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Avengers Infinity War Review (2018) | The Big Bad Mad Titan Finally Arrives

What a beautifully crafted flick! Avengers Infinity War is everything that we expected it to be, and so much more. It is intelligent, poetic, impactful, sad and badass, all at the same time. While it doesn’t fall short of thrill on the action front, it also fairly nibbles at melodrama aplenty.

It wouldn’t be wrong to call Avengers Infinity War a Thanos movie. The antagonist feels like a poem. He has been created so as to leave you in utter awe. Apart from the fact that Thanos is immensely powerful, and I mean like he packs in really hulk-defying powers even when he had just one infinity stone with him, he is also quite sentient.

Even in his blatant disregard for any form of life, you realize he is the feeling kind – a deviant who adheres to his code, unlike thousands of humans on our very own planet. You can feel his vibes, his pain, even though how wrong he is (debatable) in what he aspires to do. His methods diabolical and his ways to get things done even so infernal.

You will never be a god!

The whole MCU prepped us up for this huge moment and the good news is, it doesn’t disappoint. All roads lead to him, the eventuality that feels like death, and he acts like it. He walks like he owns the universe, delivers justice as if it were his call or deliverance.

That’s the ultimate badass villain that we wanted, and Josh Brolin does every bit of insightful justice to him. He is just not some mad Titan bent on destroying everything in his wake, but a sentient living monster who feels pang just like others, with a fixed purpose in life.

The Poetry in Avengers Infinity War (Spoilers)

There are plenty of moments in Avengers Infinity War where you will feel explicit poetry taking shape. In conversations of an adopted daughter with her father, of planets where civilizations collapsed as Thanos turns a leaflet of history to show Doctor Strange a glimpse from the past, his vision of why he is trying to do what he does, and “men” talking about the import of a job and what comes after. Everything has been inscribed in 2 hours and 29 minutes of enthralling awesomeness.

The part where directors Anthony Russo and Joe Russo choose to mum the destructive aspect of a colossal villain by showing him fragile, as he wakes up in Volmir in a pool of water, after retrieving the soul stone, as if waking up in his very own pool of tears has been brilliantly stowed.

Gamora: Did you do it?
Thanos: Yes.
Gamora: What did it cost?
Thanos: Everything.

Then the part where Thanos had so candidly confessed to the question of ‘what after’ about his plans to see the sunset has been brilliantly pulled off at the end. It is commendably subtle as we see him vanish after that deleterious snap of his finger to a place he had confessed about earlier. It perplexes the audience poking a question at his very existence.

Is he really dying? Or now that he wields the power of a God can he not surmount death?

The Dismal End

Avengers Infinity War is brutal in its killing spree. You realize that it’s abrupt, and even though you want your superheroes to somehow escape their fate, it is simply inescapable. One by one the Avengers get effaced. The characters you have grown so fond of get obliterated in a jiffy.

Death follows him like a shadow.

There also lies poetry in the aftermath as everything one holds dear begins to wane. Starting from Buck who calls out Steve before turning into ash to everyone you thought was important fades. It is like watching a piece of you getting decimated. All you can say is, “No….No….not him or not her!”

What you instantly like about Avengers Infinity War is that it is bold, unafraid to kill its characters. It kind of reminds you of Game of Thrones. Okay the reference somehow reminds me that we have Peter Dinklage playing Eitri, the role of a dwarf, so basically himself. Only the dwarf here is a giant. When you think about it, you realize – is it not a matter of perspective? The dwarf is actually a giant for some, ergo named so. It’s like Russo’s are telling us that no one should be judged by their size but the size of things they do. If that’s not poetry, I don’t know what is.

Thor

While the world is at war, Thor is on his own mission to garner resources to be resourceful so to have another shot at Thanos. He is forever optimistic, despite how funny his character has been arched. It should well be noted that everything, I repeat, everything has been taken away from him. You can’t help but feel sorry for him, even though the Russo brethren choose to mock at his problems. He is this immense fighting machine that believes in doing the right thing, of getting the world rid of evil.

There’s despair written all over him, and yet he takes on challenges without giving them a second thought. Watch out for that neutron star bit where he takes it as if he is invincible. His Godly demeanour is, I think, very underrated and in an attempt to make him sound cool and funny he has been deprived of a lot of grief that would have otherwise made his character a lot darker.

Eitri helps Thor create his new hammer, nay an axe, which is called the Stormbreaker which becomes the very reason for Thor having a chance against Thanos. His entrance is grand and everything that happens thereafter is like an inspiration to everybody fighting.

