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The Girl on the Train Movie Review (2016) | A Whodunit Thriller That Leaves you Guessing

The Girl on the Train is a whodunit mystery. Tate Taylor tries to keep the real murderer well under the wraps at all times in the girl on the train movie, trying to do ample justice to Paula Hawkins’s novel of the same name. However, in an attempt to cover up, and tie everything down to the story’s culminating point, he seems to be unknowingly rushing towards the ending. That leaves Tate Taylor’s work a tad impoverished for its grim theme. Characters of the movie don’t get a proper focus, and you kind of hate every one. Nevertheless, when you focus on its fine plot you realize that Paula Hawkins had weaved one hell of a tale, and for that you cannot praise her enough.

Characters in The Girl on the Train Movie

The Girl on the Train movie commences with a slow jerk, with overwhelming thoughts of Rachel portrayed brilliantly by Emily Blunt. I am pretty sure it would have sounded a bit different if the screenplay had zoomed in on her broody thoughts more than focusing on just the materialism. Her yearning to live someone else’s life, her vantage that sees a stranger’s rewarding world and tries to compare it with hers, her perceptive theories that try to write stories on already written pages, and her constant yammering and reasoning with herself in search for a direction were all literally shouting for better subtle and artful frames. Unfortunately Tate didn’t realize that.

still of emily blunt as Rachel in the girl on the train movie

We move on just like that speeding train without getting a hang of her emotional trauma. Then we see Tate introducing us to the second most crucial character, Megan portrayed by Haley Bennett. She is a perfect fit with a constant gloom that looms over her. She tries to display all phases of her life, the past, the present and an impending horrible future in her countenance. Her comportment is that of an intense indifference that lurks somewhere in the hollows of her eyes.

Other Characters

Anna played by Rebecca Ferguson on the other hand gets the least amount of focus. You don’t see her unfurling that well. Tom’s character portrayed by Justin Theroux seems most of the time absent. Edgar Ramirez creates Dr. Kamal Abdic as Megan’s shrink, and is a guy who basically listens to her, and given his profession, understands her troubling woes more than anyone else. Scott played by Luke Evans is simply a guy who ends up being cheated upon, and later lied to by Rachel. He doesn’t get a proper screen time. With such cameo kind of roles you feel like, it is the director and not the story that is basically trying to steer you towards the enigma.

The Inebriated Plot (Spoilers Ahead)

Rachel is an alcoholic, and she drinks so much that she has become amnesic. So much that she is in a constant wont of blacking out every day. It is then others who fill her in about her acts. That’s like a curse per se. She has been divorced by her husband, who has married Anna now and has a baby with her. Glimpses from the past haunt her, and it is hard for her to move on.

still of haley bennett as megan in the girl in the train movie

Megan is a gorgeous lady with a troubled past. She babysits Anna and Tom’s child, and lives a few blocks away from their house. But her backstory will bring tears to your eyes. I just wished her dismay to be captured better than what Tate showed us. She lives with Scott, the guy with the perfect body, but unfortunately she has been cheating on him.

In a series of fuming events, Megan disappears and nobody seems to know where she is. Rachel who had unknowingly bonded with her, (a one way) by simply staring at her life through the panes of a train ends up blacking out on the very night of her disappearance. And sadly she was the only one who could have guessed the culprit.

The movie is then her attempt to figure out who the real murderer is, and she doesn’t rule herself out as well.

You can pre-order the movie The Girl on the Train here:

Other Issues

The thing with crime drama is that it mostly revolves around characters. And each one demands irrefutable attention. But there is so little to the character development here that makes you hate each and every one of them. There is nothing relatable served to you, and that’s where the disconnect lies.

The timing of this movie is also one of those issues. It was released alongside Inferno, another movie that had belied memories to blame for, almost a same amnesic plot build up. The similarity is very uncanny.

still of Rebecca Ferguson as Anna the girl on the train movie

Another vexing fact is that Tate Taylor tries to confuse the viewers even more by showing glimpses from the past in constant running frames. Even though it’s a ballsy attempt at subtlety, trying to dislodge the timeline into dissonance, it sometimes becomes too much. As if trying to figure out what’s happening wasn’t enough!

The Final Verdict

A movie like The Girl on the Train needs a profound calm. Something that lets you think alongside the protagonist, or may be relate to her character, by understanding her.  Sadly that’s profusely missing. However, the movie still remains a very intriguing crime story that will leave you wanting to know what’s coming at every juncture.

Bottom-line is, The Girl on the Train movie could have become so much great, but it ends up becoming a mere adequacy instead.

