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Sing Movie Review (2016) | Another Toast for the Dreamers

Sing along your favorite songs with the most adorable bunch of animals! Sing movie is an anthropomorphic take of Christophe Lourdelet and Garth Jennings, a brilliantly scripted venture that tries to edify the lives of animals. It does so effortlessly by resonating us with them in the right proportion. They let humanity seep under the skin of animals to epitomize important life lessons, and the problems every fellow dreamer has to deal on an every day basis.

Plot of the Sing Movie

Although the movie packs in a plethora of cute animals to look forward to, the best and the most prominent one however stays the leader. A Koala bear named Buster Moon, voiced beautifully by Matthew McConaughey, is the guy with the cardinal vision of seeing success dribble in through his theater gates via show business.

still of buster moon the koala in sing movie

He is an optimist who has never learnt to give up. Buster retains hopeful eyes, the ones that are always excited to see new things sieve in. The gleam in them tells you that he is eager to shape dreams into reality, and always ready to deliver.

With his job to hunt down only the best, he possesses the natural flair to always dispense the right judgment. Things that he does are strong enough to often leave you brooding with a poignant sense of regard at your scattered dreams. It contrasts how we tend to give up our dreams with the slightest sign of trouble. With Buster Moon’s efforts to work around things to get things running either by hook or crook, you can feel in your bones the warmth of a never give up attitude that is so crucial to get by.

You know what’s great about hitting rock bottom. There is only one way left to go, and that’s up.

Other Fellow Dreamers (Spoilers Ahead)

Buster Moon’s big aspirations are inspiring. But it is owing to his clumsy accidents along with Miss Crawly, (surprisingly voiced by Garth Jennings himself) that sets the Sing movie on wheels. Paths get paved for aspiring singers when promotional fliers of $100,000 for a singing competition accidentally overrun the whole town. Though it was intended originally to show a mere $1000 and came up straight from Buster Moon, the huge success of it made him play along.

Talented singers from eclectic background show up. Oh! Watch out for their auditions, by the way. They are outright hilarious! When you watch them all auditioning for the competition, their species and their ungainly acts make things even funnier. It would be hard not to crack up.

Aslo, a bunch of girly Japanese dolls (Pandas probably) keep showing up every now and then to perform, assuming they have been selected. Watch out for them as well! So funny!

 

still of meena voiced by Tori Kelly in Sing movie

Among other crucial animals are Ash, Eddie, Johnny, Rosita, Gunter, Mike,  and the exceptionally talented elephant introvert Meena. The latter’s voice has been given by none other than Tori Kelly. Her voice is so beautiful that it would bring tears to your eyes. Also, her side-plot is one of the best the movie has.

So the movie is basically more of a competition where animals from different backgrounds come in the front-line to test their luck. Their lives are intertwined with their domestic issues and concerns that stop them from, in one way or the other, from following their dreams. But it is about beating all odds to come out with flying colors.

Songs in Sing Movie

Taking the movie moniker into account, the primal theme was basically supposed to be songs. So it doesn’t fail in that direction at all. There are around 60 songs shoehorned in the flick that play at various junctures setting you in the right vibes.

Among the most prominent ones are:

  1. Faith by Stevie Wonder and Ariana Grande
  2. I’m Still Standing by Taron Egerton
  3. Hallelujah by Tori Kelly
  4. Don’t You Worry ‘Bout a Thing by Tori Kelly
  5. My Way by Seth MacFarlane
  6. Set It All Free by Scarlett Johansson

You can order Sing movie from here:

Minor Downsides

When you look at the downsides of Sing movie, you could hear some bells knell in its comedy department. It is definitely not that funny, but there are ample jests to keep that flow going. Also, the movie doesn’t have anything huge coiled up waiting at the climactic end. It’s there where you feel all that amped up energy slowly wane. The subplots feel deliberately created to show feigned approvals, and they become really drab at one point.

Also, if you really look at the movie it appears to be more of a cliched tale confined to pursuing something, falling and then rising up again. That is all. So, there is nothing extraordinary apart from that for us to feast upon.

The Final Verdict

Even though the Sing movie’s theme is a tad predictable, it manages to hold up really well. Almost giving you an impression as if you are watching a good reality show. You begin to feel for the characters, sympathize and empathize with them as you might have done for characters in the real world. It makes you appreciate Garth Jennings even more, who also happened to have written the story of Sing.

This latest by Illumination Entertainment is way better than all of its past works so far. It cuts short the snappy humour that it was known for, but still manages to come up with a beautifully crafted animated flick. It has family entertainment written all over it.