Besides we should not forget that Thor is the only Avenger who gets to lance Thanos like a boss even though the plan backfires, but it was going to anyway.

You should have gone for the head.

Iron Man

While a lot is going on in the head of Tony Stark when he is fighting the thought of calling Captain America, which he almost does, Earth is struck by members of Black Order. Ebony Maw (Tom Vaughan-Lawlor) is a badass minion with powers that surpass Doctor Strange’s.

You can’t park here, buddy. Earth is closed today. Take your tractor beam and skedaddle.

With the help of Spidey’s cult knowledge, he is able to defeat Ebony and then plan a properly planned attack on Thanos’s own turf.

While Iron Man depicts standards unseen hitherto in his fights, his presence of mind and techniques almost get the job done. If it were not for Star-Lord’s intervention victory over Thanos was possible. But everything goes to dust and then it becomes impossible to stop him.

But you cannot still appreciate Iron Man enough for his fighting efforts till last moment. He was no match for Thanos and yet he fought him as if he had a chance. The fact that he goes down trying only puts respect in the Mad Titan for him, and makes you revere him even more.

Stark, you have my respect. I hope the people of Earth remember you.

That fight sequence he sneaks in even after being exploded by a moon is one of the best that Avengers Infinity War movie retains.

Captain America

Cap is that beacon of hope that literally strikes every spark alive. As witnessed in Age of Ultron, him fighting Ultron as if he was imperishable, Captain America is nothing less than a fantastical marvel. So he proves yet again when he shows up at desperate times when we felt the end of Vision was near. He, alongside Natasha and Falcon, swoop in, in just the nick of time, making Proxima Midnight and Corvus Glaive taste defeat.

Not only does he personify the very definition of badass, but he makes you realize how badly you had missed him all these years. Him fighting alongside Black Panther against a bazillion terrifying giant rabid dogs with fury unparalleled makes you respect him even more. It is no surprise why everyone looks up to him for almost everything.

In a final showdown with Thanos, as he stops his gauntlet onslaught with both hands making Thanos go “What the fuck?” you can only imagine the strength he retains.

It is sad that the call was never made. That Stark and Cap never got to face each other, and in those desperate moments when you feel that either of them could have died, you realize that they could have died unfulfilled without having a chance to speak to each other again. That feeling is so sad that the moment Iron Man is lanced, you begin to go through some real emotional trauma.

Wanda and Vision

It’s hard not to talk about how hard Wanda tries to save Vision. Their chemistry is brilliantly pulled off with both Paul Bettany and Elizabeth Olsen weighing in on their characters superbly. As audience, we already know what is going to happen with Vision holding the mind gem in his head, his death seemed inevitable. But a ray of hope was struck alive with Shuri taking over to assist Vision by separating the mind stone despite how hard she tries, but everything just goes kaput.

Vision had spoken with Wanda about taking that call of destroying the gem when time came. It would have destroyed him too as his very life depended on it. Even though Vision asks her to make that choice, to which she finally gives in, doing something that every cell in her body was against, she succeeds in destroying the mind gem. It was a call that literally crushed her, and you could literally sense the pain that she had to go through to do something so huge.

It is just sad that Vision had to die twice for Thanos to retrieve the gem. He is thrown like trash when Thanos is able to lay his hands on the mind stone. It just goes on to show his evil recklessness for something we had only begun to admire.

Quill and Gamora

Whilst the crossover was a success, with Rocket and Groot speeding off with Thor on his quest to retrieve his hammer and Peter, Gamora, Mantis and Drax going after Thanos, humour was flung aplenty.

Alright, Guardians, don’t forget this might be dangerous, so let’s put on our mean faces.

Gamora had asked Quill what Vision had asked of Wanda. On being instigated he takes a shot too but fails because Thanos doesn’t let him. Thanos doesn’t kill Peter Quill instantly because he likes Peter and the very fact that Gamora was in love with Peter.

So basically that makes two of the infinity stones retrieval a process of ‘kill-me-before-Thanos-gets-it-out-of-me’ situation. Two of the other infinity stones retrieval was basically ‘torture-ones-you-love’ process and then get it from them. That fared well for Thanos, even the one that milks the Doctor Strange’s and Iron Man’s bropocalypse.

Quill and Gamora too had something special between them which was ruined when Thanos took Gamora back to Titan. With Gamora sacrificed, and the news broken to Quill was one of the turning points of Team Avengers/Team Guardians vs Thanos.