Check out the trailer of The Girl on the Train movie here:

Furious 7 Review (2015)

“For Paul”

Furious 7 is all about flying Lykan, shattered skyscrapers, mammoth bullets, Gatling rounds, super-amped destruction, relentless drone syndrome, Jaa’s Parkour, badass rides, skimpily clad models, exquisite close calls, death defying moments, Herculean jobs, mind numbing head-ons and badass action. This movie is an action-pack adrenaline pumping madness just like its predecessor. But does it have a great story? My answer would be a big No to that.

Wan unfortunately doesn’t have a good story in his baggage. What he still has is some dope action to exploit, and he manages to create insanity with that! Watch out for that insane car-dive and the skyscraper stunt! Most memorable ones! Humour shines fine by Tyrese Gibson’s presence, and he occasionally takes off the heat.

Furious 7 is thrilling throughout. Adrenaline keeps on pumping constantly. Destruction doesn’t stop. Cars keep getting totaled. Bullets fly in the air like flies. The flick has pretty great one-liners that are downright bad ass. Snappy and witty comebacks make the screenplay quite clever in a way. Dramatic bits are kind of average, but make a dash for awesomeness to pay some quality Pablo homage in the end.

SPOILERS AHEAD:

Statham makes a badass entry as Deckard Shaw into the lives of Furious guys with a dope fight with Hobbs. It is here we get to see that eye candy Rock Bottom that we have been waiting forever. Unfortunately he gets sidelined by an unconvincing side-story.

We already knew from the prequel, Shaw’s brother would be lurking in the shadows waiting to drop the chaotic bomb at Team Furious anytime. So he promised Dom via a phone call. And Bam! goes the ‘home’ in splinters with a sustained visual of 5-6 blasts occurring simultaneously that engulf the entire house. The predator calls for it and Dom gears up like a Daddy to teach him a lesson.

The entrance of Kurt Russell was so pathetic that it made us instantly hate him. I swear I saw perplexed people in the theatre wondering “Why?” out loud. Mr. Nobody’s addition to the tale was simply to weave two jobs that Dom could have lived without. Just so that he could find the hunter, he agrees to lick the candy Mr. Nobody was selling. But boy does it unroll into mind-numbing stunts! Skyscrapers hyperjump by the exotic Lykan hypersport would make your teeth turn into a nail clipper. Another pretty dope bit is the car sky-diving bit. Stunts like these ensure that the franchise isn’t dead yet. It will continue to flabbergast you, compel you to jump on your seat.

Unfortunately the screen time of Deckard Shaw is quite less, and he fails to create a villainy charm in the movie. He does pop up hither and thither to overthrow Dom’s plans but passes out weak as a very average forgettable villain. He looked puny compared to Dom fury.

The best thing however remains the show stopper – a perfect adieu to Paul. Final bits show Vin in pain, and you could almost read the tears that got masked by his acting. You could instantly comprehend and empathize with his loss. A series of flashbacks of Paul show up with Vin’s narration in the backdrop and your heart falls in a heavy pit. Such a big chunk tore away! You are left to ponder in tears. It was a great decision not to kill Pablo’s character. Giving him a respectful farewell from the franchise was really thoughtful.

In an action franchise like Fast and Furious, just remember you have to overlook everything. Logics are defied, Physics taps out to action, gravity stops working and time takes a hiatus for the protagonists. Just sit back and enjoy the action packed fun this movie promises to be and is. Be super-psyched and never forget Paul!

Dracula Untold Review (2014)

Dracula Untold is told by a beautiful dark direction of the newbie ‎Gary Shore‬, Stoker’s tale has found a perfect variant.

Luke‬ is ravishing in the drac shoes and the tale of Dracula Untold is brilliantly scripted. There are subtle glimpses that Shore uses like depicting rad scenes of war through the dead eyes of a Turk that makes things different. Although the action bit isn’t that great and put out quickly, the story still keeps you rooted. Some clichéd pieces pop up here and there, but its our own favourite fictional protag Drac, what do you expect? The score is apt. It makes you feel the vampire wrath. Screenplay is good.

When we contain the awesomeness of Luke’s gripping facial gravity, make it dark, combine it with some twists and turns of the legendary Bram Stoker’s tale, add some ‪Cooper‬ to it, throw in some ‪Charles Dance‬ grim screenplay voice then lo! we get a good decent movie that has the potential to run a fine franchise on its own.

We have forever rooted for a better depiction of the bad-ass Dracula tale, haven’t we? Well, Dracula Untold might not be the right justice we expected for our beloved anti-hero, but it isn’t quite bad either. Gary Shore might have ignited a franchise spark, that could be picked up by a much better director and an imminent promising story as well.

But everything aside, If we really want the right adjudication and the perfect hammer to drop, we want it to be picked up by some brilliant directors like Cameron, Nolan or Scorsese to give it the perfect verdict.