You can check out the trailer of Sing movie here:

 

 

The Jungle Book Review (2016)

Adorable and adhering to the tale.

HISTORICAL IMPORT

The Jungle Book has a special place in our hearts. Some fail to fathom the hype in our heads. We have waited impatiently for this movie to release and jog us down the forgotten memory lane ever since the news broke loose. The sole reason: 1989 show Jungle Book Shonen Mowgli! The dubbed TV show used to be our all-time favourite. Its outspread wings covered more than 20 languages all across the globe, a commendable feat to score even during that span. The acclaim was such that its song would be on every child’s lips. That explains our inane fandom behind it.

Coming across the Rudyard Kipling excerpt was enthralling too as images from the anime would come running down to fill the voids. Every character had a face. Every word had a voice. My fanatic knew no bound when I heard it was going big screen.

THE JUNGLE BOOK DIRECTION

Now that we have finally arrived at a juncture where Jon Favreau has successfully helmed the gorgeous telling story to justify the awesome Kipling book, it is hard not to give him an ovation. With a superb CGI that walks hand in hand with realistic looking animals and endearing voiceovers, The Jungle Book era seems to have finally met a new high. The kind we, as diehard fans, were looking for. Whilst little has been done to mould the plot, which is by the way just perfect, we are racing down to meet exceptional twists and turns in its impending installments. Way to go Favreau!

CHARACTERS BROUGHT TO LIFE

Shere Khan is simply a badass. He carries a demonic mien that will give you the chills looking at him. Idris Elba takes him to fearsome heights. Baloo’s entry is well thought of and perfected by Bill Murray. Ben Kingsley imparts a thoughtful grim demeanour to Bagheera. You cannot ignore Christopher Walken’s perfect voice for King Louie. He puts life into that animal. Lupita as Raksha is magnificent. Adorable wolf-cubs in the movie will fill your heart up with delight.

Screenplay is kind of average, sticking to origins at times, sometimes swaying, but not really that powerful.

DOWNSIDES TO THE JUNGLE BOOK

The parts that I didn’t like much were these trivial insignificant things which I choose to ignore:

Starting off with Neel Sethi, we could have done better. The lad, although great in resemblance, doesn’t really fit the bill. He looks absent emotionally as he if knew he was surrounded by CGI and not the real deal. Favreau fails to milk his emotions enough. Sentient things seemed aloof. Sometimes the CGI would dwindle when showing movements of animals and things would awkwardly move into the animated horizon. But still it all held up pretty fine. The end result we get is The Jungle Book we have always wanted as a kid.

Now that we have a darker version under the anvils (The Andy Serkis version) it would be intriguing to see towards which abyss this tale steers toward.

Lucy Review (2014)

“I don’t feel pain, fear, desire. It’s like all things that make us human are fading away.”

Lucy is shimmering with a beautiful concept. Scarlett has literally touched the other side. All the projects she has taken over the years have inadvertently pushed her above the average 10% human capability, so she proves with her intense fervour as human before the interval and then later as the insentient being wrapped in a superhuman commotion!

Lucy is everything you want to see Scarlett do. Primarily act and then may be shoot some hooligans. The sci-fi flick is an avant garde endeavour to explore our origins in a clever fashion: Through the head of a Brainiac!

Morgan Freeman is brilliant as the professor who expounds the rudimentary in his soothing voice. His theory in resonance with Lucy’s story, whilst Min-sik Choi does what he does best – devilry!

SPOILERS:

Luc carves Scarlett brilliantly, develops her character gradually bringing out her supernatural capabilities one by one with flash cards showing %ages to keep the clueless engaged. What makes Besson an absolute delight is his subtle inclusion of animal imagery to contrast similarities. The wonderful work on pictorial similes is indicative of his brilliant avant garde style of direction!

The movie has a message that stares hard at our soul and laments cruelly on how less we feel, how caught up we are in little things and how easily we overlook vast! It also throws light on the time theory and the meaningless scaling of the incomprehensible!

The finest bit in the movie is when Scarlett flips time to understand stages of Evolution. Time reverses in quick succession and we get a glimpse of our origins. The rad one is when she helms toward invincibility!

What brings the emotional quotient to the movie was the part where Scarlett calls her mother to express how she feels: “I want to thank you for a thousand kisses that I can feel on my face.”

The score is brilliant. Beats are apt. Screenplay is catchy and memorable. Apart from few passable flaws, the movie kicks ass and makes you brood. Good enough reasons for me to like a movie!