Understanding what Peter Quill feels when he discovers the truth about Gamora would be an understatement. You can relate so much to him, but it takes away the only chance they had of removing the gauntlet from Thanos’ hand.

With Strange hanging on to the Time Stone all this time without using it, you couldn’t help but wonder if the exact scene of them trying to take off the gauntlet could have been reiterated with its help. Strange could have taken Quill away for a while when the news of Gamora’s death was told. Then again maybe we have that saved for the next part.

Bruce’s Failed Resolve

Hulk’s no-show is utterly disappointing, but you know that he is going to show up in the next one. So that’s one epic thing to look up to. But given how easily Thanos beat the crap out of him, it seems highly unlikely that going with that same strategic plan of ‘Hulk smash everything’ is going to work again.

Bruce’s constant struggle to reason with his inner self is dispiriting even though how funny Marvel decided to make it. Natasha sees Banner after a long time, and it’s good to see that the spark is still kept alive. Maybe we will explore that story in the long run. It would be fun to watch how things sieve then. I have always wanted to see their budding love go into a direction.

Things That Bother You

There are some moments in Avengers Infinity War where you can feel the CGI falling apart. In one of the obvious moments where Gamora is talking to Thanos, you can see how difficult it must have been to fill in VFX through her continuously flowing mane. There’s a clear line on her left face that feels blurred since the work there remained shabby.

I know what it’s like to lose. To feel so desperately that you are right, yet to fail all the same. Dread it. Run from it. Destiny still arrives.

There are deaths galore as expected, but unfortunately, it doesn’t feel like it’s devouring your heart. Somewhere deep down you come to accept the inevitability, and even though how bluntly it takes a dig at all your favourite superheroes, you fail to feel the real anguish. Maybe that’s one of those parts that wasn’t milked enough. You don’t cry but you wonder something’s up, that something can be put back together still. Is it the time stone?

Also, there are some editing issues where you can feel the deliberate jumping of frames. A lot of time has been spent on Thanos’ resolve, some of which could have been used to fill some of the apparent visible issues.

Then there are those rabid dogs like creatures, more like wolves whose faces you don’t even properly get to see for a second. Agreed that they were really fast and mad but you want to see what you are up against, right? They felt like a swarm of madness that never ever stood still for a second. I don’t know if that was the point or not. But everything sped up so fast that I am pretty sure I need to watch all their action by pausing it on Avengers Infinity War Blu-ray to relive it once again.

You can order Avengers: Infinity War from here:

The Final Verdict of Avengers Infinity War

Avengers Infinity War is brilliantly pulled off. It is catered to be savored one meal at a time, and the pace is just right. In the end credit scene, we get to see that a call has been made to none other than Captain Marvel, a movie destined to drop on 8th March next year. So now we know that she is one of the answers to defeating a villain that has all the infinity stones, that has made him a celestial God now. I wonder what she was up to while all this was happening? Guess we will find out in her own flick.

Plenty of superheroes perish here in Avengers Infinity War. The worst deaths being that of Loki, Vision, Heimdall and Gamora that hurt the most. Others have a fair chance of survival, I suppose, given that we have still the time stone in our hand. It could be that or if since Avengers is the end of the road as they call it, then maybe we lost everyone for good.

What are your thoughts on that? Let’s discuss that in the comments section below.

Guardians of the Galaxy Vol 2 Review (2017) | Yet Another Gem of Marvel

Guardians of the Galaxy Vol 2 is as fun as its previous installment was, or maybe a tad less. But it remains entertaining nevertheless. It tries to answer the speculations we had about who is Peter Quill’s Dad. The flick also forms the basis of the entire story of Guardians of the Galaxy Vol 2. It seems to be drifting away from the absolute rampaging hoot the first part was, yes, but when you have a story to tell, it’s a price one is willing to pay.

The movie drives its crosshairs to all its character giving them proper screen time to prove their mettle on numerous occasions. But the ultimate hero remains none other than the antihero Yondu Udonta, the whistling blue alien, with a badass flying arrow. It is him, his one Godly fight of reprisal, his acceptance, and his sacrifice that serve as the cardinal crux of the flick. Then it was also a great allusion to tell everyone about what a Celestial is, and what is it capable of.

Plot of Guardians of the Galaxy Vol 2 (Spoilers Ahead)

Guardians of the Galaxy sequel returns with a whole set of new forgotten songs never forgetting the real importance of music in the life of Quill. More importantly it does not forget its humour as it starts off with Baby Groot dancing off to a song unfazed by what’s going on while in the backdrop remaining Guardians are trying hard to defeat an inter-dimensional monster.

