to fill in the boots of villainy with a lisp. He isn’t dangerous exactly but yes he wears a brainiac-head with an idea so hideous that takes care of the world’s population per se.
There are some ridiculous and uncanny bits in the movie but they are all passable because of this explosive entertainment package that we are shot in the head with. Also, primarily because it is a comic adaptation so I would suggest just go with it. Sit back and enjoy the theatrics. Get on a joy ride that would take you to the rails of awesomeness with bursting heads, popping eyes, plucked hands, flying prosthetics, split bodies and a cute little pug. Whoa! Quite a descent!
The finest part of the flick: Watch out for that church massacre! Amen to that! 😉
Damien Chazelle has landed a knockout blow in extremity with his epic jazz project. Whiplash is a story of a young drummer with a potential to stand amongst the greats and an abusive instructor who seeks perfection at every note to help his students achieve the greatness.
The casting couldn’t have been more perfect. Both Teller and Simmons fit the portrait of their characters superbly. Simmons is an exceptional actor. He dons the abusive and mean demeanour quite naturally and carries it throughout the flick, reeking of perversion, cruelty and foul-mouthed barbarism. Going inhumane to create a musical virtuoso was something Simmons was trying to achieve. Teller, an equally great actor leaves no stone unturned to play the obsessive drummer, who fumes with confidence and rage when tipped over the breaking point. You see him burn in wrath and conviction when he is trying to prove himself.
Direction is enthralling. The way camera moves quickly capturing every gesture of the instructor and the protagonist and then landing on every instrument in the orchestra was a delight to watch. Beats in the background subtly wrapping up New York buildings show exceptional direction skills of Chazelle. Editing was outstanding. There wasn’t a moment of ennui in the entire movie.
There are excellent dramatic scenes in the movie that simply goes on to show how Teller has significantly evolved in the acting department. Watch out for the bit when he gets rammed by a truck and still goes on to play. Also when he plays so fiercely that he bleeds and jabs the drum in resentment.
The climax of the movie would literally stop your breath. My hands were moving along with Andrew’s sticks as if I was drumming it. One of the best drums you would ever listen to.
Wasn’t a big jazz fan. This movie has transformed the way I looked at it. Highly recommended quality cinema ladies and gentlemen!
Dan Gilroy’s debut flick is everything what it needs to be – a perfect reflection of his superb writing. His direction is subtle. Editing is just brilliant. The plot flows in a perfect rhythm through the head of a messed up guy Louis Bloom, who takes you on a high speed ride behind an exquisite red muscle to shoot stories up close.
Jake Gyllenhaal is hands down one of the finest actors in Hollywood. The heights he scales and the lengths he drive deserve a big fat ovation. A psychopath on the loose, Jake is something more than that, a perfectionist who does things that he is good at. A deft thief whose keen eyes fall on crime journalism. He crosses all human confinements and legal barriers to get stories that are still hatching. Every crime scene is his puppet. He beats even the police to it.
An equally good performance by co-stars Rene Russo and Riz Ahmed who end up being manipulated by the devilry of the badass diligent Nightcrawler. Sitting on the hood of the car listening to every word that the static says, learning everything about police radio codes, manifest how dedicated the protagonist is to his work. In his words:
“I am a quick learner.”
There are shots that Jake perfects without dropping his calm demeanor, unhindered and incessant speeches that make you want to clap for his effort. The screenplay brings magic through his lips. The time he breaks the mirror screaming with frustration shows the perfection he has achieved in his acting. A great actor, with the variegation he has scoured, makes him one of a kind. I place him amongst the greats. Bravo!
Underworld mythology of the Greeks has always fascinated me. Their stories have been beautifully imagined particularly the dark bits of the Ferryman Charon, and written with a peaceful pensive verve by the […]