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Thor Ragnarok Movie Review (2017) | Everything Marvel Stands For

An epic conclusion to the Thor trilogy! Thor Ragnarok movie is fun, adventurous and action-packed. Just like Marvel movies generally are. Marvel plays their cohesive universe card once again, this time bringing Hulk to the vanguard to complement the story.  We get our very own cinematic version of Thor vs Hulk, which even though stays the highlight of the movie isn’t the foundation on which the flick is built. The clash appears to be a fair fight and the movie chugs forward like it was supposed to.

Marvel, the pro it is at aggrandizing events and helming great stories, releases a movie that’s built more on fun than on dead action. We have seen it grow like that, but in their past creations, emotions used to linger around a lot. In Thor Ragnarok movie, however, with its gigantic plot waiting at the anvil, there is literally no time for it. It is focused more on entertainment and tries to cut short emotional stuff.

Direction of Thor Ragnarok Movie

Marvel has always made great investments. This time the crosshair was on Taika Waititi as the rest of the universe sat in anticipation. MCU never fails to identify talent in great men. Probably that’s how and why Marvel Studios always stays ahead of the curve.

thor and hulk in thor ragnarok movie

Hulk like real fire. Like, raging fire. Thor like smouldering fire.

Taika does justice to Thor. He knows what he is doing and moves around beautifully betwixt Hela’s badassery to Sakaar, a garbage planet where Thor gets stranded. He runs parallel stories without disconnecting you, lets Thor shine out as the protagonist he was meant to be, without belittling other Marvel characters.

Taika Waititi has plenty of screentime stored for characters that were forever meant to belong to Thor’s world, allowing characters like Jane Foster not be missed. There is theatrics galore, plenty of wow moments to leave you wanting to see more, and music that will forever ring in your ears whenever you will think about this movie. A wink at Led Zeppelin‘s badass remix of Immigrant Song.

The score by Mark Mothersbaugh is amazing, puts you in the right mood. It complements the frames, and lets you truly enjoy the movie.

You can order Thor Ragnarok’s Original Sound Tracks from here:


Grandmaster (Spoilers)

Jeff Goldblum‘s portrayal of Grandmaster is hands down, one of the most memorable characters he has ever played. You are going to remember his flair and delivery when you look back. He becomes successful in creating a character you cannot hate even though he stands on the wrong pedestal against the Lord nay…God of Thunder.

Thor Ragnarok movie Grandmaster with Topaz and Valkyrie

Grandmaster: I love when you come to visit, 142. You keep bringing me just the best stuff. Whenever we get to talk to Topaz about Scrapper-142, what do I always say? She is, and it starts with a B.

Topaz: Trash.

Grandmaster: No. Not trash. Were you waiting to just call her that? It doesn’t start with a B!

Korg

Korg voiced by Taika Waititi himself was a chucklesome addition to the story. His voice alone will make you laugh.

Allow me to introduce myself. My name is Korg. I am kind of like the leader in here. I am made of rocks, as you can see, but don’t let that intimidate you. You don’t need to be afraid, unless you are made of scissors! Just a little Rock, Paper, Scissors joke for you.

The Kronan species is slapped right from the comics but is given an amusing perspective. The fact that he is going to reappear in MCU, in the long run, is a fact that’s worth rejoicing.

Valkyrie is an interesting addition to the story as well. Played by Tessa Thompson her presence made us overlook Jane Foster, and parting with her character, in fact, didn’t actually hurt. Also, life is all about moving on, isn’t it?

Mark Ruffalo literally aggrandizes everything with his presence. Bruce Banner suddenly becomes funnier with his memory jetlag, and flings at us some rib-tickling jests.

Welcoming Loki to the Other Side

I can’t believe you’re alive! I saw you die. I mourned you. I cried for you.

While a lot of Loki’s perversion disappears with the passing away of Odin, it doesn’t feel right when we don’t see him do something mischievous. Even though he tries, Thor stays ahead of him. We don’t see him in that usual mindnumbing avatar that we were so accustomed to. Even though it wouldn’t be wrong to say that it was a relief watching him drift towards the good side. But as hinted from the looks, he gave to one of the infinity stones, I guess it would be too soon to comment.

still of loki in thor ragnarok

Yes! That’s what it feels like!

The universe becomes further taut when we see Doctor Strange in the opening scene. He helps Thor locate his father.

It is amazing how Marvel packs entertainment inside another capsule of entertainment. We get a mini-movie of sorts, like a short film, that’s as congenial as their movies are.

Thor: No, I don’t have a phone but you could have sent me an electronic letter. It’s called an email.

Dr. Strange: Yeah. Do you have a computer?

Thor: No. What for?

That’s what they do with their end credits that tell us there is something always worth waiting for.

Some Issues

Comedy mostly takes the pain and viciousness away. That’s what happened to the Loki storyline. Following that logic, even Hela portrayed by Cate Blanchett becomes less intimidating even though she housed peerless powers. Her badass portrayal feels short lived. The final battle doesn’t feel like a final boss fight though.

The music even though how awesome it sounds takes away the noise that powerful blows make that used to so subtly place you on the battlefield.

Gardens and goblets? Peace offerings? All his deeds of peace. None of what he did to get it!

Skurge (Karl Urban) another one of those characters that we saw take shape in Thor Ragnarok movie appears to be an opportunist. Even though Karl aces it, the story seems to be doing him a poetic justice. In that wrapping closure, we find him ending up being very trivial, cliched and of little value.

The Final Verdict

Thor Ragnarok movie thrives on humour for most of its runtime. It stays away from gravity when it comes to showing thoughtful drama. That being said, it screams fun in every frame opening gates to future sequels. It allows Thor to move on, introduces new characters to the storyline, thereby helping MCU to grow even more.

I choose to run towards my problems, and not away from them. Because’s that what heroes do.

While the movie is more inclined towards entertainment, it doesn’t compromise on the plot and keeps you well riveted to your seats. There is something in every frame, and the pace is just right. Great editing there!

It’s amazing how MCU is growing with every cinematic release, the universe expands. The way it accomplishes it is simply alluring.

It wouldn’t be wrong to easily count Thor Ragnarok as the finest Thor movie in the entire trilogy. Can’t wait to see how the Avengers are going to fare against their toughest nemesis Thanos for whom the stage is set.

Check out the trailer of Thor Ragnarok movie here:

Ghostbusters Review (2016) | Easter Eggs Galore But Falls Flat

A tribute to the original. Funny at times but falls flat big time. Anything about Ghostbusters and it takes us back in time. The Ivan Reitman project was hands down colossal. You watch it even in this era and it still manages to leave its impression on you. Paul Feig’s Ghostbusters comes nowhere close to bringing that old anxious charm of the original. It is funny alright, but there is nothing that could bring it close let alone surpass the levels of Reitman’s work.

DIRECTION AND PLOT OF GHOSTBUSTERS

Ghostbusters skims on the surface of the original, so there is nothing extraordinary that the movie has to offer, except for glimpses, characters and ghosts from the past that fill you up with nostalgia. There are plenty of elements from the 1984 gang strewn all across the movie. You might go, “Ah! There he is!” or “Oooh! Oooh! That’s from the old one!”

Clinging to the original fun theme of the movie, that neither goes too dark or stays too aloof from it, Ghostbusters manages to walk well on what it was proposed to canter on. However, there isn’t an element of surprise lurking anywhere here. The world Paul Feig creates is unaffected by ghosts, the multitude of dumbness, who stay unfazed by the lives of any ghostbuster, unaware of what’s going on. They seem to come in as they please, react when it seems fit to them.

Feig’s direction goes to awkward enclaves when he constantly keeps chopping off frames quickly moving on from one scene to another without caring enough for the audience to take it in. You can witness the shoddy editing go strangely awry at so many points that it creates a portal of disconnect.

GOOD BITS TO CHERISH

Still of Chris Hemsworth as Kevin in Ghostbusters movie

Chris Hemsworth as Kevin is probably the funniest thing in Ghostbusters. The only notable and memorable element that you might want to talk about in the long run, owing to the levels of dumbness he is shown scaling. Kristen Wiig’s Erin Gilbert has an instant apparent crush on him and she aces it with her superb comic timing.

Kate McKinnon builds up a strange character Jillian Holtzmann which is oddly satisfying. She does most of the work for the team. She has this eccentric cool style that will make you love her instantly.

CAMEOS AND GLIMPSES FROM THE PAST (SPOILERS OBVIOUSLY DU-UH!)