Baby Groot is akin to a baby whom they are supposed to look after until and unless he grows up, of course, to do some actual damage. So he remains his own dumbed down version for the better part of the flick, cracking us up good with his childlike understanding.

image of baby groot in guardians of the galaxy vol 2

Rocket is just trying to be well, himself, when he steals some important batteries right under the nose of Ayesha (Elizabeth Debicki), who had hired them to kill the monster in exchange for Nebula. Ayesha the leader of the Sovereign Race then sends thousands of drones to kill them. But the Guardians are saved a mysterious figurine riding a spaceship.

Gamora: A little one inch man saved us?

Rocket: Well, if he got closer I’m sure he’d be much larger.

Peter: That’s how eyesight works, you stupid raccoon.

On the crash site they encounter Ego played by Kurt Russell, who introduces himself to be Peter’s dad. He has a pet called Mantis (Pom Klementieff) who is later revealed to have powers of an empath and is kept around to soothe Ego to sleep.

Yondu and Rocket’s Escape

Meanwhile, Ayesha hires Yondu Udonta who has been exiled from his greater Ravagers community and is desperate to earn his name and get back on the saddle. He, along with a bunch of Ravagers find the stranded ship and capture Rocket. A mutiny breaks and Nebula steps in to decapitate Yondu by shooting the fin on his head. One of the ravagers called Taserface (Chris Sullivan) begins to lead the team of Ravagers by capturing Yondu’s ship and imprisoning both Rocket and Yondu, leaving Baby Groot to stray around.

I am so sorry. I just keep imagining you waking up in the morning, start looking in the mirror and all seriously say to yourself. You know what would be a really kick-ass name, Taserface!

Nebula leaves the ship to avenge the misdeeds carried out on her by her father Thanos owing to Gamora’s self-seeking glory.

With the help of Baby Groot and Yondu’s loyalist Kraglin, Yondu and Rocket manage to kill everyone aboard (watch out for that deadly arrow!) and escape. It is hands down one of those rare moments to remember in the Guardians of the Galaxy Vol 2 movie.

Ego the Planet

The secondary parallel running story is about Ego, Peter Quill’s dad, who explains what he is all about. He expounds that he is a God-like entity Celestial who is nothing but an immortal and who has manipulated matter around himself to create a breathing planet with his brain at its core.

Taking a human shape Ego had travelled across the universe to beat his loneliness and discover his purpose. That’s when he had come across Peter Quill’s mother Meredith on Earth. Peter was consummated then however he was forced to leave her to pursue his purpose. He had asked Yondu to deliver Peter to him, but Yondu had kept him to himself. Ever since that he had been constantly looking for Peter. Ego teaches him little tricks to channel and manipulate Celestial power since he was Ego’s true lineage.

On the same planet Gamora is attacked by Nebula and a fight ensues. In an awkward twist of fate they both end up rekindling their lost sisterhood. They find skeletal remains in the caverns of the planet smelling something fishy going on.

You can order Guardians of the Galaxy Vol 2 movie here:

The Ugly Plan

Ego one way or the other proves himself to be exactly what its moniker insinuates it to be. In an attempt to bring Peter to his side, he tells him about how he had planted countless seedlings across different worlds and that it would take him another celestial to activate them. Activating them would create extensions of Ego in different worlds through terraforming. Guardians of the Galaxy Vol 2 depicts a blob like thing consuming planets when Ego forcefully activates the seedlings using Peter as a source.

It is revealed that Ego was responsible for conceiving countless women all across the galaxy just to create extensions of himself, and he sent Yondu to retrieve the children to activate his seedlings, later killing them owing to them turning out to be failures. On realizing that it was Ego who had put a tumour in his mother’s head just because love was distracting him from his purpose, Peter Quill attacks Ego.

Meanwhile Mantis spills out Ego’s plans to Drax, Nebula and Gamora, who then join the alliance to help Peter Quill.

When you’re ugly and someone loves you, it means they love you for who you are.

The Final Showdown

Rocket, Yondu and Baby Groot arrive just in time to abate the punishing onslaught of Ego as they search for his brain inside the planet’s core. Ayesha’s army of droids arrive too causing a minor discomfort in their plans to kill Ego. Rocket creates a bomb with Ayesha’s batteries and has a hard time coaxing Groot to push the right button when it’s planted near Ego’s brain.

Peter uses his Celestial powers to save the remaining team by fighting Ego with all his might, as Kraglin approaches with Yondu’s ship for extraction. The bomb goes off killing Ego and disintegrating the planet in the process. Yondu sacrifices himself for Peter Quill. Peter realizes Yondu was simply trying to save him from being delivered to Ego and that’s why keeping him away from his true parentage, saving him from getting killed.

