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The BFG Review (2016) | Bringing Dahl’s the Big Friendly Giant to life

Alluring! If there is someone who can come close to doing The BFG justice, it is none other than Steven Spielberg himself. He nails it and creates this enchanting image of the giant that we had always marveled about as kids. Spielberg brings him to life with his astounding powerful direction well supported constantly by the flick’s beautiful CGI.


Mark Rylance is absolutely outstanding as the Big Friendly Giant, wearing his benevolence on his sleeves for us to notice him. He has such a beautiful soul that you cannot imagine anyone else wearing the character so perfectly. He fits into the persona like a glove. You can’t help feel sorry for him when he struggles with the words. Yet in his occasional balderlash, he manages to say things that generate effortless musings.

still of mark rylance as the big friendly giant from the bfg movie

I hears your lonely heart, in all the secret whisperings of the world.

If you pay close attention to his demeanour and follow him up with a childish gaze, it would be hard not to fall in love with his goodwill. Spielberg’s CGI manages to capture his every expression making every moment melting.


Screenplay is brimming up with Roald Dahl genius, and well moulded by Melissa Mathison for Cinema. Beautiful words from the book still lurk there, and they manage to rivet you with the kind of pace Steven Spielberg and all of us love.

It was the Witching Hour, when the Boogeyman comes out when people go missing. The girls say the Witching Hour arrives at midnight. I think it comes at three in the morning, when I’m the only one awake. Like always. Like now.

still of Ruby Barnhill as Sophie in the BFG
Ruby Barnhill was a great choice for Sophie too. Her cuteness level is endearing to watch. Her conversations with the BFG is what helps in putting things into perspective.

The score of BFG is equally enchanting; setting the right mien to let you experience the wonder. The artistry on dreams was stunning as well. The whole concept of catching a dream, creating it, blowing it, is so well thought of that you cannot clap enough for Dahl’s creativity.

Watch the Giant storm past the trees swiftly and you will see how gorgeously his movements have been captured. The time when Sophie is picked up from her bed, as she beholds the dodgy pathway through her blankets, will tell you how Steven Spielberg never fails to give painstaking attention to his frames. He lets us in on Sophie’s vision to show what she sees. There is poetry lurking in his direction which makes the whole cinematography affair even more winsome.


Apart from changing little facts from the Roald Dahl’s creation, Spielberg brings back the lost charm of his ingenuity to the front page. He makes it happening via the tranquility in his frames something only his finesse could ace.

Whilst those who haven’t come across the children’s book before, they might find the story a bit fantastical, but to be really candid, you need to turn back time for this. Witness the movie through the eyes of a little girl who comes across Giants for the first time in her life and goes on a whimsical little adventure to the Giant Country.

Check out the trailer of The BFG movie here:

Lights Out Review (2016) | Intriguing and Appalling | Alexander DiPersia Rules

Lights Out has everything you wish to see in a horror movie. But there are instants herein that stop it from reaching petrifying levels of a great riveting horror flick. It doesn’t retain the flair of a slow paced scare. However, within its nimble charisma lies its true heart throbbing dread. Also, Alexander DiPersia is a pleasant discovery in the movie. He encounters its ghost in the most thrilling setup ever.


The video project of the same name that had gone viral three years ago, has been finally moulded into an artistic piece. Augmenting it further is a thrilling story to tell an imaginative tale that walks on a thin edge of palpability. Still the magic works!

After making a series of shorts, David F. Sandberg finally gets a fully-fledged project under the aegis of James Wan. What’s reassuring is that he delivers too. He includes Lotta Losten to the tale giving her a cameo of sorts, trying to revive the lost lights out video and then furthers the tale with new elements.

Still of Lotta Losten as Esther in Lights Out Movie


David F. Sandberg’s inexperience transpires at a lot of junctions, wherein you could point, “He didn’t think this through!” It is like you can almost taste the lack of percipience in his work. There is passion in his job alright, the love for horror so loud and clear, that you can find it lurking at weird corners. But there is always a sense of thoughtful trepidation missing from his cinema that seemed to have primped down his work into a mere 1 hour 21 minute affair.

You can feel as if he was on a constant canter to reach the end. Maybe the short in him will take some time to wear off. Even though his direction barely reached the levels of horror veterans, he still manages to weave out something above mediocrity, and that is what counts.


Sandberg’s entry into the horror world receives three cheers from people all across the globe, owing to his unpredictability. He breaks horror clichés in many ways.

still of alexander dipersia as Bret in lights out movie


The first coming straight from a character like Bret. Alexander DiPersia who plays boyfriend to Rebecca, cannot be simply ignored. Breaking banality profusely the character fits like a rare gem in the movie. He isn’t a hero exactly, and yet he survives Diana’s attack on three occasions with sheer presence of mind. We generally tend to think boyfriends die first, because they are not important to the tale, but Sandberg decides to break the chains of platitude by keeping Bret alive and breathing. Within his limited screen-time, Alexander DiPersia delivers too.

There is this rare moment where Alexander DiPersia’s Bret is almost a dead guy, and yet he revives himself twice or thrice with his sheer presence of mind. Watch out for that bit!


The second most important character is that of Rebecca played by Teresa Palmer. She has this constant confident mien that she wears like a pro at odd hours. The only problem is that she condescends and patronizes Bret beyond limit, so much that you begin to wonder why Bret’s with her in the first place. Yet she packs in an uncommon poise that seems to fill you up with pluck too.

Still of Rebecca and Martin in Lights Out movie


Martin, played by Gabriel Bateman, her brother isn’t a wuss either. He is scared, terrified, but he always comes around. He has peerless tricks in his pockets that he comes up with to stay safe.

Billy Burke has a small cameo too in the prologue of Lights Out Movie.


Apart from the directorial issues Lights Out had, there were other things that don’t go ignored either. Screenplay of the movie was terrible. At one point Martin drops a truism as if it was jostled out with originality. It seemed kind of stupid and forced needless to say.

When Rebecca is engaged in a face-off with Diana, she asks Bret to take Martin away. But when there’s a gunshot you see Bret still holding onto Martin unperturbed by what’s going on in the house. There was a gunshot for crying out loud. Why didn’t he come up with dozens of searchlights, or even better if he was short on time, light up the car lights and point it towards the house so there was at least some light that could save the inmates.

Still of Diana clawing raking and scratching the floor in lights out movie

Another question that miffs you is how come Diana plays with lights sometimes moulding them to her will, and then sometimes forgets to switch them off. The constant disconnect in the plot like that makes Lights Out like a sieve of implausibility.

Also, you cannot completely overlook the fact that despite knowing that Diana is in the house, characters give in to sleeping in the house with Sophie. They were all so unprepared even though they knew the truth. That was a tad too much.


Darkness has forever intrigued us. There is something about its still aura that has us questioning us our sanity. A topic that will forever haunt us, just by its sheer fancy. David F. Sandberg milks the fact enough. I am afraid, not properly but he still manages to fabricate us a good horror flick.

If we don’t look in the direction of the downside-darkness of the Lights Out movie we still have something that is way above thousands of pointless horror movies. To that we nod him welcome.

A must-watch horror fans.

Check out the trailer of Lights Out movie here: