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Tag: Scarlett Johansson

The Jungle Book Review (2016)

Adorable and adhering to the tale.

HISTORICAL IMPORT

The Jungle Book has a special place in our hearts. Some fail to fathom the hype in our heads. We have waited impatiently for this movie to release and jog us down the forgotten memory lane ever since the news broke loose. The sole reason: 1989 show Jungle Book Shonen Mowgli! The dubbed TV show used to be our all-time favourite. Its outspread wings covered more than 20 languages all across the globe, a commendable feat to score even during that span. The acclaim was such that its song would be on every child’s lips. That explains our inane fandom behind it.

Coming across the Rudyard Kipling excerpt was enthralling too as images from the anime would come running down to fill the voids. Every character had a face. Every word had a voice. My fanatic knew no bound when I heard it was going big screen.

THE JUNGLE BOOK DIRECTION

Now that we have finally arrived at a juncture where Jon Favreau has successfully helmed the gorgeous telling story to justify the awesome Kipling book, it is hard not to give him an ovation. With a superb CGI that walks hand in hand with realistic looking animals and endearing voiceovers, The Jungle Book era seems to have finally met a new high. The kind we, as diehard fans, were looking for. Whilst little has been done to mould the plot, which is by the way just perfect, we are racing down to meet exceptional twists and turns in its impending installments. Way to go Favreau!

CHARACTERS BROUGHT TO LIFE

Shere Khan is simply a badass. He carries a demonic mien that will give you the chills looking at him. Idris Elba takes him to fearsome heights. Baloo’s entry is well thought of and perfected by Bill Murray. Ben Kingsley imparts a thoughtful grim demeanour to Bagheera. You cannot ignore Christopher Walken’s perfect voice for King Louie. He puts life into that animal. Lupita as Raksha is magnificent. Adorable wolf-cubs in the movie will fill your heart up with delight.

Screenplay is kind of average, sticking to origins at times, sometimes swaying, but not really that powerful.

DOWNSIDES TO THE JUNGLE BOOK

The parts that I didn’t like much were these trivial insignificant things which I choose to ignore:

Starting off with Neel Sethi, we could have done better. The lad, although great in resemblance, doesn’t really fit the bill. He looks absent emotionally as he if knew he was surrounded by CGI and not the real deal. Favreau fails to milk his emotions enough. Sentient things seemed aloof. Sometimes the CGI would dwindle when showing movements of animals and things would awkwardly move into the animated horizon. But still it all held up pretty fine. The end result we get is The Jungle Book we have always wanted as a kid.

Now that we have a darker version under the anvils (The Andy Serkis version) it would be intriguing to see towards which abyss this tale steers toward.

Lucy Review (2014)

“I don’t feel pain, fear, desire. It’s like all things that make us human are fading away.”

Lucy is shimmering with a beautiful concept. Scarlett has literally touched the other side. All the projects she has taken over the years have inadvertently pushed her above the average 10% human capability, so she proves with her intense fervour as human before the interval and then later as the insentient being wrapped in a superhuman commotion!

Lucy is everything you want to see Scarlett do. Primarily act and then may be shoot some hooligans. The sci-fi flick is an avant garde endeavour to explore our origins in a clever fashion: Through the head of a Brainiac!

Morgan Freeman is brilliant as the professor who expounds the rudimentary in his soothing voice. His theory in resonance with Lucy’s story, whilst Min-sik Choi does what he does best – devilry!

SPOILERS:

Luc carves Scarlett brilliantly, develops her character gradually bringing out her supernatural capabilities one by one with flash cards showing %ages to keep the clueless engaged. What makes Besson an absolute delight is his subtle inclusion of animal imagery to contrast similarities. The wonderful work on pictorial similes is indicative of his brilliant avant garde style of direction!

The movie has a message that stares hard at our soul and laments cruelly on how less we feel, how caught up we are in little things and how easily we overlook vast! It also throws light on the time theory and the meaningless scaling of the incomprehensible!

The finest bit in the movie is when Scarlett flips time to understand stages of Evolution. Time reverses in quick succession and we get a glimpse of our origins. The rad one is when she helms toward invincibility!

What brings the emotional quotient to the movie was the part where Scarlett calls her mother to express how she feels: “I want to thank you for a thousand kisses that I can feel on my face.”

The score is brilliant. Beats are apt. Screenplay is catchy and memorable. Apart from few passable flaws, the movie kicks ass and makes you brood. Good enough reasons for me to like a movie!