I told Gamora how when I was a kid I used to pretend David Hasselhoff was my dad. He’s a singer and actor from earth, really famous guy. Yondu didn’t have a talking car, but he did have a flying arrow. He didn’t have a beautiful voice of an angel, but he did have the whistle of one. Both Yondu and David Hasselhoff went on kick-ass adventures and hooked up with hot women, and fought robots. I guess David Hasselhoff did kinda end up being my dad after all, only it was you, Yondu.

When Guardians hold a funeral for Yondu, The Ravagers from all across the Universe come to pay tribute. The sacrifice Yondu was so huge that they revere him for that by showing up.

Post-Credit Scenes

In a post credit scene we see Stakar Ogord (Sylvester Stallone) reuniting with his ex-team inspired by Yondu. It appears we have another group in the making.

Kraglin picks up Yondu’s fin and arrow, clearly stating that the badass power is going to be his in the future sequels.

image of yondu with kraglin in Guardians of the Galaxy vol 2We find Ayesha looking for a proper revenge by creating something mysterious in a huge box. On being asked what it is she has to say:

That, my child, is the next step in our evolution. More powerful, more beautiful – more capable of destroying the Guardians of the Galaxy. I think I shall call him… Adam.

It is an allusion at Adam Warlock, another amazing Marvel character, who we might have the good hap of seeing in the long run. In one of the fun scenes of the movie Howard the Duck is shown once again. I think he is being toyed with for cameos so far. Stan Lee shows up once again with his cameo with The Watchers this time. It seems to make a curt remark as if it is Stan Lee filling them with the knowledge about his MCU. Some consider him to be a Watcher himself? Whaaaa….?

The Final Verdict

After watching Guardians of the Galaxy Vol 2 you realize the real hero of this movie was none other than Yondu. With an apt way to depart him from the future stories, which I think wasn’t at all necessary, (Why so soon?) the movie tries to draw out its emotional factor. But since its drama is always interposed by someone’s witty remark, a jest, or Baby Groot cuteness, it fails to charge up the melodramatic enclave it wished to go on, and eventually things kind of seem like a stretch.

Nevertheless Guardians of the Galaxy Vol 2 turns out to be simply amazing owing to the fun factor it trundles on, the choice of music it picks every now and then, the proper screen time it lets each of the superheroes have, and its brilliant direction.

Check out the trailer of Guardians of the Galaxy Vol 2 here:

War Dogs Review (2016) | Smart, Witty and Fun | A Tad Unscrupulous

War Dogs is a crime biopic made thoroughly exciting by its cast. I have always enjoyed watching a Todd Phillips movie. It doesn’t rip you apart with humour alone but also thrives on a great theme throughout, primarily with a story that makes every bit delectable. The bottom-line is that there is always something to look up to in his frames, and that makes the imminent, full of promises.

War Dogs is no different. The biopic though fictionalized beyond limit to scooch in theatrics, comes out as an enjoyable piece that shatters doors of gravitas to bring that smile to your face. What work for the movie are hands down mind-boggling performances by its duo, and its uncanny witty theme. Where at one hand, Jonah Hill makes his character one of the most cherishable ones ever, Miles Teller cannot certainly be overlooked either with his riveting gazing mien that brings profundity to the cinema. Both of them, with their dynamic chemistry together, make War Dogs a fun yet intriguing watch.

PLOT OF WAR DOGS

The plot is basically an intensified theatrical look into the lives of Efraim Diveroli and David Packouz. With David joining his high school friend Efraim in his pursuit to supply arms and ammunition to the US army, the movie gets into the fine detailing of how their jobs were pulled off. It is a sheer mockery of the then existent feeble policies of US that saw opportunists getting their hands warm in the Iraq and Afghanistan fire.

War Dogs begins with a brilliant diegetic tone from David’s perspective, and delves into the story of David’s life even before he meets Efraim.

“War is an economy. Anybody who tells you otherwise is either in on it or stupid.”

War Dogs is divided into various chapters with lines of crises from its own screenplay for chapter names. Each section gives away what is about to happen which isn’t actually the best way of storytelling to be honest. It takes out that element of surprise of what’s coming from it. But you have to give it to Todd for his creativity to weave Guy Lawson’s Rolling Stone article “Arms and the Dudes” into something tangible.