There are plenty of cameos to watch out for. First of all, all those major characters from the 1984 movie pop up every now and then at odd hours namely: Bill Murray, Dan Aykroyd and Ernie Hudson. Not to forget Annie Potts who reprises her role as the desk receptionist here as well. Ozzy Osbourne shows up at one point too which was a pleasant surprise. Slimer the green ghost gets to drive the Ecto 1. It was good to see him revived after so long.

still of slimer in ghostbusters movie 2016

The ugly part of it all was that their inclusion seemed oddly forced. There was no subtlety to it. No jokes flew when they were there and that makes it look utterly fabricated. Camera zooms in at a lot of places to deliberately show a past reference. Easter Eggs are like lying in front of the camera for 2 minutes for you to notice.

FINAL VERDICT

If you divide the movie in subsections, you will realize that the movie does fairly well in the first half. In the later half Ghostbusters’ humour simply drops dead. If you focus on how it manages to bring back every character from the past, you will have nothing less than goosebumps on your body. Humour comes naturally with the inclusion of Melissa McCarthy and Kristen Wiig. But if you look at it as a complete movie, sadly it fails to dilate your eyes.

Check out the trailer of Ghostbusters movie:

In the Heart of the Sea Review (2015)

“My soul is dead.”

A poetic and arresting take on one of the deadliest fictional water beasts.

Nathaniel Philbrick’s In the Heart of the Sea is an entirely different take on Moby Dick, a different vantage that pays tribute to the most beloved tales of all times. The plot begins with Herman Melville played by a bearded Ben Whishaw visiting Nickerson, a survivor of the Whaleship Essex that went down owing to a tragedy that befell the entire crew when they encountered a gigantic sperm whale. Melville is bent on squeezing out the horror from Nickerson’s eyes into his leaflets because he believes it to be one of the greatest stories he has ever come across.

Philbrick’s perspective is exceptional. Ron Howard cashes in on it just fine. He follows the tale with eye threatening close ups and water-shots to jackhammer the dread quotient. Wonderful whale shots have been captured. Essex-sailing, the squall, whale-hunting have been depicted splendidly. It was a joy to watch the beast breathe alive for the first time in the sea. The size of that thing! The satellite shot ensured the audience scaled it amidst puny boats.

The better part of the movie runs in a diegesis which has been brilliantly written. The score often moves around the soothing notes of a viola that makes the flick a heartwarming watch. Whales have been subtly shown, never given a proper focus, reflecting – just like you would be bewitched by its swiftness in real life. The beast is a beauty! Tiniest of details on its flank have been manifested subtly. Then there is that badass tail. Watch that beauty surge!

What In the Heart of the Sea fails to milk is the “Chase-Pollard” rivalry. It had no Rush charm to it. Coffin’s role too seemed like a cameo which could have possibly unfurled into a possible brilliant feud. The young Nickerson played by Tom Holland was simply an eye in a tale. His character adds little value to an ongoing stream. Tom is an outstanding actor however he gets lost under the doldrums of their unfortunate tragedy, and often gets overshadowed by the movie’s protagonists. Matthew Joy’s character seemed like a crucial build; however Murphy wasn’t allowed to show off his acting prowess. Flick’s editing made sure of that.

SPOILERS AHEAD:

One of the hardest choices Chase has to make when he finally gets a clean shot on the whale and he chooses not to take it. Whilst the writer leaves that bit for viewer interpretation, it is quite poetic if you really look at it. Chase was convinced they were flung into the jaws of chaos owing to the job they did. He throws the idea to Pollard in one of the finest conversations they had in the entire movie. He starts to believe everything they went through was because they were hunting and killing whales for profit. He takes the sperm whale to be an eye-opener.

He looks it in the eye and whilst the world wonders why he doesn’t budge, he silently lets the beast go thus saving his crew from another mishap. All those segments have been beautifully depicted by Ron. It is really hard to show such bits via a movie but he nails it anyhow.

Also the survival tale reeks of an emotional trauma when the crew resorts to cannibalism. It hasn’t been depicted but the words and the diegetic tone are enough to give you an idea. It is a terrible thing to have happened. Howard ensures he keeps things subtle whilst touching such a delicate topic.

Charles Leavitt’s screenplay is downright gorgeous. There isn’t a moment you don’t marvel at his beautiful words. They are drenched in literary awesomeness. There are so many points wherein I felt my ears tingle with powerful words.

I would highly recommend this movie to everyone. It is a beautiful tribute to Herman Melville and his super-rad legendary creation Moby Dick.