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Tag: Nick Offerman

Me and Earl and the Dying Girl Review (2015) | Comical Allegory

I have been meaning to write the review of Me and Earl and the Dying Girl for so long that it makes me sad to see it stand waiting for so long, in the backcloth of my mind, hungry for appreciation. It deserves adulation. It deserves your attention. My sole intent is to shower undying love for this intensely deep and touching movie that beats every convention that mainstream cinema sells us today.


Me and Earl and the Dying Girl is a constant droll that stays beautifully supplemented by the subtle direction of Alfonso Gomez-Rejon. What you cannot certainly overlook is its extraordinary cinematography that pays attention to meticulous details at different crises. If you pay attention enough you will approve the existence of the genius behind the camera.

still of greg and rachel walking in me and earl and the dying girl

Alfonso’s frames are in a perfect sync with the flick’s deadpan. Also, you are invariably smiling at the way things are shown which makes Me and Earl and the Dying Girl a propitious watch. Camera’s superlative swiveling from a single axle point and such countless experimentation throughout, will make you realize how Jesse Andrews might not have been able to get a better director for this movie.

Apart from stunning camera movements, the flick scores high on editing too. It stays fueled by its perfect timing for skipping frames, or throwing in a funny jest every now and then. Best ones are stop motion animation scenes that try to expound what our protagonist is thinking. It is intelligently depicted, and bides by its “out of the box” thinking.


Even though the titular flick gives away the primal plot through the moniker itself, it balances on a mere assertion to show us what might or might not happen. Me and Earl and the Dying Girl stays in the head of Greg played by Thomas Mann at all times, and depicts coming of age stuff from his perspective. We also have Earl who is Greg’s best friend, played by RJ Cyler who gives a brilliant icing to the story. There are subplots to the tale that unveil as a result of an unusual setup which get superbly helmed too.

It also has 21 mini movies that tell you how talented and amazing the brains behind the Me and Earl and the Dying Girl are. All of these short movies land up one way or the other inside the flick, and you can’t help but reflect on your childhood dreams. You are compelled to brood over that passion of yours that could never really go anywhere.

still of Olivia Cooke as Rachel in Me and Earl and the Dying Girl

Olivia Cooke as Rachel is absolutely perfect for the role. Her eyes do most of the talking, and you can’t thank the casting director enough to have chosen her. Earl doesn’t disappoint either. He creates this perfect comportment to depict ‘distance’ whenever it was the call of the hour. Thomas Mann can’t be applauded enough. His Greg brings plausibility to the tale and makes him a very promising character.


The final movie on Rachel is a colossal metaphor. It leaves you wondering about things that constantly float in the head of Greg. It is hard to picture someone as furled as Greg have gargantuan profundity hidden.

There are images that run wild without words that try to say bazillion things to Rachel. It is Brian Eno’s music, and Greg’s animation that speak up abstract thoughts in a language only Rachel understands. It is so beautiful and poetic at the same time that you cannot clap enough for the writer to have thought something as eccentric as that.


Me and Earl and the Dying Girl is a fun frolic into the lives of Greg, Earl and Rachel. But the tragedy that awaits or doesn’t, at the culmination point is going to leave your mind impassioned with emotions. A must watch!

Check out the trailer of Me and Earl and the Dying Girl here:

Ice Age Collision Course Review (2016) | Just Like its Prequels

Hilarious! Okay, so I will be honest. Ice Age Collision Course wasn’t really needed, and we could have lived without it, unless we were driving on a stupendous plane that would have thrilled us beyond limit like Pixar movies generally do. Despite the apparent, Ice Age: Collision Course still manages to pull it off, owing to their awesome sense of snappy humour and their fascinating CGI that makes everything appear stunning.


Ice Age Collision Course comes with a very banal plot. The implausibility of Ice Age keeps on degrading as we caper towards exploring new parts of the franchise. Maybe Blue Sky Studios have been milking its installments too much, so much that they are actually running out of material. No doubt there is always humour galore in their work, but at one point it becomes kind of pointless when there is nothing in their baggage and they still try to squeeze every bit to make jokes out of thin air.

still of ice age collision course characters walking in style

The plot of Ice Age Collision Course is something as dumb as Scrat messing around with the universe. That’s what he does. He keeps showing up throughout the movie to accidentally mess with the fate of the planet. Things that avalanche therefrom aren’t exactly what we were expecting. It toys with everything – the story-line, the credibility, jokes, everything!


Remember Buck? Well, the awesome weasel is here as well, and he is probably one of the best things about the movie. Simon Pegg returns to voice the one-eyed chap who will take you on a joyride to saving the planet. He is just the way we left him in the prequels. Totally loco!

A side plot of JulianPeaches story was an impending steer, which was quite thoughtful. It tried to give the story a perspective and a good direction. Granny returns once again with her incessant nagging which never bores you. Oh and we should never forget the true antihero of Ice Age franchise, Scrat who always brings hilarity to no matter what he does.


I say the humour is way better than what the Angry Birds movie came up with. If you liked that you are definitely going to love this. If you didn’t, well, you are still going to like Ice Age Collision Course for its magnificent animation and rib-tickling humour.

Check out the trailer of Ice Age: Collision Course movie here:

Danny Collins Review (2015)

Danny Collins is sheer vapid. Everything a good drama should not be.

I went into the theatres with high hopes for this one, being a big Pacino fan. But boy I came out disappointed. It is a movie that wastes its hours on mediocrity, sometimes goes into the abyss of clumsiness and pointless melodrama. It stays away from profundity and lacks the luster of sentience. It was like watching a bunch of random guys act animatedly, to words that had no direction and that were headed nowhere. Screenplay so mediocre! It was like listening to random people talk. Humor was pathetic too.

Danny Collins began on a great note but then slowly died down as it stumbled with its poor script. The movie seemed to open with a strong musical backdrop but unfortunately it didn’t even skim its surface. Lennon is only a reference. Even the transition of Danny doesn’t exhilarate you. It is a very slow paced movie that simply scrambles towards the finish line without packing a good redemption.

If we try to focus on the good, the beginning bit with Nick Offerman was quite exceptional. Annette does a fair job with her role. Giselle Eisenberg is the cutest thing, who makes your heart melt with her sweet voice. Also the song that Danny seems to be penning turns out pretty good. Sometimes you could almost see the subtlety of Fogelman’s direction when he manifests fingers knocking on the door even when there was a doorbell. Danny’s disregard for his life and his decision to do what his audience loved was also brilliantly shown.

The fact that a lot of people knew Danny Collins was overused and eventually it just became sad. At the end it just seemed like a story heading towards a blank. There wasn’t truly any inspiration. Barely a decision that got cashed out for a change. You could almost tell why this movie had Annette Bening, Josh Peck, Giselle, Jennifer Garner and Christopher Plummer – simply to spice things up and make things interesting.

I would only recommend it if you wish to see a movie where things don’t go dark or grim and that is strewn with mediocre pleasantries.