At one point when you almost begin to think, if War Dogs is just meant to caper all along on its fun theme, the movie proves you wrong almost instantly. You see it enter deeper waters. Drama becomes impactful and you realize all that hourly fun of awesomeness is heading straight for the deep muck they had signed their checks for. Dramatics come galloping then and it levels the movie with its theatrics giving it a perspective and a direction.

DOWNSIDES OF WAR DOGS (SPOILERS INCLUSIVE)

If you stare hard at the downsides of War Dogs you will see how much of the detailing have actually been overlooked. To show you what you wish to see, a lot of the backdrop is made to disappear in your subconsciousness. A city in despair doesn’t feel like it when you visit it through Todd’s fun frames. There is no real tension you perceive. It wasn’t intended to get serious at any point, I surmise.

Also, you can say the same by looking at the character Iz played by Ana de Armas. Tension is not allowed to transpire at all. She ends up becoming nothing but a nagging wife.

still of ana de armas as Iz in War Dogs movie

War Dogs also elongates the Iraq visit too much, creating dispensable humour for one Dick Cheney’s America scene, which seemed quite unnecessary. It feels like Todd might have had some extra time frames to cover or might have ran out of substance. So, he creates something that actually didn’t happen.

I really wished a profound character came along to show the perpetrators what they were actually dealing with. Why war is not what they think what it is. The gravity of working with elements of chaos as if they were playthings of a child; I think it was important to show them the misery they were offering.

They get a poetic justice in the end, which was nicely wrapped up. A surprise visit by Henry Girard played by Bradley Cooper, who prefers wearing sunglasses, felt justified on the levels of David’s morality. But when the question is posed about Bashkim’s whereabouts, Henry shuts him with money, thus leaving all his threads out in the open.still of bradley cooper as henry girard

CELEBRATING CRIME

At the end of it all, you have to understand, both Efraim Diveroli and David Packouz were really bad men. The way the movie gets manifested is as if what the actors were doing was a good thing. A context that its direction feeds you, and it is sad that something rogue and out of line like that gets celebrated.

You can’t help but notice how the movie only plays out on the vantage of David Packouz’s perspective. It puts him in the spotlight as a person who had a conscience whilst slaying Efraim’s brazen demeanour altogether. At what point in the movie does Efraim ever realize what he did was wrong? Well, never!

OTHER ASPECTS TO NOTICE

War Dogs is thoroughly entertaining. It has plenty of humour all of it coming from Jonah Hill’s natural knack for it. Miles Teller brings percipience to the story. It always gives us pleasure watching people get insanely rich. It brings smile to our faces, and that’s what primarily the movie tries to earn its green on for the better part. In the later part, we see the decline, which is a fit downhill ride anyway.

Oh and whatever happens, don’t ask Efraim the full form of AEY. Watch out for that bit!

SCREENPLAY OF WAR DOGS

The movie’s screenplay is abounding with beautiful lines, at times touching rare levels of contemplation.

“I miss not taking shit from anyone.”

Miles Teller’s diegesis continues throughout the flick dropping brilliant lines that transcends War Dogs altogether. Some lines are subtly put as well, leaving things for viewer’s imagination.

“No questions asked.”

THE FINAL VERDICT

It is hard not to compare War Dogs with the likes of Lord of War. What Andrew Niccol had created was undoubtedly and effortlessly smart, something you see War Dogs struggling with at numerous points. But it still manages to rope you in with Miles Teller’s rapt eyes and Jonah Hill’s engaging performance despite the theme movie tries to cash in on.

Despite, how good the movie turns out to be it still remains unscrupulous nevertheless.

still of jonah hill and miles teller high on weed joint in war dogs

What you would definitely take from this movie would be Jonah’s signature laugh; no doubt about that.

Check out the trailer of War Dogs movie here:

10 Cloverfield Lane Review (2016) | Mind-boggling Thriller

An invigorating joyride like you have never experienced before! 10 Cloverfield Lane lets you get into the shoes of the protagonist Michelle played by Mary Elizabeth Winstead to experience a nail-biting gut-wrenching thriller that doesn’t even lag a bit. With a superb editing to do it justice that is all over its beautiful pace, it keeps you on your toes whilst the excitement lasts.

The Direction of 10 Cloverfield Lane

Dan Trachtenberg’s fully-fledged debut is an exceptional dig into a theory that starts off a bud, only to reveal itself into a bigger plot at play. The way it slowly opens in psychosis is similar to a crime flick, and will leave you wondering if that is all to the tale. But no, Josh Campbell and Matthew Stuecken’s story is brimming with enthralling twists strewn all across per se to keep you wondering about the veracity of the storyline. It is just that impossible to see through it.

