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Sarbjit Review (2016)

Sarbjit starts off with overacting galore, blemished further by director’s shoddy style of depicting frames. You can’t help yourself from falling into pits of instant indifference, the moment songs come into play one after the other. It starts off on a bad foot, there is no doubt about that. But then it takes a pleasant pace, where you actually get to fathom the story of an unfortunate guy muzzled by the grinding gears of countries at war.

FLAWS IN THE DIRECTION OF SARBJIT

There are hundreds of flaws in direction that walk boldly around in prominence. The worst half of it appeared like a comedy movie. You cannot take seriously a character as they deliver detached unfeeling lines. Aishwarya Rai Bachchan is the poorest choice one could make for a movie. She fails to get under the skin of the protagonist, and seems aloof from the gravity of the situation. Screenplay doesn’t have much to offer except for few occasional dialogues that will make you ponder. Like when she drops:

“Where is all the hate coming from?”

BEST BITS OF SARBJIT

The best part, the most sentient part of the movie, however is when Sarabjit, played exceptionally well by Randeep Hooda, meets his entire family for the first time in jail. You cannot stop yourself from breaking down empathizing with the head of a guy parched for years without love. One of the most shattering moments of the flick! Also, when Sarabjit mournfully broods he must have done something terrible to have met such a fate. You can’t help but feel extremely sorry for him. A life lost – as he reflects. Richa Chadha, a brilliant actor, stays overshadowed throughout, under the wraps forever, until one time in the end she tries to image memories from the past by holding Sarbjit’s belongings only to keep them so that he stays around in the house. Powerful stuff!

As you chug down the movie lane further, there is boisterous uproar from Dalbir Kaur (Aishwarya) which becomes impoverished further by the movie’s writing. Terrible I would say as goosebumps fail to register!

CONSTANTLY FALLING

At times it becomes akin an Indian TV soap, sometimes even worst. The music department makes a purposeful endeavour to squeeze in a melancholic tone to make everything sound gloomier.

But as you take a good look at it, you have to hand it over to the sister who endures unfettered yet shackled by the plight of his brother. There is so much she does, that is quite relatable of all stuffs, something you would do for your family.

IN NEED OF A BETTER DIRECTOR

All in all you cannot help wonder of ways the movie on Sarbjit could have been better. The real grim feel behind the situation has been obscured profusely to muster out sentience. If only a better director and writer had eyed Sarabjit first!

Check out other insightful reviews of Bollywood…er…Indian Cinema here: Indian Cinema Reviews

The Witch Review (2015)

The Witch is a beautifully helmed ghastly take on black magic straight from folklore!

Whilst witchcraft is a topic still quilted under dubious clouds, the story Robert Eggers weaves is no less than the work of a genius. There is excruciating dread imbibed in his way of storytelling that makes it one of a kind. Eggers maintains a regular pace throughout the flick to milk our fears without going into the shoddy territory. We feast on some high quality filmmaking.

THE WITCH LORE

The topic of witches has rarely ever touched such a tangible and lucid style of direction. You haven’t experienced a disquiet quite like this before, and gore that throws you into fits of anxiety! Acts of witchcraft create a metaphor which is quite clamorous if you really pay heed. You cannot help but feel helpless, cannot stop feeling sorry for the characters entailed, by silently wishing them goodwill. But alas! this is one of the darkest movies ever made. So, if you have a feeble heart just be prepared mentally and you can bear the imminent.

NOT AN AVERAGE MAINSTREAM HORROR

The Witch isn’t exactly your average horror flick that tries to scare you with disappearing-appearing acts, or by messing around with the cameras, or via zooming in or zooming out effects. Au contraire, it is one of those purest forms of horror that is allowed to gradually develop in you, as you scale its frames right from the very beginning. Very engaging stuff that will leave you traumatized with abominable witch acts!

STUNNING DIRECTION

You cannot help but marvel at the way Eggers captures his gorgeous frames. The serenity of the woods that he arrests in his frames icing it with a harrowing music in the background is beyond comparison. Captivating landscapes and natural shots that he takes make the movie a visual entertainer. You can almost read the tranquility of the woods through his endearing screens.

THE WITCH VERDICT

The casting has been done brilliantly. Screenplay is smitten with Shakespearean English which some might find hard to understand. Music is very grim but just about perfect for a horror movie. The Witch is a well manufactured affair that Robert Eggers manages to conjoin with his rad direction and writing style.

The Judge Review (2014)

Robert Duvall‬ is outstanding and so is Robert Downey Jr. in the movie The Judge.

SPOILERS

Little outbursts and disagreements of the duo have been executed brilliantly and framed exceptionally well by ‪Dobkin‬. The bit where Duvall rushes up in high squall carrying a temper whilst Downey follows for war is one of the most dramatic scenes that shows how puny nature is against human commotion! Humour is strewn in the movie and when you have Downey with the bat, it always makes home runs.

Drenched with drama the movie has an apt theme that runs around the convicted irony – the Judge who isn’t willing to let his guard down and who hates his middle son Downey for so many irreparable reasons that he can’t just give in. Whilst Downey, the forlorn child who never returned to his parents owing to the long born and bred abomination he burnt in, tries to save him from the clouded murder of a foul-mouthed obnoxious hill-billy.

The score is apt and the screenplay is intense. Loved how Dobkin carried it all. The amount of focus he put in, in every frame is worth commending. A must watch for Downey’s wit lovers and also for dramaholics.