The Plot and Theme

The most exciting thing about 10 Cloverfield Lane is the way the story picks up. One moment you are wondering it is an abduction, but then suddenly you see an affected zombie-like person smiting at the door. You are forever thinking akin the character Michelle, which further makes the story very tangible. A possibility that reeks of both fantasy and palpability.

Howard played exceptionally well by John Goodman keeps things interesting as it is difficult to get a read on him. One moment things seem ugly, the other fine, and then the perversion returns. You will keep questioning yourself has the world really gone kaput or is that psychotic villain just feeding you a shitload of bull. That is what the 10 Cloverfield Lane movie thrives on. But the beauty lies in whether or not to believe Howard, a blemished soul with a twisted head, who will do anything to stay indoors and slap judgments.

Downside

The only problem with the movie is that it bashes into an unpredictable climax something which the spectators weren’t really prepared for. For me it was a welcome twist. But I realized some people got miffed in the theater. For some it was too much to handle.

Then things kind of start sprinting and the movie loses its focus. There is little time for Michelle to grab a breath, which makes her character harder to believe and relate to. If I would have been there I would have pissed my pants, or died would be your first thought. But no, Michelle is a ballsy player. When cornered she does everything in her hands, to survive. You could say the aforementioned but then Mary Elizabeth Winstead looked a little out of place to ace those cornered emotions.

We get to see that it is an alien film that finally sieves in place as all the psychosis ends. Yes, it stands against some elite alien films helmed till date.

The Final Verdict

Whatever that little put off might have been for you, you have to establish 10 Cloverfield Lane certainly had a unique concept, a very disparate way of showing it just like the movie Room, with an outrageous stunning plot and a mind-boggling twist in the end. It kept us forever rooted. Isn’t that what a good movie is supposed to do?

Joy Review (2015) | Truly inspirational

What an inspiring flick! Joy is simply awe-inspiring.

Jennifer Lawrence is a girl with the golden goose. She never fails to deliver. Her portrayals are powerful. Her eyes are so riveting that it is hard not to empathize with the pain she wears. Her demeanour dons a skin that is hard not to relate to and she makes you sway to her rhythm. The natural act she puts on is unmatched.

DIRECTION OF JOY MOVIE

David O’ Russell cashes in on Lawrence just right. To helm Joy as a character so marred by spears of life that she forgets her true talents is what he tries to manifest. Bludgeoning her further are intricacies that end up in a chain reaction and pile her under the boulders of responsibilities. That’s where the flick takes off. It is a pleasant perspective taken in a diegetic tone by her grandma Mimi, played by Diane Ladd, an optimist with a very kind heart, sadly clouded like any grandmother is. Sidelined and unseen she keeps pointing out the good in her, and occasionally making Joy believe that she was special.

“Maybe your dreams are on a hold right now.”

ABOUT DREAMS

The bit about creation was an eye-opener. On behalf of all the creators across the world, I would like to thank Russell to have given it a proper coverage. If we don’t look at the reel life for a second and focus on the real, so many of us have dreams that we started up with, a natural flair that promised us silently our true purpose in life, but alas life happened to us and we got skimmed to the footpath, diverged.

Russell’s take is just brilliant when he focuses on the pointlessness of relations, tangled ways of the living, and the insanity of it all. He subtly delves into the territory of epiphany with Joy’s dreams, the only point I felt the flick’s balance missing as he tries to blend in melodrama and humour at the same time. The epiphany bit sadly needed more emphasis.

However what unfurls thereon is a constant struggle to prove the mettle, the malice in commerce and the hopelessness that doesn’t seem to stop, until it does. It is quite inspiring for people who have put their dreams on hold. There are so many people who point their fingers at you when you are doing something good, succeeding at it, so many near ones who reek of jealousy and try to pull you down, something which Russell captures magnificently.

He uses exceptional screenplay to dignify the fallen talent, and weaves some great words. The rest is picked up by the cast really well. There are bits that shatter you to pieces, despair that boils you up but you can’t simply help but marvel at the perseverance of Joy as she fights everything and comes out a victor.

If you wanna feel inspired just go for it!

Burnt Review (2015)

Burnt is fine, but not good, forget about the great ones in the culinary basket.

John Wells helms a good movie, but he doesn’t have a big rad plot to save him. A washed out burnt down Chef has cleaned up, buffed his act up, and put himself together in an endeavour to pursue perfection. He is reaching out for a third Michelin star and anything less would end up getting burnt by his wrath.

So we know how recalcitrant chefs are. Seen enough Gordon Ramsay to reach that conclusion. Bradley as Adam Jones touches that nerve wrecking breakdown to achieve what he has planned to do. He shouts, despises, scorns and insults his crew to get their juices running. He doesn’t care how evil he might look or sound while trying to get results. He is unaffected by emotions, reckless with his life but careful with the food he is preparing. If his preparation doesn’t meet the standard in his head, he flings it away and doesn’t even hold himself from bashing it to the wall.

He might be a man with a mission, but he is arrogant, mean and a heartless prick. He is also in a huge drug debt which gawks him from a distance, and occasionally batters him up good. He is trying hard to reach it, and there is always someone or something that messes him up and compels him to start at Ground Zero.

What is quite interesting to watch is the brilliant presentation of its frames. The food shown in Burnt will at once make you hungry. There are great close up shots that will sizzle your palates. But everything disappears leaving you wanting for more. Also, there isn’t one great recipe that is highlighted marvelously or shown being cooked proper which will bum foodies out. The story lacks substance which is sad. Screenplay of the flick is good. The score is kind of okay, but could have used some more depth.

Cooper fans are gonna love him in this new avatar. His acting is still very engaging. His dramatic bits are great to watch and Siena Miller complements him yet again quite beautifully. Daniel Bruhl plays Tony beautifully too. Emma Thompson has been given some marvelous lines, while Alicia Vikander has kind of a cameo in there.

Remember the golden rule to truly enjoy anything: Don’t compare! Burnt shouldn’t be compared with other similar culinary movies in the library and you might relish it.

American Sniper Review (2014) | A rad biopic on Chris Kyle’s life

American Sniper is an engaging glimpse into the head of an iconic soldier Chris Kyle , a Navy Seal veteran and a badass sniper. The biopic juggles between his love life, his sniping badassery, his fame and the mental state aftermath war that had him vexed for a while. American Sniper goes on to show how war gradually takes its toll on soldiers. It manifests through the yearning eyes of Kyle how he would always prefer an explosive battlefield to a quiet time home.

Prologue Jitters (Spoilers Ahead)

As soon as the screen goes dark and the movie begins, we are subjected to an enthralling booming bass that echoes power and might, depicting annexing right. All thanks to the boom operators of the flick. A tank shows up, an apt manifestation of annihilation like a devastating predator crushing rocks. It walks alongside soldiers on a mission. Not far away a sniper rests in a prone position on a roof alongside another soldier searching his target with rapt attention, cracking jokes.

Entry a lady hiding a grenade earnestly waiting for the convoy to arrive. She is accompanied by her son to whom she slips the grenade. The child rushes towards the American convoy, fully fledged, unaware of the cross-hair and bang! The deafening noise takes us to the past to the hunting grounds where a father is busy teaching his son to shoot.

Still of Bradley Cooper as Chris Kyle in American Sniper Movie

Such brilliant direction! The prologue is so beautifully shot that you almost know that you are in for a treat. The story captures every aspect of the ‘Legend’ with whom American soldiers felt invincible. The flick features all his four major tours. There is a beautiful melodramatic side story showing his wife wanting his husband home. What it also beautifully captures is the aftermath of war-turmoil in a soldier’s head.

Amazing Moments from American Sniper

One of the most exhilarating scenes from the flick is when Kyle takes off his belt to smack his dog without realizing it. Also, when he takes his longest shot that ranged around 1920m and executes it to perfection. It’s the one that places him at the 8th spot on the global meter of champs.

“I want you to be human again.”

There are many other gorgeous subtle bits in the movie. Like, slaying a woman and a child wasn’t how Kyle imagined his first kills to be like. Apt coverage is given to that to make you feel his sorrow. Some beautiful dramatic pieces like Kyle shouting at the nurse to tend to his baby, asking his wife to move on if he doesn’t return, his post-traumatic disorder, perspectives of people he met on war, Kyle’s recovery and the final goodbye lap it up further bringing quality to this great biography.

You can order American Sniper movie from here:

Downsides

A lot of hoopla surrounds the American Sniper movie owing to the delicate topic it touches viz. Iraq War. As a result, weird rumors and a lot of plot holes quickly showed up for this one. Some of the facts have been altered for movie viewing.

But if we overlook everything that raises brows and focus merely on how good the biopic really is, and experience the emotional quotient of the drama entailed, we would see how marvelous American Sniper movie really is.

A definite watch for everybody.

You can check out the trailer of American Sniper movie here: